"rooflight"

Barr Gazetas worked closely with BW: Workplace Experts and Glazing Vision on the remodelling of this contemporary yet classical office building which involved creating an accessible private terrace for staff and clients to enjoy the views of central London, as well as providing the 6th floor with natural daylight. Utilising a terrace in densely populated areas such as London is a great way to provide a building with more accessible space. Originally the 6th floor offered 2,821 sq ft of space, but with the addition of the terrace area, this increased to 3,790 sq ft.Not only does an accessible terrace supply you with extra room, but, in London, the presence of a roof terrace typically adds 12% to the value of a property, rising to as much as 25% in coveted Chelsea. Other benefits of access rooflights include improved natural ventilation, control of interior temperatures, and the result is also beneficial to the aesthetics of a building such as 6 Duke Street. Barr Gazetas chose Glazing Vision not only due to our vast experience in designing and manufacturing access rooflights, but also for our ‘start to finish’ service. All of our rooflights are designed and manufactured at our HQ in Diss, and we even offer an installation service via our sister company, Glazing Renovations, which provides our clients with peace of mind.Box rooflights are a great way to gain easy access to any roof terrace. Operated at the touch of a button, the user simply climbs the stairs whilst the rooflight is retracting into its open position and walks straight out onto the terrace. Our three wall box configuration is one of the most popular and can offer an almost seamless integration into the fabric of your building. On this particular project, the sliding section when open provides a clear opening of 1927mm on the left side when viewed from the outside and is glazed on the front and top with a built-in fall of 3 degrees, and mounted to walls at the rear and two sides. The rooflight also includes the optional extras of a proximity detector and a battery back up. The rooflight was crane lifted to the terrace so that installation could be carried out by Glazing Renovations.Our Multi-Part Walk On Rooflight has supplied the 6th floor with a large amount of natural daylight which is proven to boost vitamin D, help improve sleep, and can help boost focus. The rooflight also includes Enduro Shield glass protection which provides superior resistance against contamination caused by moisture, hard water, all types of dirt, lime scale, salt spray and pollution, and also helps protect against degradation, staining, corrosion and etching. Our standard glass specification on our Flushglaze Walk On Rooflight is designed to withstand regular foot traffic in domestic applications with uniform loadings of 1.5kN/m² and concentrated loadings of 2.0kN in accordance with EN 1991-1-1-1:2002.The two rooflights perfectly complement each other and work together to provide a vast amount of natural daylight whilst creating a visually impressive, accessible terrace area.“The Walk On Rooflight was key to providing as much light to the floor below as possible, and the box rooflight was a great feature to the terrace, providing easier access than a ‘hatch’ access product.” Pradumn Pamidighantam, Senior Architect, Barr Gazetas.

Electrically Hinged Rooflight Provides Effective Light Source To Grade 2 Listed Barn Case Study

LAMILUX designed, supplied and installed both the supporting steelwork and atrium glazing to illuminate the central zone of the venue with natural daylight. Structural calculations were generated to ensure that the steelwork, which was assembled from five sections, could withhold the weight of the high spec glazing used. 76 fixed panes, walkable for maintenance and weighing 65kg per m², create the 20m x 9m wide unusual curved glass roof with wall abutment detail. 3 anchor points, which forms part of the rooflight system, were installed so that maintenance personnel are able to fix their safety harnesses onto the anchor points.

Natural sunlight and space were two of the key objectives for this extension located in South London. The client, an artist, writer, and former fine arts lecturer, had recently moved to London from Oxfordshire to be closer to her family, and was looking to produce a peaceful, tranquil space to help improve creativity when at work.“I had no fixed ideas about what I wanted, but I wanted more space because it was very small, very dark and I just needed to breathe” Client via Evening Standard.Looking to update this Victorian house into a future proof property, Atelier Baulier Architects worked with the client to achieve the radical vision of a virtually half opened roof through the use of a rooflight. Our Multi-Part Flushglaze rooflight was specified at just short of 8 metres which immerses the entire extension in daylight making the 21 sq. m. space feel much larger, hoping to improve the client’s productivity and focus. The art studio is located under the doubleheight volume, enjoying even light levels throughout the day. The writing room takes the vantage point of the mezzanine above the bathroom and is accessed from the first floor level through an opening made in the gable.Keen to retain discreet detailing to ensure the rooflight framing wasn’t distracting from the design, the Multi Part Rooflight was specified with silicone joints, as opposed to aluminium balustrades, making the product much sleeker. To help daylight flood the room even further, the unit was specified with three Wall Abutments on the high left and right side. The Wall Abutments are not visible from the internal view, this helped to enhance the desired discreet detailing.As stated, the rooflight was supplied in three sections with the frameless silicone joints segmenting each section; the three sections were sized to achieve an equal split when viewed from underneath. This meant that the end sections had to be larger to account for the upstand width.“We aimed to maximise the potential of this unusual site. Rather than subdividing the space the programme is housed within one continuous volume, allowing the daylight to flow through.” Aurore Baulier, Director, Atelier Baulier ArchitectsWith the house being located in a conservation area, the extension naturally blends in with its outstanding surroundings. Brickwork is a major part of this Victorian cottage and its extension. The new volume is a wood-fibre insulated timber construction overclad with bricks slips, resulting in a much lower carbon footprint than a traditional masonry wall. On the interior, brick slips dress the walls continuing the pattern created by the whitewashed brickwork of the existing gable.Atelier Baulier Architects worked brilliantly to maintain the nostalgic look of the building whilst also transforming it into a contemporary home, with the use of a glass rooflight proving to be successful in adding a vast amount of light and space to the originally dark and gloomy Victorian house.

The recently built front extension creates a new threshold for the church, encompassing a large multipart Flushglaze fixed rooflight from Glazing Vision. The rooflight works to fill the entrance lobby with natural daylight and helps to create a lofty, open space with character.Utilising frameless rooflights to accentuate this highly contemporary home, CDC Studio have adopted the perfect balance of imagination and persistence. Designed as a ‘forever home’ for their retired clients, this house is accessible, highly contemporary, low energy, sustainable and secure.Having approached CDC Studio, to create a home which was not too big for two, but big enough to accommodate village parties and wider family coming to stay.CDC Studio replicated the thatched barn and knitted into the local community, encapsulation the character of the village through local crafts and materials of flint, red brick, timber shutters and estate fencing complimenting this with the use of zinc to echo the agricultural aesthetic of the original land use.Adopting a thoroughly modern approach, the kitchen, dining and living spaces are open plan to allow for social gatherings and to provide a smooth flow throughout the home. With three Glazing Vision secure by design flat rooflights along the roofline, natural daylight is allowed to fill the property and create an open space for the homeowners to enjoy.The kitchen sits under a column-free, steel rod hung mezzanine with acoustic damping which was rigorously engineered to avoid the reverberating noise. This creates a sense of enclosure to the kitchen whilst allowing CDC to achieve the fully flexible family / party space requested beyond.Two Glazing Vision electric Visionvents have been included to deliver a continual air flow running through the property and providing a constant temperature and source of natural daylight into the entertainment area of the home.To compliment the contemporary style of this house, a Glazing Vision Sliding over Roof rooflight has been installed, whereby the entire section of glazing retracts out onto the roof space, leaving open, unimpeded views of the sky above. When closed, the amount of glass is maximised to maintain an almost frameless appearance.“CDC Studio have been specifying Glazing Vision for a number of years and our clients have always been very pleased with the results. A combination of standard products and the option to deliver a bespoke solution means that Glazing Vision cater for all types of projects and affordability whilst products are well made and come with the addition of guarantees.” Delphine Dryer, Associate Director CDC Studio.The character of the thatched barn is emphasized by embracing its full height to the ridge, offering modest but usable guest rooms wrapped in painted timber boarding. These were identified for immediate family use, the height helping to overcome their narrow nature on plan, integrated wardrobes, back panels and pegs for hanging make them hard working spaces. A separate master suite spreads into the new volumes providing dressing, bathroom and a private patio area which offers the clients a place for quiet retreat when guests are staying.The house boasts its own private ‘Gin and Tonic’ balcony. The mezzanine space creates a private second sitting area with a concealed timber stair nestled between concrete sheer walls to provide access. It is quiet yet connected to the main space, and commands views to the west with a fully opening sliding over roof rooflight to let the outdoors in. A separate guest suite and shower room afford privacy to occupants and visitors alike.The extended roofline and orientation provide solar shading to the solar controlled west facing glazing with the careful positioning of rooflights to prevent overheating in the height of summer, plus water runoff is directed to a salvaged historical water trough which the clients will use to water the garden. The linear design is extended into the immediate landscape with water rills extending out like fingers into the wider area which over time the clients will begin to accentuate with their planting.This project showed the right combination of imagination and persistence, creating a home which not only fits in with the local village heritage but also manages to stand out and create a ‘wow factor’ for those which bask in its glory.“We have recently been impressed with their ability to comply with the secure by design requirements which not all companies seem aware of. We have used the fixed and venting rooflights on our Stacked house and Y house and a massive bespoke sliding rooflight on our Parkhouse which the clients adore.” Delphine Dryer, Associate Director CDC Studio.

Stapehill Abbey is a unique estate of 45 two to five bedroom homes. Set within beautiful gardens and grounds, the recently converted Grade II listed refurbishment looks magnificent.The original Abbey House was built in the early 19th century, with the monastic buildings dating back to the 1840s. The twin chapels were designed by Charles Hansom in 1847 and the buildings were completed in 1851. Founded by a small group of nuns led by Madame Augustine de Chabannes, the Abbey was home to The Cross Abbey order of Cistercian Trappist nuns between 1802 and 1990.Dorset based developers Ankers and Rawlings worked painstakingly to retain the original artefacts and period features of this historical site. They chose over 60 Clement Conservation Rooflights for the project including both slate and tile profiles in sizes 1, 2, 3, 4 and 5.  Garry Hunter from Ankers and Rawlings said  “The homes at Stapehill Abbey have a mixture of slate and tile roofs, we chose Clement Conservation Rooflights as we needed a product that would look perfect in both. We are really delighted with end result and hope to use Clement rooflights again in the future”.

Glazing Vision worked closely with Architect, A R C Architecture Ltd, and Contractors, Matrod Frampton Ltd, on this incredible project located in Lymington, Hampshire, where the client was looking for their new pool room extension to include a large, flat rooflight, creating a peaceful and naturally lit room, perfect for a relaxing swim. They were also looking for a rooflight within the loft area of the home to allow natural daylight and ventilation to the space.Glazing Vision’s Flushglaze Fixed Multipart Rooflight in Slate Grey Matt was specified for the roof of the pool house, which was an impressive 3800mm x 10360mm in size, which almost mirrors the size of the swimming pool below.Bespoke glass was selected for this particular project. The double-glazed outer pane was made up of heat soak tested, toughened glass which offers a greater resistance to thermal stresses and provides better protection against glass breaking, reducing risk of injury, essential with a pool directly below.Argon gas filled the space between the panes of glass which helps insulate the room and minimises the transfer of heat through the glass along with a black warm edge spacer which is an insulating plastic composite material that becomes a barrier to heat loss.The inner pane consisted of heat soak tested, toughened, PVB laminated glass which prevents glass shattering under impact by holding the shards together on the membrane so they cannot become lethal, and includes a soft coat low E rating of 1.1, helping with the energy efficiency of the room by reducing energy costs.The product was tested to class 1 in accordance with CWCT TN66/67 which is essential for rooflights which might be walked on for occasional cleaning/ maintenance activities, and which will therefore need to support both the weight of people on the glass and their equipment, which may be required on this occasion.The rooflight was supplied in 6 sections with internal back-to-back angles at the joints between each section. The 6 sections were sized to achieve an equal split when viewed from underneath.Our Skydoor Electric Hinged Access Rooflight was specified on the roof of the loft space which is ideal for ventilation and regular access, and offers natural daylight to the space below. Intelligent actuators ensure synchronized operation between the two supporting mechanisms, so the Skydoor opens to a maximum 87° in one fluid, trouble-free motion, providing you with easy access to the space above.The glass was a double-glazed unit comprising of a heat soak tested, toughened, soft coat low E (1.1) outer pane, with Argon Gas within the space between the panes and black warm edge spacer, with the inner pane consisting of heat soak tested, toughened, PVB Laminated glass, and was also tested to class 1.Both rooflights were expertly installed by our sister brand, Glazing Renovations.“Glazing Vision were helpful in explaining the two different upstands required for the different glazing systems. The installation team were helpful and carried out their work in a professional manor.” – Steve Davies, Site Manager, Matrod Frampton.

This surreal manor house has been converted with the help of five bespoke Ridgeglaze rooflights from Glazing Vision, to provide a constant flow of natural daylight throughout this new renovation.This secluded manor house in Mawgan Porth near Newquay involved a combination of new-build and refurbishment to help create a special property with interlinked courtyards. Gardens and entertaining spaces that reconnected this house with its rural location.A property which had lost much of its character due to previous poor-quality extensions and renovations was in desperate need of an overhaul and some true care and attention to help provide the clients with a home they could cherish.CSA Architects were entrusted with this mammoth task and working closely with builders P Chapman Construction they have been able to capture the true identity of the property and its marvellous countryside surroundings.From the point of arrival, the driveway leads guests to a grand entrance hall, that seamlessly links the original house and the new buildings, whilst also connecting directly to the surrounding landscaped gardens.Renovating the original house to provide guest accommodation that is both cosy and functional, the extensions have created large open plan living and dining spaces, a sitting room, games room, and functional boot room.The use of 5 multi-part Ridgeglaze rooflights from Glazing Vision add an abundance of natural daylight throughout this new renovation.Providing the perfect addition to the apex roof line, allowing glazing on both returns, and in keeping with the juxtaposition of rustic and contemporary which is almost flaunted throughout the home.Given the history of the building, double glazed rooflights were used with a low e coating for maximum thermal performance. The low e coating on the glass allows most of the visible light to pass through as well as the short-wave heat energy but blocks long wave energy from passing through. This ensures the heat from inside the building is reflected, back into the room, and so heat losses are significantly reduced.Throughout the property, unique characters have been retained but with carefully selected improvements to emphasise the potential within the property. The rustic stone floor and extensive areas of Crittall-style glazing sit against the original stone wall of the house and form part of a rich palette of high-quality materials. The use of reclaimed wood cladding, brick walls and oak beams are brought together around an exposed steel structure that define the main living spaces.

Perry Hall Academy, a large primary school built in 1949, with original waterproofing still in-situ. IKO assisted the Academy funding bid by providing a detailed survey report, including intrusive core sample analysis. The roofs were suffering from water ingress, cracks in the mastic asphalt, pooled water and poor heat retention, so decision was made to replace the roofs throughout. New rooflights were also specified to allow more natural light in while the design chosen reduced the external noise transmission. IKO worked with specifier Concept Education Services to deliver the project (some work during term-time) within 6 months.

Project:The construction of luxury offices and apartments required a bespoke access solution to the roof.ProductSurespan designed and manufactured a boxed glazed sliding rooflight with a glazed vertical upstand.The sliding lid was operated electrically via concealed 24v DC actuators and a push-button switch. The 35.5mm sealed double glazed unit comprises of Pilkington 6mm toughened K polished all-round outer pane, a 20mm Warm Edge silver spacer bar that is argon filled, and a Pilkington 9.5mm toughened & laminated inner pane. The sealed glazed unit has a U-Value of 1.5 W/m²K.Features:Operated electrically via concealed 24v DC actuators35.5mm sealed double glazedPilkington 6mm toughened K polished20mm Warm Edge silver spacer barPilkington 9.5mm toughened & laminated inner pane. U-Value of 1.5 W/m²K.

Vicky and Nick, the owners of Holloway and Holloway, a London based architecture studio, share their story on living and working under the same roof, in a stunning recently extended house where they added an Unlimited Rooflight. Questions to Vicky and Nick:What was the decision-making trigger in choosing daylight from above?To be honest there was no choice here. In a London mid-terraced property, even a semi-detached one, when you do a side infill to increase the rear of the property by filling in the gap between the properties, it creates a dark space in the centre of the property where there is no natural light.So, you generally counter this by adding roof lights in the ceiling over the new extension, and make sure that they are placed fairly close to the back of the room so that you can flood that space with natural light.Vertical windows tend to allow a good level of natural light to penetrate around 6 meters into a building. Not only do roof lights allow a lot more light in a space than a vertical window, but as you can place these in more central areas in the room, they are nearly the only way to get daylight into the centre of your house.We have our office in the central room of the property, so for us, we had to have good natural light levels in this area as we spend the most amount of time here in the whole house.You added a rather large rooflight to your extension - The Unlimited Rooflight. What impact does it have on the space?It is amazing how bright the space is. We get so much light from above that the space always has a wonderful vibrance to it during the daytime.But I think that possibly what’s even more striking than the amount of light itself is the size of the glass, its 5m² total, split into 2 pieces. It makes it feel as though there is more glass than there is solid roof up there, it really is the wow feature of the whole space.Whilst we had expected that when we designed it as it was always meant to be the feature in the room, what we hadn’t realized was how much it would make the space feel bigger. With extensions on a mid-terrace property, you are often limited as to how high you can build so your ceiling height can be capped at a certain level, but having this huge opening in the middle of the room makes the whole space feel like you’ve got this really grand ceiling height, it has such an effect on how the space feels. Tell us what was the timeline from inspiration to finished interiors? I'm sure it's a question you get very often.Indeed. Well we actually only found out about Vario by VELUX as we were on site, they were just about to start the roof construction as we found out about them, so we didn’t have a huge amount of time and had to get things organized very quickly! From finding the products to getting them on site it was only a matter of weeks, once we had chosen a size for the roof lights all we had to do was confirm the opening dimensions to our contractors, and double check with the structural engineer that the roof structure was ok to support the new roof light. Once that was all sorted all we had to do was wait, it was a very easy process. The project took around 4 months on site in total, but the roof lights go in fairly near the end of the project, so once they’re in it’s all very exciting, as you are close to completion.  

Jessica's home renovation and extension. Please see below a brief overview of Jessica's renovation journey in a blogpost:I’m not going to lie, renovating in a pandemic with no kitchen, was extremely stressful at times, particularly during the long stretches we were home-schooling, and it’s not something I’d want to repeat, but it definitely could have been worse, and we survived it.We bought this house six years ago and I have wanted to do the kitchen side return extension ever since Day One, but we had to wait and save, and then finally in September last year (2020) the day finally came, and we started the renovation. For reference, this is what it looked like when we bought the house. We did do a budget makeover in the interim by painting the cabinets and replacing the handles, but by the time we came to do the major building work we had doors hanging off, shelves collapsing, and the major lack of storage meant things were stuffed in and precariously balanced on top of each other and ready to topple as soon as anyone dared to delve in. I shared lots of my inspiration and ideas for the new kitchen before we started. I knew from very early on that I didn’t want to spend a huge amount of our budget on creating a fancy architectural kitchen extension. For me, the space inside was what was most important, and I just wanted to make sure we were maximising that to its full potential. We hired architect to draw up just the plans for us. I had initially wanted a pitched glass roof to run the length of the side return extension, but council planning regs and the unusual way our house is laid out, put paid to that idea. Our local council had recently introduced a height restriction of 2.5m at the boundary when extending more than 3m at the rear. Which we weren’t. Or so we thought! What we hadn’t realised is that the existing kitchen had already been extended and that counted towards the allowance, so the restriction did apply. This caused a lot of stress at the time, as we were so worried that the ceilings were going to feel low and dark. The good news is that as soon as the Vario by VELUX rooflights went in, all our worries melted away, and it’s not something I even notice or think about now.Another thing we did was speak to our neighbours about a third-party wall agreement. This was pretty key for us, as the buttress was on our side of the wall and if we had to build around it we would have lost at least half a metre of the side return. What we needed to do was take it down and build up right up to the boundary (saving as many of the London stock bricks as we could in the process). Luckily our lovely neighbours agreed, as this really did make a huge difference to the internal space.The LayoutI have had a lot of questions about many different aspects of the kitchen, but I think the thing I have been asked about most is the dimensions and the layout. We extended out 1.5m at the rear and around 2.5/3m to the side, bringing us to a total of 5m wide x 8m long. I think our layout is fairly unusual for a kitchen, and it seems to have inspired lots of people to try and do the same in their own kitchen renovations. The good thing about waiting almost six years to renovate your kitchen is that you get plenty of time to mull over what your dream kitchen might look like. The Design  knew I wanted to go with a seamless sleek, understated design and let the other materials do the talking, so I settled on the Urban kitchen, with slab doors. I worked with a kitchen designer to fine tune the space, and that’s where it really comes into its own, because they think of all the details you wouldn’t necessarily think of, and they know exactly how much space you need to allow you to move around your kitchen comfortably. The area around the island and peninsula was a tricky one to get right, because we didn’t want to interrupt the flow too much, but having lived in it for the last few months, I can confirm the kitchen designer got it spot on. We also included a fluted glass cocktail cabinet in our kitchen design, which houses all our glasses and drinks bottles and sits on the dining/entertaining side of the kitchen.The Vario by VELUX rooflightsOur previous kitchen had very little natural light and as a result none of us ever wanted to spend any time in there. So getting as much natural light as possible was a major priority in this renovation. We planned for two large rectangular rooflights along the side return (as we knew we needed a steel in between) and a square one towards the rear. Once we got planning permission, I asked our architect to tell me the absolute maximum amount of glazing we were allowed, and then headed straight for the Vario by VELUX website to design bespoke rooflights to the exact size we needed, using every last bit of glazing we were allowed! The bespoke nature of Vario by VELUX means you can tailor your sizes exactly to your needs. Using the 3D configurator online, you can also choose the frame colour, the type of glazing, and whether you want them to open or not. We have two 2.3m x 1m Rectangular rooflights (one opens) and a 1m x 1m square rooflight. Our builders had never worked with them before and were really impressed by the ease of fitting. The moment they went in, was the moment we really start to get excited about the new space. Even with screed floors and bare brick walls in November, the light was incredible in there. Now it’s finished, one of my favourite things is to work in the kitchen and watch the light as it changes and moves throughout the day. Even watching the rain is epic.

Skydoor Roof Access Rooflight Has Helped Open The Roof Space Of Beautiful Holiday Home Located In Michigan Case Study

Multiple, very bespoke, multi pane Flatglass on a commercial education project.

Award winning project in Cambridge. Only natural daylight used during the day. A mixture of Class 1 and Class 2 non-fragile rooflights.Very large single pane units.

The LAMILUX Glass Roof PR60 was designed and installed as a continuous atrium using 60 panes of glass covering an area of 14m X 15m. The framing detail ensured a seamless transition to the wall abut at the head, whilst sitting on perimeter supports at the verge and cill. High performing glazing with double silver coating prevents overheating in addition to the glazing designed to be walked on for cleaning and maintenance purposes. LAMILUX were able to provide a better solution than the original concept by using larger panes arranged in four flush tiers installed with a 3° surface inclination.

The architect has created a connection with the outdoors in, utilising large fixed rooflights from Glazing Vision to bring daylight into the house and frame the surroundings.‘The most beautiful spot in the Netherlands’; that is the description of this country house in the marina ‘t Raboes according to the owners. Located on the Eemmeer, a place in the middle of nature, and away from the hustle and bustle of city life. The architect has created a connection with the outdoors in, utilising large fixed skylights from Glazing Vision to bring daylight into the house and frame the surroundings.Bringing in daylight with large minimalist skylights was a key requirement for the architect. The horizontal application of large glass surfaces demands a lot from the design and after many discussions, the architect was confident that Glazing Vision was the rooflight manufacturer that could implement what they had in mind.No framework in sight. Insulated glass with excellent insulation values. Glass that blends seamlessly into the architect’s design. A way to bring the outdoor feeling inside.Three multipart skylights have made this architectural vision become a reality.The back-to-back angles fit in very well with the rest of the modern contemporary interiors. To make it possible to darken the rooms, Glazing Vision has applied custom-made sun protection from Topshade.At the spot where the river Eem flows into the Eemmeer, architect De Kort van Schaik designed the country residence ‘t Raboes. The clients wanted to create a place where they could fully experience nature, but also withdraw from the hustle and bustle of the city.The house consists of three parts, connected by three covered terraces. Concrete walls and floors which blend seamlessly into the environment and large windows that frame the polder landscape.All energy on ‘t Raboes is generated locally. The solar cells on the roof of the marina building supply electricity. A heat pump that uses the surface water of the Eemmeer provides heating for the house and swimming pool.In the living areas, wood stoves have been used, all which use wood from their own grounds, providing readily available extra heating capacity.A beautiful contrast is created by the yellow epoxy bathroom furniture, designed by Sabine Marcelis. A piece of furniture consisting of a bath, wash bath and shower stands as a free-standing sculpture in the concrete bathroom. The skylight forms a completely frameless glass roof, which gives you the feeling of being outside even more.Sabine Marcelis states that she has designed her dream bathroom. The subtle rotation of the furniture gives you a fantastic view of the landscape from the bath.Taken aback by this stunning property, the architectural press has been impressed with all aspects of the design. De Volkskrant gives the Huis op ‘t Raboes five stars. “The Rotterdam architectural firm De Kort Van Schaik designed a house in which you live with the elements and at the same time are protected against them, thanks to a thick concrete coat.”

The Old Court House was on the verge of collapse when purchased by its current owner. The Local Planning Authority had placed a Section 106 agreement on the property detailing its rescue from dereliction and were preparing to increase its listing status to Grade I as it was rumoured to be a hunting lodge gifted by Queen Elizabeth to Robert Dudley, 1st Earl of Leicester. Dating carried out during the course of the works confirmed that the building had been constructed in phases between 1526 and 1613.A team, including the client, Harrison Brookes Architects and Speller Metcalfe Contractors worked closely to bring this house back to life using a range of conservation skills and employing specially made components (bricks and tiles) combined with modern technologies. The Clement 3 range of Conservation Rooflights in a tile profile were chosen to be in keeping with the property’s appearance.Rhys Brookes from Harrison Brookes Architects said “This Grade II listed building was in a dilapidated state and required meticulous and painstaking reconstruction. The inclusion of Clement’s Conservation Rooflights helped us to stay true to the original character of the property whilst also meeting the demands of Building Regulations.”The project has won numerous awards including; RIBA Conservation 2018, the RIBA Regional Award West Midlands 2018 and the RIBA Project Architect of the Year Award 2018.

Our ThermGard Roof Light System provided the necessary profiles to achieve the considerable spans involved, some beyond 4.5m. Solar control glass was utilised to reduce heat gain and this combined with a low-emissivity coating provides year round comfort within the building environment.

This previously draughty corridor was in sore need to refurbishment at this hotel and spa just outside Manchester. Our ThermGard-R rafter glazing bars were ideal for sitting on top of the existing steel rafters and provided a robust glazing method to retain the large double glazed units. Softcoat low-e laminated and toughened glass insulating glass units provide excellent heat retention and being North facing, there was no need for the addition of solar control.

Bespoke shaped Flatglass on a private residence.

Residential hinged Flatglass for ventilation and light transmission.

The Brief Our client, architect Scott Brownrigg, wanted glazed roof lights for properties within The Glasshouse, an exclusive new housing development in Putney, London to provide natural daylight and allow residents safe and easy access onto their roof terraces. The solution Surespan worked closely with Scott Brownrigg to design the roof lights to ensure they were in keeping with the style of the contemporary building. They were set to automatically open with the touch of a button so residents could easily and safely step out onto their roof terrace.

Extensive roof glazing refurbishment project including complex saw-tooth roof sectionProducts: em.glaze Monopitch, Northlights and a bespoke walk-on installation

Utilising several innovative Glazing Vision rooflight products combined with some insightful architectural design detail from Chiles Evans & Care Architects, along with bespoke high specification finishing from Terry Huggett Developments, this retro-modern home is simply stunning, and even featured on Channel 4's Grand Designs.The 1970’s were a revolutionary period of acceptance and moving forward as a society, with many important social movements being founded in this decorated time. Along with this, the 70’s also had a huge influence on the interior and exterior of buildings all over the world. 70’s vogue has also had a heavy effect on modern interior and exterior design. Ranging from complex designs of wallpapers, to simple yet effective patterns on rugs, retro designs are becoming more and more popular in present times.Solidifying this proposal is Ravine House, a retro-contemporary build where Glazing Vision, Chiles Evans & Care Architects (CE & C Architects) and Terry Huggett Developments have collaborated together demonstrating the enduring quality of 70’s design.The original house, built in 1967, adopted a mid-century American exterior; with large windows looking out at the surrounding gardens that were framed by wide eaves and a low-profile roof. Taking inspiration from Frank Lloyd Wright, and other famous Architects from the mid-20th century, the house showcases a real ‘wow factor’. As conversations with the homeowner quickly progressed it became apparent how special this home truly was.The project was separated into three parts. Two stock sized Flushglaze Fixed Rooflights were the first port of call for the homeowner and the architect. It was imperative that any changes made to the original exterior of the house did not impact the simplicity of the roof lines, therefore the Fixed Flushglaze Rooflights were selected.The double pitched roof meant that it was not possible to set the rooflight into the roof pane without compromising the water-proof integrity of the roofing. However, the Flushglaze’s simple frame means that although they sit proud of the roof, they remain visually unobtrusive. The standard Flushglaze Fixed Rooflight is a very popular item in our wide range of products, with a minimum span and width of 400mm and ranging to 4200mm subject to area m2 limitations. In this case, the Flushglaze Fixed Rooflights were both 1200mmx 900mm. With a frame colour of RAL 7015 (Slate Grey), they bring a simple yet highly effective essence to the property. Deciding to purchase a stock size Rooflight, rather than a bespoke size can be a much more cost-effective option.The second part involved a singular stock sized Pitchglaze Roof Window. Adopting our pioneering ‘frameless’ design ethos, once installed, this product provides the building occupants sky only views through the aperture, something not usually found with a traditional roof window without requiring an upstand. As a roof window it is UKCA and CE marked and designed to be installed in pitched tiled roof applications flush with the tiling line and to be used at roof pitches between 15° and 60° and comprising of Qualicoat approved polyester powder coated aluminium framework. The Pitchglaze can also be supplied in either landscape or portrait orientations. In this case, the Roof window sat at a 22° angle with “vision area” dimensions 1000mm x 3000mm.The third part of the project consisted of a solitary Triple Glazed Flushglaze Rooflight, with three Wall Abutments. The homeowner opted to go “made to order” for this luxurious item, with a span of 1205mm x 2825mm. The Wall Abutment detail is part of the Flushglaze framework and is secured using suitable fixings, that depend on the structure being used. The Flushglaze range of Rooflights have been independently performance tested and approved by the British Board of Agrément (BBA) and are also classified by The Official Police security initiative, Secured by Design and tested to LPS2081/1 with certification by the Loss Prevention Certification Board. This helps to enhance resistance to opportunist intruders attempting ‘stealth’ attacks to gain entry, which are often carried out in residential areas.‘For me, this project is simply a once in a lifetime opportunity and I enjoyed every minute of it’ Terry Huggett, Terry Huggett Developments.The project brings with it a unique element of family. With the homeowner inheriting the house from his parents – Terry Huggett cites that his love for mid-century American architecture stemmed from family holidays to places like California, and other cities and states in western America. This connection with the project for both Architect and Contractor, along with their personal chemistry is obvious, as is the care and precision of the build exhibited everywhere within the residence! The home also boasts many different structural qualities that distinguish it from other houses up and down the country. From a heated driveway to a Borehole that provides ‘Evian quality’ water from tap, the home showcases many unique and desired aspects.Overall, the project took approximately three years to be completed. Now, Ravine House is gaining publicity up and down the country and has been nominated for various RIBA awards. It is visually clear that the home is something truly special that simply defines quality and displays an incredibly high level of Architectural and Contractual ability.

A 19th century Listed Building, St Paul’s Church, has a prominent position at the top of St John’s Hill in Battersea. Current owners, The James Laurence Group, worked alongside the London Borough of Wandsworth Planning Department to agree how best this historical building should be restored and provided with a new lease of life. Clement were chosen to supply all the steel windows and conservation rooflights. The bespoke demands of the project required Clement to use two steel window ranges. Both W20 and EB24 were fitted to create the beautiful shaped windows which include club heads.

A premier footballer required to let light into his gym, so a Lonsdale Skylight was chosen and the customer was very satisfied.

Kings Cross Railway has been one of the largest and most exciting London redevelopments in recent years. In Victorian times Kings Cross was a thriving industrial area but by the end of last century, mostly had fallen into disrepair and dis-used buildings, sidings, warehouses and contaminated land. The move of the Channel Tunnel rail link from Waterloo to St Pancras in 1996 meant the need for change at the 67 acre site. The glass roof consists of two adjacent Victorian steel ‘barrel-vaults’ which now feature our PlasGard patent glazing system. A special glazing bar for use at the ridge was designed with a low external capping so as not to cast shadow onto the photo-voltaic cells to ensure optimal performance. Elsewhere laminated clear glass was used for safety in accordance with overhead glazing guidelines.

Making the most of outdoor space in an urban environment is very important. With land at a premium, more people are converting their flat roof space to a garden retreat. How do you get to it though? A full size staircase takes up a lot of room and can be quite expensive, especially for occasional use. A Premier Loft Ladders customer had exactly that problem at her Hammersmith, London apartment. Learn how the Elite loft ladder saved both space and money, while still providing safe and convenient access to the flat roof...

Whtesales em.glaze Modular case Study

SkyGard proved the obvious choice for this low cost canopy for one of the Nation’s biggest clients. Special bracketry was required in accordance with the architects design and strategically spaced access hatches, provide access for cleaning the box gutter. SkyGard Patent Glazing combined with laminated glass provides one of the most economical glass canopy solutions with an expected 30-35 years design life and virtually non-existent design life costs as maintenance is minimal.

Project: Billingsgate Market, London Client: Corporation of London Products: em.glaze Continuous Hip End Ridgelight

Project: Pegasus House, Filton Client: Aviation industry client Scope of the project: £42,000 project including five lantern lights Products: em-glaze dual pitched lantern lights

The Flat Glass Skylight allows you to enjoy natural daylight. The skylight will provide you with a clean appearance in the external roof scope, the toughened outer glass pane has a ceramic edge coating giving you an immaculate and stylish finish. The range comes complete a 160mm high vertical insulated PVC kerb/ upstand. The slim aluminium frame has a internal thermal break allowing it to be energy efficient whilst also reducing the risk of internal condensation. The skylight comes complete with fixing screws which once installed are fully concealed beneath a flush cover creating a sleek and tidy external appearance.

Lonsdale were tasked with providing a new low profile glazing bar compatible with the needs of the photovoltaic panels and at the same time meet the requirements of English Heritage

The States of Jersey were keen to refurbish the glazed roof at Central Market, St Helier, but had to work closely with traders to ensure the minimum of disruption. Stallholders were also concerned about solar gain during hot summers. At the same time, they were wary of the usual tinted glass options that may have cast colour onto their different food markets and flowers. The natural beauty influences customers buying decisions.