Case studies matching "metal cladding"

Eikon Design has successfully undertaken a major renovation of the Spirit AeroSystems main reception area, creating a stylish, energised space that integrates perfectly with the new corporate branding on its recently completed, world-class £28m Aerospace Innovation Centre.Spirit AeroSystems is one of the world’s largest manufacturers of Aerostructures for commercial airplanes, defence platforms, and business and regional jets. Eikon Design won the contract to design and project manage the reception area renovation.From the start, the designer felt that the refurbished reception area needed to reflect the dynamism and vitality projected by the Innovation Centre. The designers first thoughts were that they had to explore ways of using quality lighting and natural daylight on surfaces to create an impressive, engaging experience for visitors.The colour scheme - The designer Susan Anderson chose a neutral colour scheme that would reflect that used on the exterior of the Aerospace Innovation Centre, which was predominantly silver and grey. Surfaces – HARMONY pre-fixed slatted acoustic felt . Susan wanted to bring the reception area to life with surfaces that had different textures, depending on the light available and where the visitor stood in the room. After researching the market, Susan chose the Harmony ribbed-felt wall acoustic panels which Saxen sourced from the manufacturers, Soundtect. They were the perfect solution – grey fibre slats on a black acoustic sheet, as they had the structure, texture and colour she was looking for. Plus they were hypoallergenic and non-toxic, with up to 1.0 NRC (noise reduction co-efficient) – and a totally sustainable addition to the project, having been manufactured third-generation from recycled PET.The PET (polyethylene terephthalate) bottles are first recycled into exhibition carpets and then, at the end of their short second life, converted again into highly efficient acoustic felt by carefully re-layering the fibres to use as the core for this impressive, elegant, ribbed acoustic treatment.The Harmony panels are manufactured with fireproofing built-in, because the original carpet fibres were already fireproof so this critical safety component is integral to the product and not simply sprayed on. The Cause was responsible for fitting all the ribbed Harmony wall panels.The wooden wall panels behind the reception desk were dated, so the designer decided to repurpose them.- they were prepped, base coat applied and sprayed with two beautiful tones of metallic silver by Scottish Architectural Spray painters. Visual contrast was provided by prepped and coated matt white wall areas. LightingHaving found the perfect panelling, the designer had to consider the lighting and the role it would play. She worked with Seren Lighting, using a combination of existing products and bespoke lighting in ways which were both innovative and functional – using light to define spaces and surfaces. Depending on the way they were lit – whether artificial light, natural light or a mixture of both – the texture on the Harmony panels created subtly different moods. Also, as there is a fair amount of daylight flooding into the reception, the atmosphere of the whole space changed with the passing of time and the amount of daylight with both the ribbed and silver metallic panels creating different atmospheres depending on where you stood. All the lights installed in the project follow ‘circular economy’ principles and can be cost-effectively maintained and serviced – parts can be replaced with no need to throw the whole light away and buy a new one. The reception deskFor most of the day in summer and for short periods in winter, the reception area is flooded with natural light from two sides, so lighting the reception desk workstation needed a careful response.The workstation was located behind the reception desk, so using standard lighting methods would have detracted from the overall impression and been unnecessary for long periods. In developing the solution, the designer followed the basic principle, ‘put light where you want it, when you need it’. So an LED ultra-effect strip in diffuse profile was used under the top surface of the reception desk which threw a subtle light onto where the receptionist was working on the computer. The receptionist can switch this strip on or off as appropriate.The Cause remodelled and reformatted the reception desk to the design, which involved removing the angled elements and large posts, and replacing them with a concealed door. They also fitted the reception desk surface with a stylish, matt, dark-grey laminate, installing the lighting, graphic panel and ribbed panelling to the front. The panelling’s flexibility ensured a perfect fit around the curve in the reception desk.The reception desk skirting was painted the same colour as the staircase handrail.The Wing LightsThese were designed to develop the Wing Lights from first principle. The Wing Lights deliver light upwards, so it bounces off the various surfaces to enhance the textures and reflective differences. They also project a visual link to the ‘star’ element of the Spirit AeroSystems logo and took several attempts to create the final geometric shape. However, the Wing Lights now act as dramatic focal point within the space, capturing the essence of Spirit AeroSystems’ business and the designers overall design vision.CeilingThe existing suspended ceiling was off-white in colour, and looked rather tired so it was spray-painted with a dark metallic silver, which transformed the appearance of the ceiling and changed the whole look of the reception area. Lighting the upper-level walkwayThere were issues with uneven wall surfaces on the upper-level walkway. The solution was to apply architecturally inspired Harmony, lit by dramatic custom-made LEDs, to create the total effect – an utterly stunning, modern wall. The lights used were twin gimbal heads – round lights that can swivel in two directions. These were specially adapted from standard lights in the Seren range. The twin gimbal heads were installed in false pockets, clad with ribbed-felt. They provide functional lighting to the walkway, while adding a dramatic effect on the wall panelling.Finally, a pelmet was constructed to conceal a new LED Cob profile, allowing it to wash diffused light between the ribbed features of the Harmony panelling.The panels above the pelmet were spray-painted silver – the same colour as the ceiling – to give a much more dramatic effect.Other features…The wooden bannister handrail was stripped back and layered with different metallic colours to give a changing surface effect with different shadows and highlights. It was then coated in a high-gloss lacquer. This introduced an accent of colour, which also reflected the company’s corporate colours.StructuresDominating the reception area are two high columns, one of which contains a lift. Given the solidity and simplicity of the shapes, the designer decided on a lighting solution that would create an architectural feel, so she used beam-controlled light bars at the top of the structures to project a subtle wash down the full length of the columns.Carpets and furnitureThe existing carpet tiles were removed and upgraded. They were colour coordinated with the new, striking Italian Quadrifoglio furniture, sourced through Saxen. This furniture was the cornerstone of the designers vision vision, and its style, shape, colours and textures tie the space together.ConclusionThe success of the project was very much down to careful planning, creative thought and good people working together. Products used: Freestyle. Harmony

In China, the name Shenzhen is associated with frenetic pace. The city’s metamorphosis from a fishing village with 30,000 residents into a 15-million strong metropolis took just 30 years. A start-up at this location required only two decades to become the world’s fourth largest industrial enterprise. Tencent, the high-tech concern that started out as an e-mail provider, has already overtaken Facebook in terms of its market value. The new HQ of the high-flying company was designed by NBBJ Architects from New York as a statement of a new era of campus buildings. Two towers made of glass and steel, that shimmer in the sun and unite the copper-colored pedestrian bridges, resemble robots hugging one another. When deciding on the cladding for the gigantic atrium, the company went for a golden metal fabric from GKD – GEBR. KUFFERATH AG, which was recommended by French designer Alain Bony.Shenzhen lies directly on the border with Hong Kong in the Southern Chinese province of Guangdong. Named a special economic zone in 1980, the once sleepy fishing village has developed into a prosperous market economy under state control. Countless skyscrapers today form a skyline that can hold its own in comparisons with Manhattan. One in three smartphones sold in the world is fabricated here. Yet Shenzhen has developed from the world’s workbench into China’s Silicon Valley. The majority of residents are less than 30 years old. Numerous international concerns are based here, and nowhere in China is the per capita income higher. Thanks to massive economic growth, Shenzhen is one of the fastest growing cities in China, making property in the city a geographically restricted commodity. Despite being one of the city’s most famous children, Internet giant Tencent is still not well known outside China. The inventor of the two most popular apps in China – QQ and WeChat – is today also market leader for online games, offers video streaming services, and generates 20 percent of its revenue from advertising alone. The company has been working hard on international expansion for quite some time and has shareholdings in various companies, including Snapchat and Tesla. It has been enjoying constant and fast growth since being founded. Just one year after completion of the first new company building in Shenzhen for 15,000 employees, planning work started on a new global HQ, which offers enough space for a further 12,000 employees. Tencent commissioned the renowned American architecture firm NBBJ, which has already built many award-winning headquarters for high-tech companies such as Amazon, Google, Microsoft, or Samsung, to design the new building. The team around Jonathan Ward fended off six competitors to win the order with a completely new campus concept. Tencent was looking for a classic campus based on the US model. The goal was to create a comfortable central meeting point in a spacious, attractive, natural environment, where people could automatically meet, chat, and find new ideas. However, the plot for the new HQ was located right in the heart of the city at an intersection of the multi-laned city expressways. As such, the only way to secure sufficient space in the small footprint was to design a skyscraper. Yet Tencent was concerned that a building of this type would not allow employees from various teams, departments, corridors, and floors to engage in regular contact with one another. NBBJ therefore merged the benefits of both approaches – inspiring spaciousness and inner city spatial efficiency – to create a completely new concept that re-imagines the campus idea and implements it vertically. To this end, the concept of a skyscraper was divided up into two buildings and then given the qualities of a classic campus. The Tencent Seafront Towers comprise two towers, boasting 50 and 39 floors respectively, which were constructed to give the appearance of being slightly intertwined with one another. The offset height reduces the load of the tropical winds common in the region, while at the same time providing ventilation for the atrium located between the two towers. The towers also provide shade for one another and thereby support the intelligent integrated energy concept.The key to the vertical campus concept, however, are the three skybridges, which cross as horizontal meeting areas. From a visual perspective, the copper-colored walkways give the towers a soul, as they appear to be hugging one another. They are logically referred to as links and make a contribution to movement and networking with topic-specific offers. While the link on the first floor above the lobby with café, exhibition space and auditorium is used for cultural exchange, the central link on the 21st floor is ideal for rest, recovery and health promotion. Staff can relax and unwind here in meditation rooms, a basketball court, a gym, a swimming pool, games rooms and even a running track. The highest of the three links on the 34th floor is dedicated to the topic of knowledge, boasting a library and multiple conference rooms. All of the links have roof terraces containing landscaped gardens. To ensure that they actually cater to their intended function as places of communication, collaboration, and inspiration, the architects at NBBJ designed an elevator system for the HQ, so that all employees can regularly spend time in these meeting areas. Express elevators from the lobby travel only as far as the bridges. The employees then enter local elevators to take them to their floor. From a design perspective, this is the fastest way to reach any office or location in the towers. This makes the links the perfect counterpart to the central square in a traditional campus, where employees automatically meet, even if they work in different buildings. They engage in spontaneous conversations here on their way from the bus station located beneath the towers or the parking areas to their office, in the queue for the juice bar or even on their way to play sports. Thanks to the bridges, these social meeting points are distributed across the entire HQ like in a city. This allows social networks, the key focus of operations for Tencent, to become genuinely accessible and experienceable. This systematically designed and yet organic networking produces precisely the kind of synergies that lead to the collaboration and inspiration Tencent strives for – as a prerequisite for further growth.The conceptual design of the lobby, which is open to the public from two sides, provides for additional hustle and bustle, as well as social meetings. This makes it a much-used route from other parts of the city to the Nanshan high-tech district. Just like the entire building, this central intersection between the inside and outside world was designed by the architects as a conscious statement of networking. When cladding three sides of the atrium, which is located above the lobby, the architects therefore chose metal fabric from GKD. A total of 1,850 square meters of this material is used to create a golden net that encapsulates the three-floor auditorium. Some 28 panels, each measuring four meters wide and 16.5 meters high, were used to create these hanging shrouds. Their sophisticated texture facilitates views into the atrium from the lobby, as well as open views down into the entrance hall. The textile shell also serves as efficient fall guard protection here. Visually, it acts like a delicate veil in harmonizing the effects of the corridors and rooms of the atrium located behind it. GKD was commissioned with developing a new special fabric for the design of the cladding. To create it, golden-anodized aluminum wires and tubes were interwoven in three-wire warp wire groups made of untreated stainless steel at varying intervals. The various diameters of the fabric components – 4 mm thick wires and 12 mm thick tubes – lead to significant differences in tension in the weaving process. These were completely equalized using special weaving techniques, so that the fabric reliably complies with the static requirements of the large-format skin. Installation of the special fabric also required the experts from Germany to demonstrate their decades of expertise. For example, the tubes had to be aligned precisely in the panels to create the appearance of a seemingly endless texture. Definition of the golden color to be used was also a particular requirement of the planners. The homogeneity of this color not only needed to be guaranteed across the entire area, but also meet the high expectations of the designers with regard to the appearance of the fabric when viewed in various light conditions. The subtle luster of the soft golden color ultimately chosen allows the atrium to appear caressed by the sun and lends the lobby a sense of warmth to contrast with its cool gray marble floor, walls, and aluminum screens. In the atrium itself, the selected color scheme also matches the wooden finish of the wall and ceiling cladding. The golden membrane then acts like a fine business card for the HQ, which underlines the image of a truly important concern thanks to its size and aesthetics and combines this with maximum interaction of the environment and employees.