"special purpose lighting"

Utilising the same bricks as were being laid by the bricklayers to the masonry walls, FastClad supplied the cladding to the balconies so that there was a seamless match.Collecting bricks from site to ensure that they were from the same production run, the slips were cut and bonded to our profiled backing board at our Leicester factory.These boards were then returned to site for mechanical fix to the balcony structures and pointed in a lime mortar to match that of the cement mortar being used by the bricklayers at an off-site compound.The balconies were then craned into position and fixed to the structure.

With limited vertical wall space for windows, Denizen Works utilised Glazing Visions’ fixed Flushglaze rooflights to flood the living spaces with light in their recently built housing scheme, Haddo Yard.The project, on the site of a former bungalow, is located in Whitstable, Kent and takes its name from Oliver Haddo, a character in former resident Somerset Maugham’s novel, ‘The Magician’. Haddo Yard forms part of a series of projects initiated by developer Arrant Land, that seek to explore how a town with a distinct visual identity can be enhanced by adventurous but contextual contemporary design.Having been approached directly by developers Arrant Land, Denizen Works undertook an initial design review exercise resulting in an extensive overhaul of the scheme. Despite the detailed design, problems emerged, with the ground floor living spaces extending into a single story volume to the rear of the site creating deep plans and on the second floor, apartments occupied roof space so vertical walls for windows was limited.Denizen Works contacted Glazing Vision, who they had worked with previously, with the aim to utilise rooflights over these spaces which brought light in to the deepest parts of the plan and to create living spaces on the second floor which could be flooded with light, even with a lack of vertical wall space.“Glazing Vision always provide good technical support which makes specifying and detailing their products very easy”, explains Andrew Ingham, the architect working on the project.One of the most important factors for Denizen Works when they sourced the rooflights were the frameless appearance of the Glazing Vision Flushglaze rooflights. Three fixed rooflights were used, measuring 2000x1000mm, as means of providing natural daylight and helping to maintain the clean, contemporary and minimal detailing that had been employed throughout the project.The resultant scheme comprises of 6no. two bed flats and 1no. 1 bed flat spread over three floors, each enjoying dual aspect and south-facing living spaces overlooking the gardens. The ambition for Haddo Yard was to create a distinctive and contemporary expression of local identity. The finished building asserts a bold and confident presence within its context.Haddo Yard is the first completed building by Denizen Works and Arrant Land, helping to present a unique addition to Whitstable’s built environment. Andrew Ingham concludes “We’re very proud of Haddo Yard and we have heard first hand just how much the current residents enjoy the light, contemporary spaces we’ve designed.”

Retail Lighting Project completed with one of our wholesale partners BEM Finchley.Bikesoup is to launch its flagship store in Westfield, London, in early November.Founded by the late Anthony Auty and backed by retail entrepreneur and Dragons Den investor Touker Suleyman, Bikesoup is a one-stop shop for second-hand bikes and equipment.Suleyman said: “In the aftermath of the pandemic Tom, Tej and I saw an exciting up rise in cycling and the community culture that comes with it. It brought back many memories of cycling as a child and later in life with our own children.“We noticed a significant gap in the market to provide London cyclists with a premium, same-day servicing, bike shop in West London. We wanted to fuel the passion that comes with this sport by showcasing the latest technologies, being home to the best bikes across a variety of sectors and housing a coffee shop that will encourage conversations and storytelling amongst like-minded cyclists.”In February 2021, Suleyman welcomed Tom Singh, entrepreneur behind high street giant New Look, and former Dragons Den investor Tej Lalvani, CEO of Vitabiotics, as co-investors of Bikesoup.Bikesoup is now set to bring West London a curated edit of premium and bespoke bikes, carefully selected products and a showcase of the latest cycling technologies.Visitors can expect to see the latest bikes from brands including BMC, Scott, Giant and Gogoro, as well as some bespoke one-of-a-kind builds displayed over two floors totaling 5500 sq. ft.

The former Marlow Railway Station dates back to 1873 and stood at the junctions of Station Road and Lock Road. The Old Coal Yard, adjacent to a station platform now only present, has been developed and designed by Bellwood Homes on the concept of three converted Victorian railway terraced buildings.Broadsman House, Palatine Place and Fenman Court consist of three 2-bedroom houses, eight 2-bedroom apartments and one 1-bedroom apartment providing commuters stylish suburban living. Keystones brick slip feature arch lintels and special segmental arch lintels encompass the traditional and contemporary balance of the housebuilders architectural vision.ChallengeThe fashionable commuter town on the Thames has been well preserved, limiting modern styled developments to maintain its original character and historic fabric of heritage buildings. Bellwood homes wanted a sense of purpose for their regeneration project – reconnecting people with what really matters to them, property location and design. The vernacular architecture provides both. A prime location for commuters to ride the branch line into London, renown as the ‘Marlow Donkey’, and fits subtly within the notable context of Georgian, Edwardian and Victorian styles of architecture in Marlow.SolutionKeystone’s technical engineer designed extra heavy-duty brick slip feature arch lintels for ground, first and second floor openings with a 1085mm span and 543mm rise. Over forty brick slip arches were manufactured by Keystone’s production team to a high quality and consistent finish. Each Hoskins Maltings Antique brick was cut to size and bonded using a BBA approved construction adhesive to the load bearing lintels. The patented perforated lintel design allowed the adhesive to squeeze through the perforations and form a ‘mushroom’ on the inside, providing a mechanical lock between the steel lintel and the brick slips.The offsite economical solution did not require skilled bricklayers on site to replicate each traditional arch. This saved approximately labour costs of one bricklayer per arch per day and ultimately weeks of the project build schedule. All prefabricated lintels were delivered to site and ready for final pointing in line with the phased construction plan of the three buildings being erected. The arches produced in a factory control environment were unaffected by torrential weather and winter reduced day light hours limiting productivity. This can often occur on other build schedules which lead to further delays in creating architectural features with real significance to the landscape.The offsite construction method facilitated onsite construction further by supporting bricklayers to recreate window tax designs, bricked up window spaces seen in buildings from the Victorian period. The detail of the façade is prominent most through the repetition of window arches positioned symmetrically on elevations facing the Marlow station. Keystones heavy-duty special segmental arches measuring a 2400mm span, with either a 600mm or 450mm rise provide a modern contemporary twist which feature above glazed bedroom windows and are in complete contrast to the smaller traditional arched windows striking a balance between old and new architecture.Testimonial“From R&D to installation we found Keystones prefabricated lintels very efficient. They reduce brick wastage approximately by 5%. Typically, traditional built arches would require one bricklayer for approximately six hours work. Therefore, this reduced labour costs on site whilst supporting bricklayers to achieve the desired architectural design.”Matthew McGillSite Manager at Bellwood Homes

The sides of the pontoon, bridge and ramp at Battersea’s river boat service required ultra safe balustrades. These had to be a natural fit to the industrial environment. The Square Line 60x30 stainless steel balustrade perfectly suited the job. Its stainless steel posts were welded to the pier for extra robustness, and toughened glass infills of 10 mm thick were added. The Q-lights Spotlight LED system was invisibly embedded in the handrails for extra safety at night. The industrial looking stainless steel elements of the Square Line 60x30 system add to the appearance of the pier.

Plants bring a new dimension to an otherwise dull and lacklustre indoor environment. Desk, shelf and window space does not always allow for houseplants though – but that should never limit the options – there’s the wall space too! Leaf colour, floral interest – plants can bring warmth,visual impact and a welcoming backdrop for employees and visitors in the form of a LivePicture living art wall frame. LivePicture adds nature to any office.

Modernising historic properties can bring major challenges. The architects at Fuse Studios gave careful consideration to this question as they prepared for a refurbishment of the Fine Arts building at Leeds University. Early on, the new access ramp at the front entrance was identified as an important visual centrepiece. The architects opted to use Q-railing products, including an LED-lit handrail, when creating an ultra-safe glass railing for the ramp. Q-railing recommended the Easy Glass Max system. It is highly robust, meeting all the relevant safety requirements with ease, and yet provides an uninterrupted glazed area.

Made-to-order Traditional Leaded Timber casement windows and doors from the Kensington & Chelsea range by Lomax + Wood, an approved supplier and installer of the Hampstead Garden Suburb Trust (HGST). Timber casement windows with traditional single glazed true leaded bars on front elevation Leaded lights and double-glazed timber casement windows to the side and rear elevations Made-to-order with 18mm 4/10/4 Krypton gas-filled slim units Custom Designs to replicate the existing windows Luxury Forged Bulb End handles Colour match F&B White Tie Supply and install service 25 casement windows 3 French doors

The buildings around Clerkenwell Green in London feature a mixture of architectural styles. The area is designated a Conservation Area and some properties are listed. During the nineteenth century it was a busy centre for specialised crafts and manufacture and the buildings at No 10-11 were originally constructed as warehouses.The Uniform Clothing & Equipment Company (Uniquip) occupied the two buildings from around 1910 to the 1990s and was a well known supplier of band uniforms.Stagg Architects obtained planning permission to refurbish and extend the original 13,000 sq ft building by an additional 7,000 sq ft. The renovated building comprises a new roof extension, flexible spaces on the ground and lower ground floors and offices at the upper levels.A four storey side extension infill was constructed and Clement Windows Group were selected to manufacture the new and replacement steel windows and doors throughout the building. It was very important that the new windows were in keeping with the original building and did not detract from the character and appearance of the surrounding Conservation Area and adjoining Listed Buildings.Windows and doors from the Clement EB20 steel window range were chosen and powder paint coated in black with the accompanying hinges and handles painted to match the frames. The huge wall of steel windows to the side of building includes a patterned glass which allows light to enter while also providing privacy for the neighbouring properties.Photographs taken by Matt Chisnall, @mattchisnall

We met digital content creator and charity ambassador Sally, in her gorgeous detached house in the English countryside in Surrey. Sally, her husband Gav, their three sons, dog and cat live in a beautiful cottage with lots of outdoor space for football, dens and four chickens (all named Barbara). They’re an active, outdoorsy family who love embracing nature, from scuba diving to surfing Cornwall’s finest beaches.Over the years they have built two extensions to their house. In the most recent extension project, Sally chose to illuminate the end of her gorgeous country kitchen/diner with a Vario by VELUX bespoke rectangular rooflight, so we went to visit her for a cuppa and a lovely chat about her impressions and experience on the importance of daylight. Sally, what a bright and stunning space you have in here. Could you please tell us more about your extension project?"We love this house; it has plenty of space and we absolutely love the country lifestyle. We bought a house 12 years ago and that time it was much smaller. The first big extension we did was 9 years ago, but we didn't quite get what we wanted as the building restrictions at the time were very strict.The key thing for us was to bring the light in. A wall of glass made perfect sense, but as the extension has a flat roof, we also started to think about what was above. In a room like this, I think the roof should be seen as the fifth wall.”Your original plan was to put a glass lantern in the extension. What made you change your mind and choose a flat glass rooflight instead?“Initially we thought we would put a glass lantern in like everybody else and it didn’t even occur to me that I could have anything else until I was invited to a rooflight launch event by Vario by VELUX. At the event, I completely fell in love with the idea of having a rooflight in my house. I got all the information and, after I realised that even a modern flat rooflight comes with an upstand and you also get the height of the roof built in, which would also give the room the height we wanted, and that the cost would be less than having a lantern of the same size and with no breaks in the glass, choosing a flat glass rooflight was a no-brainer! What do you love most about owning a bespoke rooflight?“It’s so cool and yet functional. Rooflights brings so much more light in than you would get from a normal side window and the fact is that daylight does make you feel better, especially in winter. On top of that, the customer service was excellent, there is always a backup call from Vario by VELUX to make sure you are ordering the right window, they hold your hand through the whole thing and the whole process of designing and ordering was made fun and easy. They helped me with things like setting the window at a slight angle, so the rain just runs off and we don’t end up with a swimming pool situation on the roof! It’s a really hands on, personal service from a small team, but backed by a big name like VELUX so you know you can really trust them. It’s like the gold standard of roof windows.”How did you perceive the installation process of the rooflight?“The process was really simple, easy and quick. Our constructor was provided with all the information they needed to know, in order to put the rooflight in. Our bespoke rooflight was delivered in 6 weeks and we rented a small crane for a day to lift it in. The crane was literally tiny, it fitted through our side gate. Then it was simply a matter of dropping it into the opening and letting the builders do their thing to seal it in. I have to admit, I was a bit nervous on the installation day as the dog insisted on sitting under the opening and it was very windy, but it all went very well. That moment when the hardboard comes off and you get your first glimpse of the sky above, it’s just magic.”Do you think changing your house has improved your everyday life?“Extending the house, and how we use it, has changed the way we live, the way we work and the way we relax. Having an extension, an extra room, the flow and the light we wanted has definitely increased the value of the house but also the saleability of the house. How many older properties have flat roof extensions and haven’t put in a rooflight? There must be loads and they’re definitely missing a trick. We wanted to build personality and I believe that with the extension and bespoke rooflight we got exactly what we wanted. With more daylight and space, I feel more active, I feel more awake, I feel fresher, I get things done. It has definitely changed the way we live.”

The James Parsons Building at Liverpool John Moores University (LJMU) has recently undergone extensive modernisation by D & B Facades, using Eurocell PVC-U window boards.

Heritage colours and kerb-side appeal were among the factors that persuaded the planning authorities of Bath that Modus PVC-U windows from Eurocell – the UK’s leading manufacturer, distributor and recycler of window, door, conservatory and roofline products – were the appropriate alternative to timber on a prime, exposed location near the UNESCO World Heritage Site.

A world-class space for sport, events, and education using out Topperfo Micro perforated panels. The indoor sports facility has utilised one of our wall systems to combat sound reverberation, voice intelligibility and to lower the sound pressure levels typically created in such a large hard surfaced area.

Zaha Hadid, english-iraki architect, first female recipient of the Pritzker Architecture Prize in 2004 (Nobel Prize of architecture), just ended in Rome the creation of the MAXXI: National Museum of the 21st Century Arts. Barrisol® Lumière® (a luminous stretch ceiling) has been installed in this historical and contemporary museum. (credits : Zaha Hadid Architects© 2009, photograph : Roland Halbe & Helene Binet) Architect : Zaha Hadid

The Sixtine room, near to the chapel of the same name in the Vatican welcomed an exposition of fabulous old religious art objects. Branko Siladin used Structural Barrisol Lumière as luminous support for retables and crosses, luminous base for chests and luminous showcase for statues. This structure was perfectly adapted in this historic place creating a harmony between the prestige of a place and the prestige of a product.

Traditional-style timber windows and doors from the Conservation™ range by Mumford & Wood have been specified for an impressive new-build property in the much sought after village of Danbury in Essex. The village dates back to medieval times and today has extensive woodland and heath owned by the National Trust and other conservation organisations.

After a particularly contentious and protracted planning process, this semi-detached, red-bricked house, part of a group of five properties that form Regent’s Mews in affluent London NW8, finally boasts an impressive third storey extension as a result of the erection of a mansard roof.The new dormer windows to its front aspect lend this 1980’s property a delightfully modern aesthetic, whilst the provision of a green roof to the rear aspect underlines its eco-credentials. The installation of Glazing Vision’s elegant sliding-over fixed rooflight above the stairwell, together with 4 additional fixed rooflights, has maximised the light streaming into this new living space, and also provided an all-important source of ventilation.Initial proposals to convert this house from two to three floors were rejected way back in 2001 by the local Planning Department on the grounds of it being “visually intrusive, overbearing massing not part of the existing architectural language and overlooking neighbours”. These same considerations faced Robinson Leigh Architects, whose track record of successful planning application had led to their appointment in 2013 by a client keen to find a solution to the planning impasse.There were a number of challenges for the architects, as they sought to design a scheme that would prove more successful through planning. The house is situated in St John’s Wood Conservation area, where restrictions on the character and appearance of all buildings are strictly applied. Normally any roof extension in this area would not be permitted and the house, indeed the entire mews, had been identified as an “unlisted building of merit”. Consequently the planners insisted that all new work to the house “must match existing original work in terms of choice of materials, method of construction and finished appearance in order to maintain the cohesion of the mews.The variety of roof forms in the mews, however, presented an opportunity for the architects to put forward their proposal of a flat-topped mansard roof as “a modern interpretation of the surrounding architectural precedent” said Leigh. Critically, the new mansard roof would also not add height above the general roof level of the neighbouring properties in Regent’s Mews, and thus would not be visually intrusive. The design of the three new dormer windows at the front of the house did depart from that of the dormer windows on the other mews houses though – they were square in contrast to the prevalent curved headed windows. However, given that they were really only visible from within the actual mews, the planners considered this alteration in form to be acceptable. Furthermore, the recessed glazing of the dormer windows ensured that the privacy of the occupants using the living spaces would not be compromised.The choice of materials also had to conform to the surrounding properties: the dormer windows were lead-clad, and the roof was tiled in Welsh slate, which softens its appearance and reduces the “apparent bulk of the structure.Another complication for Robinson Leigh related to the impact upon the large villas of Langford Place to the rear of the property. Vehement objections from these residents, who were concerned that the roof extension would shatter the illusion that they are set in extensive grounds led the architects to revise their proposal: the pitch of the northwest slope of the mansard roof was adjusted to a 70 degree angle in order to reduce its prominence in the views from these villas, particularly from 5 Langford Place. A second flat roof, which adjoined the house was removed, and Robinson Leigh extended the mansard roof to the parapet. This then gave the client more internal space, eliminated any overlooking issues, and created a more homogenous and symmetrical design.The architects cleverly designed both the main roof level of the mansard to be landscaped with indigenous flora in order to respect the planners’ preference for ecological biodiversity in the area as well as to attenuate water run-off.In conjunction with these structural requirements imposed on Robinson Leigh’s design of the mansard roof, unlocking natural daylight in the “dark zones” in the interior of the new storey was a key priority. Mindful of the rejection of the glazed roof proposal from 2001, which the planners had deemed to be too intrusive on the neighbours and at odds with the surrounding architecture, the architects sought to reduce the amount glazed by 50%, whilst simultaneously addressing the problem of reduced levels of natural daylight resulting from the recessed dormer windows.Robinson Leigh’s solution was to propose a more sympathetic glazing arrangement to the flat-top of the mansard roof, comprising four large fixed rooflights and a sliding over fixed rooflight from Glazing Vision, that would achieve the high specification they desired. These rooflights, pointed upwards to the sky, would maximise the amount of daylight entering the extension and bouncing off the hardwood timber, which had been used extensively, as Leigh points out, to “draw together several disparate elements of the interior design, such as the sliding walls, pocket doors and floor-to-ceiling shelving and cupboards”.Glazing Vision’s sliding over fixed rooflight was to inhabit the space immediately above the stairwell, which had also been lined in timber to subtly link the top floor with the ground floor and to help draw the eye upwards. Timber frames had also been used on the windows. As with the other four rooflights, Glazing Vision’s sliding over fixed rooflight needed to be made to a bespoke size – the architects required it to be the exact size of the stairwell, or indeed over-sized, so that the frames were not visible from below. Precision-engineered at the Glazing Vision factory in Norfolk, the special sliding over fixed rooflight was supplied in two sections, with an overall span of 2400mm and a width of 2240mm. The minimalist internal framework, finished in pure white rather than the standard grey, ensured that there were unfettered, sky-only views from the inside, thereby enhancing the impression of space and loft. Through the clear glazing of the Glazing Vision rooflight natural daylight absolutely flooded the stairwell, permeating also down to the lower floors.Given the stringent planning controls on the appearance of the mansard roof and the concerns of the vociferous neighbours, Glazing Vision’s sliding over fixed rooflight offered another invaluable benefit to Robinson Leigh. The footprint of the unit on the roof remained fixed, both open and close. This meant that there was no bulky additional furniture required, whilst the minimalist exterior framework was finished in slate grey to blend harmoniously with the Welsh slate roof tiles.No less important was the need for natural ventilation in the mansard roof extension. The architects were keen to create a venturi effect in the central core of the house and stairwell by channeling the airflow through the opening of the rooflight. The Glazing Vision rooflight, specified by Robinson Leigh to slide side-to-side rather than up and down, is electronically controlled at the touch of a button from inside the house, retracting the sliding section over the fixed section of glazing. Once the sliding section is fully retracted, there is a 50% clear opening in the rooflight, out towards the sky, thus providing superior air quality within the top floor, as well as intensifying the amount of natural daylight. An essential security feature of the Glazing Vision sliding-over fixed rooflight is that it is supplied with a manual override as standard.The design, approval and erection of the mansard roof extension took three years but Robinson Leigh have succeeded in updating a tired-looking 1980’s mews house with a new, sophisticated, modern exterior, that quietly complements the surrounding properties. The new third storey has exceeded the client’s needs for additional living space, and the clever use of rooflights has ensured the interior is light, bright and inviting.

In this case study, taken from Episode 29 of The Quiet Mark Podcast - LIGHTS, CAMERA, ACOUSTICS! - we discuss Film Studios with Barry Jobling, Partner with Hoare Lea, who, in addition to working on numerous studios including Dagenham, Elstree and Manchester, recently contributed to a new report from JLL: Reel Estate – Film and TV Studios as an Investment. It reveals that an increased appetite for film and TV content across a growing number of platforms is creating demand for further significant studio capacity in the UK. The report includes contributions from in-house experts at Hoare Lea, along with the British Film Commission and Scott Brownrigg. It highlights that the demand for new studio capacity, services and facilities has never been greater, with up to 4.5m sq ft of new development under consideration in order to meet it. This is more than double the current amount of permanent stage space in the UK.

St Wilfrid’s Catholic High School had outgrown its dining room, which eventually could only seat half their pupils at a time. They looked at the options to increase dining space and realised that they couldn’t afford an extension building. That is when they contacted A&S Landscape and realised that an outdoor canopy, with side panels, power, heating and lighting could be a fantastic, cost-effective solution.

This huge new cultural center, located in the heart of the capital, covers an area of 214,000 square meters, which equates to the area of thirty football fields. It includes a 2,000-seat opera house, the first in the Gulf emirate, as well as a music center, a conference center and a library of historical documents. Inaugurated on Monday, October 31st, 2016, it bears the name of former Emir Sheikh Jaber al-Amad. Barrisol® has installed immense lightening membranes, giving the illusion that they are endlessness. Architect : SSH International, Architects

Our client saved 70% installation time on mechanical services throughout their project using Walraven RapidRail system, prefabricated before delivery to site.

As part of the palace refurbishment project, the lighting winch division of multi-award winning UK manufacturer, Penny Hydraulics Ltd, were contacted in 2016 to design, manufacture and install a specialist lighting winch system to lift and lower the special chandelier for cleaning and general maintenance.

We supplied and installed our Spectrum nylon-coated balustrades with glass infills and Neatdek aluminium decking with alternate inserts on every balcony. Frosted glass screens were also supplied between balconies to provide an element of privacy for the occupants. A spokesperson from ENGIE says, “Neaco offered an excellent service from start to finish. They had the task of designing and installing their product to the existing structural steel which they carried out with very few issues and all modifications were handled by the teams promptly and efficiently, so that our programme was maintained throughout. Overall, the service provided was outstanding”.

Residential DevelopmentWarwick House is an exclusive new collection of stunning interior designed apartments, blending contemporary living with style and sustainability. Surrounded by uninterrupted green views, the apartments are set for completion in early 2023.

The production site was closed in 2009 along with the museum but Alfa Romeo wished to convert the site into a place of memory matching the Group's ambition for this brand coming back. Today, the museum homes the most important collection of cars from the Alfa Romeo brand. Indeed, you can find the 69 car models that have made mark on history of the brand. Barrisol sheet : 815 sqm of translucent blanc Venus sheet with star white harpoon. Profile used : BS 350/01 Lightning : LED strip

This new museum is the result of a close collaboration between Paris and Abu Dhabi, with some Artworks lent by France and a French architect, Jean Nouvel. Jean Nouvel has created a town on Saadiyat island, situated 10km from Abu Dhabi center. Barrisol has also brought its know-how: we can find in kids' area some lightening ceilings and in the VIP room, black ceilings coming from the "Reflets laqués" range of products. Architect : Jean Nouvel

When Galaxy Insulation – Hush Acoustics’ parent company – moved into its new regional offices near Glasgow, the team wanted to ensure the spaces were pleasant to work in and acoustically comfortable.The offices at Blantyre to the south of the city are contained within a modern building in a business park. This is typically designed and optimised for versatility, energy efficiency and low maintenance with large windows to allow for plenty of natural light transmission.As is common with office buildings of this type, given the relatively low levels of soft materials and furnishings used in the fit-out and décor, once the team moved into their offices it quickly became apparent that the environment was echoey and acoustically uncomfortable as a result of reverberation.RESOLVING ACOUSTIC ISSUESBeing familiar with this issue, the team at Galaxy Insulation were keen to ensure that everyone in the new office could work without being disrupted by excessive background noise, which is often caused by soundwaves reflecting off hard surfaces like glass and wood.Galaxy Insulation turned to the team at Hush Acoustics for assistance with this issue, having seen how it had worked with clients across the UK to address similar reverberation problems. Hush started the process by conducting an acoustic survey to determine the extent of the problem and identify where sound absorber panels could be fitted to resolve the issue.Hush proposed fitting six Hush Absorber 50 panels in varying sizes, including 1800x1200mm, 1200×1200 and 1000x1000mm, which would be strategically mounted on the walls of the offices.This is a Class A absorber that comprises a specially formulated 50mm thick acoustic foam, hand-finished with an interior fabric, which is applied to the face, edges and back return.ADDING A CREATIVE DIMENSIONAs Hush Absorber panels are always manufactured to order in a fabric cover coloured to the requirements of the client, this presented an opportunity for Galaxy to use the new panels for decorative purposes too.Rather than apply a single colour or generic pattern, the local team leading the project wanted to celebrate their great city by printing large photographs of famous Glasgow landmarks onto the panels. A number of high-resolution photographs were sourced and supplied to Hush to arrange the fabric printing as part of the manufacturing process.Hush manufactured and supplied the absorber panels within three weeks from the date of order, and installed them all in a matter of hours to minimise disruption at the Galaxy Insulation offices. Feedback from the team gave the panels an immediate thumbs up, with the difference in acoustic comfort noticed instantly and the images giving the office a distinctive new look.CLIENT FEEDBACKJim Downie, Scotland’s Managing Director of Galaxy Insulation said: “What a transformation the absorber panels have made! Firstly, they look amazing with the vibrant colours of the photographs reproducing extremely well, reflecting our intention to celebrate Glasgow’s iconic buildings and skyline.“Acoustically, the offices are far more comfortable for everyone. We’re an extremely busy office here as we work with customers across Scotland, so we’re always speaking on the phone or talking to each other to deliver for clients. We wanted to ensure high levels of background noise did not result in reverberation and make the working environment potentially unbearable.“The team at Hush Acoustics were quick to understand our requirements which gave us complete confidence that their proposed solution would meet our needs. Now the panels are installed, it is clear that the Hush Absorber 50 panels have worked exactly as planned, working in the background to minimise the risk of nuisance reverberation.”

The purpose of this project was to create a new, clean, contemporary space full of light. Particular attention was paid to the ceilings. The Barrisol® stretch ceiling hugs geometry curves designed by architects. Light is provided by inserts adorning the curved structure and guide passers-by with paths of light. The entire project is synonymous with a welcoming, bright and friendly environment. With their experience, skill and attention to detail for a job well done, the Décor Acoustique specialists have been chosen to build the new look of Place Quebec. (Barrisol ceilings painted reflections) Architect : Atelier 21

Barrisol® is improving the look of Great Ormond Street Childrens Hospital in London, England. The cafeteria is transformed into a magical and friendly place. Designed by the architect Llewelyn Davies Yeang, who took inspiration from the Disney universe, the ceiling is a Barrisol® translucent Blanc Venus along with the Barrisol® Lumiere Color® technology. Using the fabrics this way, coloured bands (translucent sheets) soften the atmosphere and bring the benefits of the chromotherapy.

Bioethanol fires require no chimney or flue, give off no harmful emissions and are 95% energy efficient. They are available in a large selection of designs for living rooms, kitchens, bedrooms, bathrooms and gardens. A good example is the home of Bury resident Anthony Norman, who chose an Italian kitchen and a British made bedroom from local dealer Icon, both featuring table-top bioethanol fires. Anthony and his family were convinced that they would make exciting additions to their new kitchen and master bedroom. Ebios bioethanol fires are made in Germany and distributed by DRU in the UK.

Pinewood Studio in Cardiff may be the location where Dr Who regularly saves the Universe but there was no intergalactic crisis when the building’s 16,000m2 roof needed to be refurbished recently. Instead, Sika Liquid Plastics’ Sikalastic® 625 cold applied liquid membrane provided the ideal solution to protect the building from Wales’ famously wet climate while enabling a low key project that didn’t disrupt filming on the many Hollywood movies and acclaimed TV shows filmed there, which have included James Bond, Harry Potter and Sherlock. https://www.youtube.com/watch?v=ayB4ekA7FfM&feature=youtu.be

Working with Main Contractor Stone Edge and Architects Brownhill Hayward Brown, Selectaglaze installed 47 secondary glazing units to several large gothic arched stained-glass windows in Grade II Listed St Philips Church, Wolverhampton for the purpose of noise insulation and thermal insulation. Selectaglaze installed 34 units to 11 openings, a combination of 11 Series 10 slimline horizontal sliding units and 23 Series 46 slimline fixed light units. Fixed light secondary glazing can be coupled together with other products units as over lights or side lights - ideal for arched windows as they can be shaped or curved to a full circle.

LAMILUX designed, supplied and installed eight LAMILUX Glass Roof PR60 mono-pitch rooflights at Oundle School Sports Centre. Seven of the rooflights, were positioned over the 50 metre swimming pool, adding an abundance of natural light, with special sun protective glazing to eliminate overheating. A special coating was applied to the aluminium profiles to protect them from corrosion within the chlorine environment. The eighth rooflight, an 18m x 6m trapeze shape, illuminates the atrium at the flagship of the school’s sports masterplan.

Accoya was used for all the superior decking and facades throughout the ‘Jungle House’ on Guarujá Beach. It was also used for some of the interior paneling & room furniture as well as for unique MUXARABI joineries. This is a special type of joinery used by architects to enhance the aestetic design of a project as the joinery acts as a light filter providing varying projections of light throughout the day. Accoya was also chosen due to its incredible durability to withstand Brazil’s intense heat and humidity.

As part of their expansion, The Wild Place Project (Bristol Zoo Network) enlisted our help in the construction of their new Giraffe Enclosure. The £1m purpose-built giraffe home was constructed over 1.8 acres and needed bespoke doors to suit the needs of the giraffes. HAG designed special doors in-house; the doors needed to be sliding to allow easy access for the zoo keepers, insulated and, obviously, rather tall to accommodate the giraffes comfortably! The giraffe enclosure has been a huge success with the public and HAG truly enjoyed being part of such a unique project.

Artform were approached by Gillespies to explore some ideas for using bespoke granite blocks on this new development at Wapping Wharf. Communication & coordination were key to making sure that the bespoke granite blocks were the precise measurements required for the lighting columns to be fitted correctly. The advice and experience provided by Artform helped to solve problems that other suppliers were unwilling to address or tackle. The particular aspect of this project that was most innovative was utilising the granite block for the functional purpose of a foundation for the lighting column, but in a decorative manner.