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Acoustic Ceiling Panels

OVERVIEW

University of Strathclyde TIC

Architect: BDP

Installer: Linear Projects Ltd

Product: Gustafs Acoustic Panel System and Linear Ribs

Gustafs Panel System was specified for the feature ceiling in the entry foyer as well as walls and ceilings in the lecture theatre at the University of Strathclyde Technology and Innovations building which opened in 2014.

The £89 million campus will share facilities with local business, industry and public sector projects as well as being a leading research facility for Health, Energy and Environmental studies.

Wall and ceiling panels in natural Oak veneer with SH8 slotted acoustic perforations were used on the atrium ceilings as well as the walls and ceilings of the lecture theatre. Gustafs Panel System was chosen to achieve a consistent look across wall and ceiling elements throughout the campus as well as for the flexibility of acoustic perforation styles and versatile Capax invisible installation systems.

The Gustafs ceiling panels in both the foyer and lecture theatre of the Technology and Innovations centre at Strathclyde University were specified to be triangular, this design feature was approached differently for each area.

The panels in the lecture theatre were cut and finished at the Gustafs factory to have finished edges on the finished triangles and a border of plain panel around the outside (completed using a special perforation pattern).

In the foyer the panels were trimmed at the site finished with the white frames to give the illusion of triangular panels.

In addition to Gustafs Panel System at the University, Linear Ribs were used across the vast atrium space along the mezzanine and balcony areas with varying widths of rib in Natural Oak Veneer

Linear ribs were specified for its flexibility in design and installation, allowing the product to work continuously around the internal and external curves of the space.

In addition to this, linear ribs enable the specifier to vary both the width and depth of each rib as well as the spaces between on a piece by piece basis giving infinite possibility for acoustic performance variations as well as value engineering.


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