"plaster"

This fire-rated and acoustic-rated Invisible Loft Hatch was installed to replace an unsightly loft hatch in a living room. This discreet and stylish solution seamlessly integrates with the ceiling, as the beaded frame of the product allows the plaster of the ceiling to cover it. This means the loft hatch offers easy attic access while enhancing the room's aesthetics. The Loft Hatch features The Access Panel Company's unique SLIK keyhole treatment, which is pushed out of the way when the key is entered and springs back into place when the key is removed. This means the keyhole is hidden from view when not in use. This innovative solution demonstrates how practicality and elegance can coexist in home design.

When American architect, Louis Sullivan, in 1896, said, “Form ever follows function” he probably hadn’t foreseen the creation of the Statutory List of Buildings of Special Architectural or Historic Interest that would have its origins in the devastation left in the wake of the Second World War.The ChallengeThe preservation of old buildings is challenging enough but additional issues arise when it comes to refurbishments and renovations, particularly if there is a material change of use. Suddenly, a building that was created for one purpose is given another, sometimes radically different, purpose. The form can’t follow the function if the function is allocated post-construction. Significant modifications can help align an old building with its new function but, in the case of Grade II listed buildings, for example, the interior can’t be fundamentally changed and function is forced to compromise.Even when there is no significant change of use, modern building regulations demand performance standards that didn’t even exist at the time that buildings currently being renovated were originally envisioned and created. The requirements of Part E of the Building Regulations, governing soundproofing between floors of a building, are relatively easy to shoehorn into a renovation project as these tend to be concealed beneath floor finishes and screeds. Problems with reverberation are far more difficult to tackle and even though there is very little regulation surrounding this issue, BB93 of the Building Regulations, governing reverberation levels in schools, tends to be employed as an effective benchmark.When reverberation levels reach a certain point, they can become more than just an irritation, with the overlap between what is currently being said and what was said a couple of seconds ago becoming genuinely disruptive. In schools, this can make it extremely difficult for children to follow what their teacher is saying. For this reason, BB93 demands a reverberation time of 0.8 seconds or less, with 0.4 seconds being seen as ideal. Reverberation time is described as the time taken for the sound pressure to fall by 60 decibels after the original sound has ceased abruptly. So, in the case of BB93, 0.8 seconds or less after a sound has been made, that sound should have decreased by 60dB. 60dB is a significant drop, the difference between a construction site with pneumatics drills and a busy department store.It is in situations like this, when form and function appear determined to have nothing to do with one another, that architects and the designers of construction materials are driven towards increasingly innovative and paradigm-shifting solutions. The stereotype of the architect who is concerned only with form and is completely disinterested in function is, thankfully, a thing of the past (if these individuals ever really existed at all). Modern architects don’t create buildings so much as living and working spaces, where physical aesthetics are neatly balanced with a host of other concerns, such as the quality of an environment’s acoustics.Although regulation sets crucial, legally-enforceable parameters, few architects need to be incentivised to aim high when it comes to a building’s acoustics.This drive towards innovation has resulted in widely differing solutions. Reflector panels and diffusers redirect sound waves or disburse them more evenly through the listening environment, reducing nuisance noise. These solutions tend to be employed in lecture halls or auditoria, where a certain amount of volume is desirable, but the quality of the sound is crucial. The most commonly employed anti-reverberation product is the sound absorption panel. These fabric covered panels are mounted on the walls of a room or suspended from the ceiling. When the sound wave enters the open cell structure or fibrous composition of the panel, it bounces around like a pinball. The friction resulting from each instance of impact is converted into low-level heat which is absorbed into the material. When the sound wave re-emerges, its energy, and consequently its ‘loudness’, is significantly diminished. This tends to be the solution of choice for classrooms and is generally considered to be the quickest and most cost-effective route to BB93 compliance.Some acoustic challenges are more demanding than others. The renovation of the Picton Reading Room, part of the £50 million redevelopment of Liverpool Central Library, being a case in point. Not only is the reading room contained within a Grade II listed building, it also boasts an elaborate coffered saucer dome. Domes are something of an acoustician’s nightmare, as they focus rather than distribute sound, exacerbating reverberation problems. All of which means a dropped pencil in the Picton Reading Room sounds like a Keith Moon drum solo. Why Cornelius Sherlock, the reading room’s architect, decided to incorporate a dome – one 100 feet in diameter and 56 feet high – into his design for a space that was intended for quiet study is a little bewildering, even if his work does predate Sullivan’s remarks by a couple of decades.Thousands of hours of work have gone into restoring the ceiling of the Picton Reading Room, with plaster, paint and gold leaf being matched as closely as possible to the original 1875 design. Given the need to be true to the form of the original, certain anti-reverberation solutions were unworkable. Reflectors, diffusers and baffles couldn’t be suspended from the ceiling, as all those thousands of hours of work would be hidden from view and the Nineteenth Century aesthetics undermined. Wall-mounted sound absorption panels were not a viable option, as there was very little wall to speak of, with three levels of solid wood bookshelves encircling the room, almost up to the beginning of the dome.Recent innovations in the area of acoustic plaster held the solution. Sound absorbent plaster has been around for some years, offering a smooth appearance which conceals a porous, granular structure similar to that found in sound absorption panels. However, until recently, the amount of sound absorption offered has always been limited to Class ‘B’ and Class ‘C’. Now, however, Class ‘A’ acoustic plaster systems are available. It was just such an acoustic plaster that CMS Danskin used for the Liverpool Central Library project.Because of the limited surface area in the Picton Reading Room, Ellie Morris, CMS Danskin’s Technical Support Coordinator, hit upon the idea of applying the acoustic plaster into the soffits beneath the balconies of the upper shelving areas. The results were a resounding (or un-resounding) success. A relatively small amount of an innovative product, cleverly applied brought a 138-year old listed building’s acoustics in line with contemporary standards and not a hint of compromise in sight.

This beautiful new build home, close to the shore on Long Island, was to be the Client’s luxury beach house. UK architect David Russel, designed all windows and doors to be pocket style, disappearing into the walls.Much consideration was given to concealment and where possible the curtains also opened out of sight, into their own wall pockets. All Lutron curtain tracks were flush-mounted using TrackTrim by Blindspace, including a number of curved tracks.In some of the windows, Lutron blinds were concealed within Blindspace boxes behind the curtains, all disappearing when not required. These Blindspace products have the additional benefit of being plastered in during construction for minimal visual impact.The unique ground floor design brings the outdoor indoors, using hidden doors and curtains with amazing results.Transcript

DescriptionLocal Smet Supported Partner, a seasoned Lidl Contractor, McCallion Group machine applied the LIDL External Render System onto Poroton blocks externally using as Base Coat: Bauprotec 850 M – Lightweight Lime Cement Render, and as Key Coat: Change of substrate concrete/steel pillar/Poroton block or mass concrete and insulated plinths: Bauprotec RHS Multi-Purpose Render.The internal Render System specification onto Poroton blockwork consists of a base of Coat: Bauprotec 850 M, Lightweight Lime Cement Render, sponge floated in warehouse areas, and skim finished in sales areas. Key Coat: Change of substrate concrete/steel pillar/Poroton block: Bauprotec RHS is used.The Irish LIDL render spec, available from SMET consists of:Bauprotec 850 M is a factory-produced Lightweight Lime Cement Render, specially designed for machine or hand application produced to EN 998-1: 2010 and is CE Marked.Bauprotec RHS is a CE Marked, factory-produced highly polymer-modified render specially designed for hand and machine application produced to EN 998-1: 2010.The special render properties; lightweight, low thermal conductivity, high yield, and the Smet Supported Partner superior technical backup, are key factors in choosing SMET.SMET is committed to delivering consistently superior quality, German-made Render Systems to Lidl Plastering and rendering/plastering contractors across the UK and ROI.  If you’d like to speak to us about your Lidl job – contact SMET.All LIDL spec SMET Render System products are available directly from Smet Building Products Ltd, which ensures the contractor has a superior level of technical backup in the machine application of the LIDL specification.Related DownloadsTDS CASEA Bauprotec 850 M – Lightweight Lime Cement RenderTDS CASEA Bauprotec RHS – Multi-Purpose Render

of the Church at Abbey Lane reaches right back to theemergence of Non-Conformity and the Free Church tradition in Britain.John Bradford, one of the first protestant martyrs to suffer in QueenMary’s reign (he was burnt at the stake at Smithfield in 1555),preached in Saffron Walden a number of times. Doubtless his life andthe manner of his death had a great influence on the people of SaffronWalden, causing many to leave the Established Church. These earlydissenters remained faithful to their belief through many years and itwas largely their descendants who were responsible for the founding ofthe church at Abbey Lane. This is traditionally regarded as having beenfounded in 1665, making 2015 the 350th anniversary of the church.The Toleration Act of 1689 enabled nonconformiststo spring into action, withthe erection of a meeting house atAbbey Lane being completed in 1694.Key events in the subsequent history of the Church include:The opening of the current church building in 1811The election of five members of Abbey Lane Church as Town Councillors in 1835 after therepeal of the Test and Corporation Actwhich had barred non-conformists frompublic service. These included AldermanJohn Player J.P., the first mayor of theBorough after the passing of theMunicipal Corporation Act and theBorough’s first Justice of the PeaceThe construction of the schoolroom andclassrooms in 1861 to celebrate theJubilee of the Church buildingAt the beginning of the 20th century, Abbey Lane was a flourishingchurch, attended mostly by trades people of the town. The church hada large choir and a good Sunday School which met twice on Sunday aswell as attending the morning service. On special occasions such asHarvest Festivals extra chairs had to be placed in the aisles.Of late unfortunatly a leaking roof caused significant damage,eventually leading to the ceiling collapse with cornice and panelmoulding falling.A C PLASTERING pulled down the remaining loose ceiling &decorative mouldings, stabilised the existing. Then re-lathed andplastered with Limecote supplied by Best Of Lime.A new cornice and panel mould was run to replace the damagedareas.

SMET NHL 3.5 binder was specially selected for the restoration works in Dechomet Cemetry, Moneyslane.  Rainey Restoration Ltd used our superior-quality pure Natural Hydraulic Lime binder SMET NHL 3.5 to produce a superior-quality lime mortar. The selective hydraulic strength development of NHL binders makes them particularly suitable for producing lime mortars for masonry work, rendering, and plastering on historical buildings and monuments.NHL binders, available directly from SMET and online or in-store via our distribution partner Haldane Fisher, are particularly suited for ecological new builds, conservation, restoration, and preservation works. The products’ special composition allows mortars to breathe and permits constant hygrometric exchange between the substrate and the environment. This Restoration is another showcase of sympathetic historic building restoration, using superior-quality NHL products available from SMET.

On this fast turnaround project we worked closely with Clarke Penman Architecture to manufacture and install polished concrete kitchen worktops and splash-backs.Concrete worktops are extremely strong and durable and designed to withstand busy family use. These were cast to the client’s individual and unique specifications using our BTX Ultra High Performance Concrete mix with a hydrophobic agent to limit moisture absorption. The worktops were cut to fit various kitchen appliances and then treated and sealed to make them stain proof.Spanning over 6 metres, separate large BTX concrete panels were carefully assembled on site and fitted with brass sink and taps by our experienced team. The finished effect is a modern, industrial look that complements client’s design style and blends perfectly with the raw plastered walls and concrete floors, which together create a truly unique and highly functional kitchen.

Armourcoat have been specified throughout the VIVI restaurant, a 1960’s inspired eatery in the Centre Point building in London’s West End. VIVI promises to deliver traditional British food with an innovative twist.VIVI’s 290 cover dining room serving delicious British favourites has its interior design inspired by 1960’s colours and fabrics including a handmade chandelier by British designer Vibeke Fonnesberg Schmidt. The new restaurant, created by Rhubarb – the team behind Sky Garden and Verdi Italian Kitchen at the Royal Albert Hall, is part of a wider refurbishment of Richard Seifert’s celebrated Grade-II listed high-rise tower. Armourcoat finishes have been used to spectacular effect in the entrance lobby, restaurant reception, bar and dining area with close to 300m2 of hand finished Armourcoat polished plaster applied to the walls.

The new £140 million Macallan distillery and visitor experience on the Easter Elchies estate near Craigellachie in Moray features Armourcoat Surface Finishes.Macallan is a luxury single malt Scotch whisky brand, with leading positions in some of the world’s most significant markets including the USA, Taiwan, and Japan. The distillery is designed by Rogers Stirk Harbour and Partners, who were selected to lead the project after an international competition.Over 400m2 of custom coloured Armourcoat Spatulata polished plaster has been applied to the curving staircase walls, boutique store, lift lobbies and reception. Spatulata is Armourcoat's own superfine marble stucco paste developed from traditional materials and manufactured in the UK. It is trowel applied in numerous fine layers by skilled Armourcoat applicators to create a highly polished decorative surface that adds a touch of luxury to interior spaces. Photography: © McAteer Photograph

ACOUSTIC insulation experts CMS Danskin Acoustics has worked with historic Standon Hall to specify and supply a range of acoustic products to reduce the impact of airborne and impact sound transmission in the Grade II listed Staffordshire venue.During the course of redeveloping the early 20th century country house into a high-quality wedding and business venue, Standon Hall made acoustics a key element for investment. CMS Danskin Acoustic’s in-house technical team conducted a site assessment in order to specify an insulation strategy to address structure borne noise and absorb sound.The objective was to prevent noise transfer between ground floor functions rooms and nine bedrooms and suites above. Andrey Magiy, Standon Hall’s MD, said, ‘During this two-year project to transform the hall into an outstanding venue we had an opportunity to address acoustics as floors were lifted to install new services. It was as important to prevent sounds from above being heard in meetings and conferences below, as it was to prevent noise from ground floor functions filtering up into the bedrooms.’The resulting acoustics strategy from CMS Danskin Acoustics involved the installation of 600sq m of Smartspan floor panels, Karma TNF70 high density stone-fibre batt and REGUPOL acoustic isolation strip. Challenges included the need to work from above to avoid disturbing fine, moulded lath and plaster ceilings below and the necessity to specify high performance acoustic materials of a thickness that wouldn’t increase bedroom and bathroom floor levels.Andy Hayes, CMS Danskin specification manager and IAO Affiliate, said, ‘Smartspan panels span across bearing structures such as, in this case, joists. They provide high acoustic performance, are easy to install, come in different thicknesses, such as the 32mm and 18mm used at Standon Hall, and have a reaction to fire classification (EN 13501-1) A1.‘Smartspan was also valuable for use in bathroom floors as it has excellent thermal conductivity making it ideal over UFH systems, has surface water absorption of only (EN20535) <300g/sq m is suitable for stone and ceramic finishes and, with a tongue-and-groove profile, it’s straightforward to install.’REGUPOL Acoustic Isolation Strip was also incorporated to reduce impact noise from first floor footfall. The strips are designed to sit beneath all types of partition walls and are described by the company as a simple and effective way to reduce structure borne noise. ‘Quick and easy to install, they provide long term performance without collapse or ‘bottoming’ out under high point loads, are resistant to ageing and deformation, are manufactured using recycled materials and are 100% recyclable.’~Karma TNF70 was also specified in places. Says the company: ‘It’s typically used in refurbishment projects for improving existing structures where access is only available from above and where additional acoustic and fire performance is required, such as in flats, offices, shops, and hotels. It’s lightweight, quick to install and is a dry system that won’t damage sensitive lath and plaster ceilings or fine plaster mouldings.’‘The products have been absolutely brilliant and we have great acoustics results for the primary rooms,’ said Standon Hall’s Andrey Magiy. Standon Hall opened for private hire for weddings and corporate events during 2021 and the bedrooms and suites were completed and launched in spring 2022.

During the core renovation of the Frankfurt office tower, the Lindner Group was entrusted with the complete basic fit-out and one of the tenant fit-outs. In addition tocarrying out various drywall works, high quality raised floors and energy-efficient heated and chilled ceilings were installed in combination with lighting systems fromLindner. High-quality wooden doors from Lindner’s own production, related joinery work, as well as flexible system glass partitions complete the construction package. Lindner also carried out plastering and painting work as well as tile, coating and flooring work, and additional installation services.Despite numerous challenges such as (heritage-protected) construction in existing buildings and the high logistical effort involved, the vision of a modern office tower wassuccessfully realized. Thanks to sustainable construction systems and building services combined with effective thermal insulation measures, the Global Tower is set tobe awarded with the DGNB Platinum certification.

Smet Supported Partner, Adston Construction, machine applied the LIDL External Render System onto Poroton blocks consisting of a Base Coat of Bauprotec 850 M – Lightweight Lime Cement Render, Façade System Primer and a Finish Coat of Mineral Finish Coat. The Plinth Render used is Bauprotec SLP – Lightweight Plinth and Tanking Render. Key Coat: Change of substrate concrete/steel pillar/Poroton block or mass concrete: Bauprotec RHS was used.The Internal Render System specification onto Poroton blockwork consists of Single Coat: Bauprotec 850 M, Lightweight Lime Cement Render. A smooth finish is required in the sales area, so either 850M steel trowelled smooth or skim finished. Key Coat: Change of substrate concrete/steel pillar/Poroton block: Bauprotec RHS used.The LIDL render system, available from SMET:Bauprotec 850 M is a factory-produced Lightweight Lime Cement Render, specially designed for machine or hand application produced to EN 998-1: 2010 and is CE Marked.Bauprotec RHS is a CE Marked, factory-produced highly polymer-modified render specially designed for hand and machine application produced to EN 998-1: 2010.Mineral Finish Coat – K is a CE marked, factory-produced, mineral-based, high-quality finish-coat render, specially designed for hand and machine application to EN 998-1, 2010.CASEA Bauprotec SLP is a CE Marked, factory-produced Lightweight Sand & Cement Render specially designed for hand and machine application produced to EN 998-1: 2010.The special render properties; lightweight, low thermal conductivity, high yield, and Smet Supported Partner superior technical backup, are key factors in choosing SMET. SMET is committed to delivering consistently superior quality, German-made Render Systems to Lidl Plastering and rendering/plastering Contractors across the UK and ROI. If you need to speak to us - click to contact SMET.All LIDL spec SMET Render System products are available from Smet Building Products Ltd, which ensures the contractor has a superior level of technical backup in the machine application of the LIDL specification.

One of the most iconic buildings in central London.The building has been reborn hotel and residential complex for highflyers in the financial services sector. Woods Bagot’s scheme for 10 Trinity Square, nicknamed ‘the whirlpool’ after the glass canopy at its centre.10 Trinity Square was commissioned by the Port of London Authority in 1911 through an architectural competition won by Edwin Cooper. Completion of Cooper’s Beaux Arts design was delayed by the First World War (it was finished in 1922).Many of the original interior features were conserved while incorporating the servicing requirements of a modern hotel. As such, plaster ceilings, such as those situated in the south wing of the second floor, are being maintained and the original air vents may be used in the new HVAC strategy.For this development, Selo used the Una doors which are the solution for timber leaf risers. Una utilises a timber door leaf with a concealed metal frame. Made to suit custom sizes, provided as a flat-packed kit prepared for all ironmongery.

Like every other institute of learning, the University of Bristol has to provide world class educational facilities, but also find new revenue streams. One such area is the provision of commercial conference space. This of course brings an extra pressure in the quality of the space provided to fee paying delegates.The atmosphere of the large open atrium was dependent on controlling the level of reverberation, without compromising on the architectural finish.Working closely with the Main Contractors Site Team, Architect and Client, we were involved in the specification for the new Atrium Feature Wall, along with all complex detailing, including expansion joints, louvres and display cabinets.Working closely with Vinci Construction, to carry out the Absorb-R GypLine αw Acoustic Plaster treatment to the Atrium Feature Wall at the University.Soundis Absorb-R GypLine αw system was installed to give a very desirable natural white stippled effect, combined with a highly absorbent functional wall spanning the length and height of the building, rising a full 5 floors.

Material Cultures architect group have a long association with HG Matthews and have used Strocks at The Design Museum and numerous other sites. The project is revitalising the Wolves Lane Centre in Wood Green – a former council-run plant nursery and garden centre taken on in 2017 by a consortium of community organisations and volunteers. The team have added four low-carbon buildings to the site, constructed from bio-based materials including clay, straw and locally sourced timber. The scheme focuses on growing and distributing ‘wholesome food’ and engaging local communities in education, enterprise and events.The project is billed as a ‘replicable model for community-led market gardens’ and is backed by the Mayor of London’s Good Growth-funded Market Garden City programme. This aims to develop plots for local food production, distribution and kitchens which also offer access to green space, training, volunteering and employment. Strocks and clay mortar were used in two of the buildings which compliment the earth plasters perfectly as well as the other structural elements of straw and timber.

SMET NHL 3.5 binder was specially selected for the restoration of the Donegal Parish Church.  Rainey Restoration Ltd selected our superior-quality pure Natural Hydraulic Lime binder SMET NHL 3.5 to produce a superior-quality lime mortar. The selective hydraulic strength development of NHL binders makes them particularly suitable for producing lime mortars for masonry work, rendering, and plastering on historical buildings and monuments. Rainey completed a full restoration program on the Donegal Parish spire and tower with all masonry joints being raked out and repointed with this hydraulic lime mortar. In addition, there were a number of stone indents, stone replacements, and stone repairs.NHL binders, available directly from SMET and nationwide online or in-store via our distribution partner Haldane Fisher, are particularly suited for ecological new builds, conservation, restoration, and preservation works. The products’ special composition allows mortars to breathe and permits constant hygrometric exchange between the substrate and the environment. This restoration is another showcase of sympathetic historic building restoration, using superior-quality NHL products available from SMET.

IssueA 15-year-old bathroom in a housing development was looking tired and dated and the owner wanted to refresh the area with minimal disruption in a quick timescale. The bathroom had three walls of ceramic tiles, and a sink splashback, which were in good condition but were unfashionable and required high levels of maintenance to remove limescale and mould.The property, a first floor flat, had easy access but no lift, so equipment, materials and any waste needed to be carried up and down the stairs.Approach“We wanted to replace the ceramic tiles, without having to re-plaster the bathroom walls which would mean a complete renovation and redecoration project,” said Helen Green, the owner. “We live in an area with hard water and limescale is a real problem so a wall that is easy to keep clean would be ideal.”SolutionAfter liaising with Altro customer services, the new Altro Walls ShowerKit was recommended as being the ideal solution as the wall panels can be installed over existing ceramic tiles and provides ease of maintenance for residents. There is also no requirement for construction materials or heavy equipment as Altro Walls ShowerKit is lighter to transport than ceramic tiles.

A recent worktop installation by GEC Anderson reflects the strong design intent of a spacious London kitchen. Featuring prominent yellow cabinets that sit below the made to measure stainless steel worktops, the kitchen also has bare plaster walls and brightly glazed floor tiles.Thin worktop edge profiles add to the dramatic look as does the ‘Patina’ surface finish of the worktops that was chosen to match the [stainless steel] window system. Matching window sils, splashbacks and planter area were also included in this highly individualistic design creation.As with most renovations, walls and angles were irregular. GEC Anderson were instructed to template and install their worktops which fitted perfectly.Founded in England in 1962, GEC Anderson has pioneered the development of made-to-measure stainless steel products. Today, the company’s range also includes standard and modular stainless steel options. Products include sinks, worktops, cabinets, shelving, splashbacks, doors and sanitaryware for use in domestic, commercial and specialist environments. All products are manufactured to ISO 9001 and backed by a comprehensive support service from planning and product specification to installation and maintenance.

The Nursery at Bellingdon was the brainchild of Jim Matthews and influential German architect Gernot Minke. Comprising of a 5m high dome, exterior walls of Strocks, hemp-lime insulationand woodfired brick facing. The whole structure was built on compacted flint foundations and topped with a green roof. Blocks were specially shaped in three sizes to accommodate the change in angle of the dome, one of the qualities of the clay straw mix is its ability to take up most shapes. The dome itself is a big piece of thermal mass as well as part of the load bearing structure of the roof. The outer walls have Strocks to hold the remaining weight of roof which are in turn insulated with hemp-lime blocks with a brick rain screen of the factories wood fired bricks. The whole structure has beautiful clay plaster finishes internally, fair-faced blockwork on the interior of the dome and many factory made ceramic detailed panels. It’s a little gem of a showcase of all that HG Matthews can produce. In addition with a lot of little people running around inside it each day very little is needed to heat the structure which neither overheats or gets cold, storing the heat of the nursery by day and releasing it at night.

Armourcoat's three dimensional Sculptural Barcode wall finish has been specified at a high profile office fit-out in Eastpoint Business Park, Dublin. The project interior, designed by Meehan Associates, includes a series of ‘huddle rooms’ and meeting spaces with wonderful use of bold accent colour to help orientate staff. The colours also act to highlight the clean, crisp detailing of the linear ‘Barcode’ design used to link the spaces. Armourcoat Sculptural creates seamless wall surfaces with impactful designs and cast relief. Each design is created from cast GRG (Glass-fibre Reinforced Gypsum) panels, CAD generated to enable a continuous pattern or unique decorative effect.Over 600m2 of Armourcoat’s Sculptural Barcode finish was applied to achieve the seamless finish to walls, together with banded polished plaster finishes in various colours throughout the building.The project was delivered by Meehan Associates to meet USGBC LEED (Leadership in Energy and Environmental Design) standards.The architects were keen to specify sustainable materials to ensure their positive contribution to the project. In keeping with the eco specification, Armourcoat finishes include 40% pre-consumer recycled marble and no VOCs (Volatile Organic Compounds).

Armourcoat’s modular panel system ArmourFX has been specified to stunning effect at the new G-Shock store on London’s Carnaby Street by Double Retail. The new flagshop concept store was designed to physically interpret the core values of the brand and clearly segment G-Shock’s extensive product range.Through the careful use of lighting and materials, such as slate flooring, hot rolled steel surfaces and concrete wall panels from ArmourFX,the environment is an embodiment of G-Shock toughness.The store has elevated this premium offering and created a versatile future-proof space adaptable for specific collections and product launches.ArmourFX concrete effect panels are ideal for a deconstructed urban look for contemporary projects. The panels offer a wealth of design options to achieve a distinctive industrial style including distressed effects or recessed ‘shutter’ markings. Off-site construction is fast becoming the method of choice for both contractors and their clients with projects under tight deadlines for completion, or where it is impractical to work with ‘wet’ plastering trades on site. ArmourFX modular solutions can be highly customized to suit the client, sent directly to site and installed in a few hours. Photography: © Max McClure

St Michael’s Catholic Church is a mid 19th Century church in Brecon, Powys. It is one of the most historic churches in Diocese of Menevia.Bryan Roe, Senior Sales Executive of KEIM Mineral Paints, was contacted by the decorator, Mike Curry of Phillips & Curry to visit the Grade II listed church.The architect, Bonnie Kitching of Hummingbird Architecture Limited and Mike Curry had used KEIM previously on other projects and were delighted with the results. Bonnie, in particular, was looking for a paint system that offered breathability so specified KEIM on this project.There were a multitude of coats of various paint systems, including limewash, covering the lime plaster and concrete surfaces.KEIM recommended removing all existing coatings, as there was moisture entrapment, to obtain breathability of the KEIM products. Once all surfaces were dry and moisture readings were below 18%, KEIM Granital Dilution was used to treat the areas of lime which were chalky and powdery.KEIM Dolomitspachtel, a mineral filler, was then applied as a skim coat on some areas to equalise textural difference on the surface and defects.KEIM Optil White was the required system due to its endless benefits, including breathability, durability and longevity. The white makes the interior church look pristine and will continue to do so for many years to come.

Job: Restoration of cottage dating from 1764 in Ardglass Golf ClubProduct: SMET NHL 3.5 BinderRelated DownloadsTDS SMET NHL 3.5SMET / Haldane Fisher NHL BrochureSMET NHL 3.5 binder was specially selected for the restoration works internal restoration of an old 1764 cottage found on the 7th hole of historic Ardglass Golf Club. This will be an added attraction for members and the many overseas visitors alike when coming to play Ardglass.Our superior-quality pure Natural Hydraulic Lime binder SMET NHL 3.5 was used to produce a superior-quality lime mortar for repointing and internal restoration.  The selective hydraulic strength development of NHL binders makes them particularly suitable for producing lime mortars for masonry work, rendering, and plastering on historical buildings and monuments.NHL binders, available directly from SMET and online or in-store via our distribution partner Haldane Fisher, are particularly suited for ecological new builds, conservation, restoration, and preservation works. The products’ special composition allows mortars to breathe and permits constant hygrometric exchange between the substrate and the environment.This restoration is another wonderful showcase of sympathetic historic building restorations around the country, using superior-quality NHL products available from SMET.

Gracefield Parish Church is located in Ballymaguigan, a small rural community in County Londonderry, Northern Ireland. This historical building dates back from its origins as a Moravian Church which was established in 1767. Now, it is Gracefield Church of the Parish of Woodschapel in the diocese of Armagh of the Church of Ireland.The category B2 listed church was suffering from internal fissures and cracks within the previously distempered lime plastered surfaces. KEIM Mineral Paints were chosen for this project due to their unique features and benefits as well as suitability for historical and listed buildings. Leighton Johnston Associates decision to choose KEIM was based on its breathability and durability. KEIM Mineral Paints are highly breathable, allowing moisture to escape from the walls, which is crucial for the preservations of historic buildings. Tony Carter, Senior Sales Executive of KEIM Mineral Paints, visited the church and recommended removing all loose and flaking materials to pare back the surface to a sound edge. KEIM Fixativ was then applied to consolidate the dusty substrate, followed by KEIM Optil Grob to fill hairline cracks and equalise the textural differences on the surface. KEIM Optil was the chosen paint system, it is the premium interior paint for modern and historic architectural design, combining mineral quality with an attractive, consistent finish that will not crack. 

Overlooking Lake Windermere, England's largest lake at 10.5 miles long, sits this impressive Victorian country house, High Wray Bank. Months of meticulous planning was needed involving the National Trust and Friends of the Lake District in order to organise and project manage the restoration and development of the site including the historic villa and barn, external works and underground swimming pool.Locally based Hyde Harrington who managed the restoration, contacted KEIM Mineral Paints at the start of the project back in 2021. They required a specific quality of paint that was both durable, and breathable. Paul Milligan, Senior Sales Executive for the North of England visited the project to complete a site survey and comprehensive specification.KEIM Universal Render was applied onto the existing stone building and blockwork extension as a base layer, followed by KEIM Mineralputz; a high quality, mineral rough plaster with a grain size of 5mm.All surfaces were lastly coated using KEIM Royalan in colour 9339, an off-white shade which compliments the new grey stone extension. KEIM Royalan was ideal for the location of this project with wetter lake district climes. It offers water resistant properties and withstands harsh weather conditions. This is a beautiful transformation and shows what can be achieved using KEIM products, which are durable, breathable and long-lasting. 

Originally built in 1928, the Fullerton building was initially usedas an office, housing entities such as the Ministry of Trade andthe Chamber of Commerce.Following a brief spell as a makeshift hospital during thesecond World War, Britain’s surrender of Singapore to Japanled to the building becoming the headquarters for Japan’smilitary operation in the country.In 1997, the Building was sold for £300m and work beganon renovating it for use as a hotel. Architects 61 set outto restore the building’s existing facade. The neo-classicalcolumns and high-ceiling verandas were retained and the theShanghai plaster panel cladding was restored.However, the interior had to be completely transformedto accommodate the hotel’s 400 rooms. New additionsincluded the indoor garden and the new restaurant, where thebuilding’s historical lighthouse was kept and incorporated intothe decor.Allgood began work on the Fullerton in 1999, with a viewto supplying a high quality, bespoke package that wouldcomplement the building’s prestigious reputation.Allgood originally specified a combination of stainless steelHaft Elipse levers and matching pulls (top & bottom rightimages) in the public areas, along with bespoke FSB pullhandles for the ballroom doors (bottom left image). In the backof house area, Modric lever handles were fitted throughout,ensuring the hotel had a product that would last for at least 25years.More recently, Allgood were asked to provide new windowfittings in a polished stainless steel finish, to match the whitepainted windows in the bedroom

Birmingham’s Grade II listed Municipal Bank, a significant historical site, had sat unoccupied since 2006 before being purchased by The University of Birmingham which planned to convert it to a civic space that could benefit all.Built in the 1930s by T. Cecil Howitt, a refurbishment and extension of the building was planned to provide the University with a brand new city-centre based campus. The bank’s redevelopment has since created a learning space for students as well as exhibition and event spaces, meeting rooms and public areas, including a café.Architect, Glancy Nicholls designed the extension and refurbishment. The build was complex, having to accommodate and preserve many heritage features. Main contractor, Galliford Try chose to specify Knauf for a number of internal elements, including Knauf Shaftwall and Knauf plasterboards, due to their experiences of using Knauf products. Drywall Contracts were responsible for the installation of Knauf products, which proved highly compatible with the build’s heritage elements. Honouring the Bank’s historical architectural standing was at the core of the project’s design and construction. “Working around historic architecture, there were a lot of bespoke elements to this project. It was key that modernisation didn’t take away from any historic features and working with Knauf products helped achieve the project with that mindset,” said Jon Jacznik, Director of Drywall Contracts.  For example, a technique called Ashlar plastering was used to create a tile affect that mimicked heritage designs on Knauf boards and partitions. Freddy Maxwell-Heart, Site Manager at Galliford Try, noted that “Knauf successfully worked with heritage plasterers to achieve this effect consistently.”Another integral aspect of the build was the need to bring the 100-year-old building up to modern specifications so that it could meet today’s building regulations. Several Knauf high performance boards were used on this project, their characteristics lending themselves to the practical and regulatory requirements of the build.Knauf Impact Panel, for example, was chosen for use in areas of The Exchange which are open to the general public due to its impact resistance and robust qualities.Being a mixed-use space with offices and events spaces, thorough sound proofing was needed in places. For this, Knauf Sound Panel and Shield Plus was used to ensure a suitable and comfortable environment throughout the building.Knauf Fire Panel also featured heavily in this project. This helped ensure the building’s fire standards met stringent regulations, especially given its Grade II listed status.Construction of The Exchange took place at the beginning of the COVID-19 pandemic in 2020 during a nationwide lockdown. This was a challenging time for the industry, but Jon remarked that “Knauf continued to supply systems to ensure client requirements were met with as little disruption as possible.”Similarly happy with the level of support Knauf offered, Freddy observed that “Knauf were very helpful throughout and, Project Technical Manager, Tom Chamberlain was particularly helpful in addressing technical issues.”Jon agreed, adding that “Tom worked closely with the contract manager to overcome all the nuances and oddities the building threw at us. There was a lot of coordination between parties and frequent changes to the plans which Knauf responded to promptly.”Opened in September 2021, the re-developed Exchange offers a significant contribution to the heart of Birmingham and the city’s wider Arena Central masterplan.

The owner of this converted church in Leven, Fife consulted an architect who specialises in the restoration of churches, Des Cairns, about the ongoing maintenance and decoration of her property. Des Cairns recommended Tony Carter, Senior Sales Executive of KEIM Mineral Paints to visit site to assess the existing wall paint, and suggest a plan for future painting.Des discussed with the owner that with old stone buildings, churches, palaces etc, KEIM is the paint of choice for restoration as it allows the building to breathe.During Tony’s visit, he explained how KEIM Paints are still made using a 140 year old recipe that consists of natural mineral pigments. It allows the walls to breathe, preventing flaking paint in the future. The colour is guaranteed not to fade or change over time, even up to 100 years.KEIM have their own Exclusiv colour range along with other standard colours and offer a colour match facility.KEIM Optil was chosen as it can be applied to previously painted surfaces such as painted plaster, plasterboard and sandstone window mullions without the need for primer.The owner said, “The painter was impressed with how well the paint covered”.“I am delighted with the result and finish of KEIM Paint. It is reassuring to have the architect’s recommendation and the knowledge that the paint will work with the building in the long term and last. It was a very big job to paint the inside of the church, in part it is 33 feet high and the whole job took several weeks. It is something I hope not to have to do again in my lifetime, so I wanted the best. I can strongly recommend KEIM Paint.”

The striking interior was designed by LaVita Style and features Perlata providing a rich, yet elegant finish to the walls in the reception area and corridors. The design uses light and shade to reveal subtle textures and tones resonating a calm and reassuring atmosphere. Working to a soft colour palette the use of additional custom ArmourFX Granite polished plaster panels to the front desk creates a stunning first impression.Lucy Walker, interior designer at Lavita Style Ltd comments “We chose Armourcoat for this project for their specialist expertise and creativity and were absolutely delighted with the end results. We wanted to create a striking yet welcoming reception and waiting area and this was achieved through Perlata’s beautiful finish in a range of tones and colours. Armourcoat realised our vision throughout the whole design process and delivered seamlessly. I would certainly choose Armourcoat for any future projects”The new dental practice, White & Co is part of the innovative redevelopment work to convert the Grade II* listed legendary landmark into a unique blend of residential, commercial, and cultural spaces. Armourcoat has also been specified in various other projects within this exciting development including the Boiler House and Switch House West where Armourcoat Tactite was applied within various bathrooms, ensuites and powder rooms and Embassy Gardens which included Armourcoat Koncrete finishes to entrance areas and columnsClient: White & Co, Battersea Power Station, London Designer: La Vita Style @lavitastyleltd Contractor: Apollo Interiors Photography: Mark Bolton @markboltonphoto

BackgroundThe new multi-million euro Buncrana Primary Care Centre development was an exceptional project to be involved with. This high-profile project was funded by the HSE, with the aim of bringing many healthcare services together in one new state-of-the-art centre. Construction was led by local company McCallion Group and the 56,500sq ft. facility, which is spread across three storeys, boasts underground car parking which can house 126 staff. The centre is an excellent asset to the local community, ensuring the vital health services people need to avail of on a regular basis are available in one central location. For the client, the key requirement was to build a modern, aesthetically pleasing, energy efficient facility that achieved a target U-value of 0.15W/m ² K. After extensive planning, focusing on matching an appropriate insulation system with a complementary finish, K Systems provided a full technical specification and a comprehensive delivery plan.Our ServiceOur dedicated team of technical specialists were on hand to fully support throughout the duration of this project, ensuring the highest levels of construction were achieved. The K Systems Technical Manager, Gerry McErlean regularly visited the project to inspect progress and offer hands-on-guidance and technical support. Local installer GD Plastering worked very closely with Gerry to ensure a high standard of work was achieved and great attention to detail is evident throughout this project. Due to the size and scale of the Care Centre, Gerry recommended that the TC render finish was spray applied to ensure a consistent finish and aid the speed of application. GD Plastering took this advice on board and invested in a spray machine, resulting in a uniform finish, faster completion and reduced labour.Technical Project Details After numerous design meetings taking into consideration client requirements, budget and timeframes, the K Systems E EWI system was specified. This high-performance, light-weight and cost effective system based on expanded polystyrene (EPS) insulating panels offers a great fire rating of B-s1,d0 and is available in a range of finishes. The mixed substrate of reinforced concrete and lightweight block had alignment issues. We specified the use of multiple thicknesses of insulation boards, that were fixed adhesively and mechanically to overcome these alignment issues. Our specification included bespoke technical detailing, such as compression joint detailing on every floor and our site inspection teams were on-site when required to offer a range of support and guidance. For the finish, thin coat silicone render (Silicone TC) was specified. Providing a variety of benefits, K Systems thin coat render offers silicone and polymer-modified technology to provide long term weather protection, alongside excellent breathability and water repellency properties. With the unpredictable Irish weather, this durable finish will withstand the elements and offers an eye catching, clean design, creating a modern and crisp aesthetic. Available in a wide range of colours, K Systems silicone render is the most flexible on the market, making cracking over its lifetime less likely. Its ease of application made it an ideal choice for a project of this scale and size and its hydrophobic properties provide a low-maintenance finish for years to come. We delivered a long-lasting, safe, eye-catching design for the Buncrana Primary Care Centre that brings exceptional thermal comfort to the property. The target U-value was achieved, allowing energy savings and reduced costs for the client throughout the lifetime of the Centre.

With the aim of making a somewhat dated house welcoming and comfortable for a young family from Vilnius, the architect Ieva Prunskaitė of the Prusta studio redesigned the interior. The minimal, clean design combines functionality with beauty. Its focus is on simple lines and light spaces, devoid of clutter. Wood, plaster and cement are the three elements that are used throughout the house.The predominantly white walls with ECLISSE Syntesis Flush Hinged white doors contrast beautifully with the wooden flooring. There are also wooden accents across the white kitchen cabinets and wooden panelling defining storage areas and a cloakroom between the main door and the living room.The interior is also interspersed with accents of grey and black in the form of the black marble worktop and black chairs in the kitchen, the minimalist wood burning stove, grey accent wall and grey sofa in the sitting room and a decorative black metal screen with a geometric design separating the master bedroom with the ensuite.The minimalist style of the ECLISSE Syntesis Flush Hinged doors integrate perfectly into this interior being almost invisible, whilst being accented with sleek black handles echoing the colour scheme throughout.The ECLISSE Syntesis® Flush Hinged Door is part of the Syntesis® Flush Collection. This is a range of flush or architrave free products that work in harmony with each other. The collection features a, the concealed hinged door frame (available as a door set or frame only), pocket door system without jambs or architrave and a flush skirting board adapter. The emphasis is on uninterrupted, clean lines for an interior without fuss, where less is more.Architect: Prusta studioProduct: ECLISSE Syntesis® Flush Hinged Door

Beneath the streets of Central London lies a network of Grade 2 Listed underground vaults. As Newton Specialist Contractors, Stonehouse were called in to waterproof four of these impressive structures and turn them into a completely dry commercial space. The four vaults were situated just North of the River Thames in Central London, a short walk from such famous landmarks as Smithfield Market and St Paul's Cathedral.The Grade II Listed structures are each over 4 metres in height, and form part of an impressive below-ground infrastructure network. Newton Specialist Contractor Stonehouse were asked to waterproof four of these impressive vaults for the multinational service provider KPMG, in order to turn them into useful commercial spaces.When waterproofing historic vaults such as these, the Newton CDM System provides the ideal solution as it is maintainable, requires minimal fixings and therefore avoids damaging the structure, and crucially is deemed as reversible should the structure need to be returned to its original condition in future.As an experienced contractor, Stonehouse proceeded with an expert installation of a full CDM System to the tricky vaults, including:508 Mesh membrane to the walls, for a direct plaster finish508 membrane and Fibran XPS 500-C insulation boards to the floor.Basedrain channels to direct any captured water towards two Titan-Pro sump chambers, each containing two NP400 pumps.Victron Inverter and a NorthStar battery for reliable backup power.Stonehouse completed an extremely complex and detailed cavity drain installation with precision, resulting in an exceptionally neat waterproofing system, and proving the benefits of using a specialist waterproofing contractor.

The Pôle d`Échange Serra is located directly opposite the Luxexpo exhibition and congress centre in Kirchberg, Luxembourg. The area combines a new bus terminal regional buses and city buses, a Park & Ride car park with around 600 parking spaces and two office buildings with a total area of approx. 8,000 m². With the help of charging points for electric cars, a small kiosk and high security measures at the bus station, the project aims to make the switch from car to public transport more attractive. Lindner Group was involved in the development of the office space. The originalcontract covered the floor and partition trades, including the installation of the NORTEC raised floor with fitted carpet and the use of timber and glass partitions. These were complemented by matching door systems and wooden wall claddings. Due to thecustomer's high level of satisfaction with Lindner's services, the order was quickly extended during the interior fit-out work: As a result, Lindner realised impressive Ecophon acoustic baffles for the meeting rooms. In addition, mobile partition walls should now find their way into the 4th and 7th floors. The room height of over 5 m on the 7th floor made the installation challenging: However, thanks to the static design and subsequent execution of a steel construction clad with plaster, the connection of the 4m high partition wall could be carried out without any problems. Another highlight of the interior fit-out are the wall absorbers in the meeting rooms, which also serve as acoustic pictures. The perforated CPL panel was created in cooperation with Topakustik using a new production method. The perforation pattern corresponds to a Morse code, which stands for the Luxembourg national anthem.

The popularity for limewash or Venetian plaster aesthetics is increasing, but as watered-down acrylic paint mixed with bicarbonate of soda isn’t vapour permeable and can contain solvents, we’ve developed KEIM Colourwash – an interior mineral paint to replicate historic finishes which is non-caustic in composition and non-chalky in finish.In addition to the high quality associated with KEIM Mineral Paints, KEIM Colourwash is #likelimewashbutbetter, uses UV stable pigment and supplied ready for use, making it ideal to apply onto both bare and previously painted walls and ceilings.Following the launch of KEIM Colourwash in April 2023, we’ve been searching for collaboration projects to showcase the easiest way to achieve a limewash aesthetic without the hassle of limewash.Nathalie Mackinnon (AKA Nat the Painter), already experienced with the application of KEIM Mineral Paints for projects including St Andrew’s by the Wardrobe, put forward KEIM Colourwash for Waterloo wine bar, Café Del Marsh.Soft and cosy Colourwash KNIT was chosen to compliment the Parisian-influenced interior of the contemporary café and live music venue, paired with Farrow & Ball Wimborne White for the wooden panelling. Sol-silicate Colourwash BASE is suitable for direct application onto previously painted surfaces and creates the perfect opaque white base to create depth to Colourwash shades.“I can’t believe the coverage of Colourwash, it goes on like a dream. I can’t speak highly enough of the product and finish. It actually looks fantastic.”Nathalie rocketed through the paint application (you can follow the Café del Marsh decoration journey on Instagram: @natthepainter or @keimcolourwash), applying a single coat of Colourwash BASE followed by one coat of Colourwash KNIT with 12 hours between coats. Nathalie commented “I love the finish. Colourwash goes on like a dream”.

Job: Restoration of Norman CastleProduct: SMET NHL 5 BinderDescriptionSMET NHL 5 Binder was specially selected for the restoration works in this historic Norman Castle and Tower.  Rainey Restoration Ltd used our superior-quality pure Natural Hydraulic Lime binder SMET NHL 5 to produce a superior-quality lime mortar.SMET NHL 5 is a high-quality, pure, Natural Hydraulic Lime binder, produced under ISO 9001 and ISO 14001 management systems to EN 459-1. The eminent hydraulic strength development of SMET NHL 5 makes it suitable for producing lime mortars for masonry work, rendering, plastering base coats, and limecrete in extreme weather environments and exposed areas.  An eminently hydraulic lime binder for the production of mortars particularly suited for ecological new build, restoration, and preservation works in extreme weather environments and exposed areas. The product’s special composition allows the mortar product to breathe and also permits constant hygrometric exchange between the substrate and the environment.NHL binders, available directly in-store and online via our distribution partner Haldane Fisher, are particularly suited for ecological new builds, conservation, restoration, and preservation works. The products’ special composition allows mortars to breathe and permits constant hygrometric exchange between the substrate and the environment. This restoration is another showcase of sympathetic historic building restoration, using superior-quality NHL products available from SMET.Our restoration and preservation NHL is available from Haldane Fisher online. Superior quality combined with exceptional technical support and aftercare, are the key drivers in the selection of SMET natural conservation products.ISO 9001, 14001, and 45001 accredited Smet Building Products Ltd, demonstrating – once again – best practices in supporting Smet Supported Partners in Natural Hydraulic Lime products.

When it comes to refurbishing a landmark as historic and luxurious as the Old War Office, every detail counts. The selection of Access Building Products Access Panels for this prestigious project is a testament to the company’s commitment to quality, design, and functionality.The Project: A Blend of History and LuxuryFast forward to today, the Grade II listed Old War Office building, which has been closed to the public for more than a century, has undergone a magnificent transformation. The building has been re-imagined and redeveloped into a luxury hotel and residences, bringing a new lease of life to this historic site. This transformation demanded products that could match its grandeur while maintaining its historic charm.The Challenge: Balancing Aesthetics and FunctionalityEvery customer wants their access panels to seamlessly blend with the interior design, ensuring that the necessary utility access points don’t detract from the building’s aesthetic appeal. This was a critical consideration for such a historical building.The Result: A Seamless Fusion of History and ModernitySupplying a range of discreet steel and plaster in style access panels in the Old War Office refurbishment was a resounding success. These panels not only met the practical requirements but also added to the overall aesthetic, creating a harmonious blend of historic elegance and modern luxury.The Old War Office now stands as a shining example of how to preserve historical charm while incorporating modern necessities. This project has further cemented Access Building reputation as a reliable provider of high-quality access panels, capable of meeting the demands of even the most prestigious refurbishment projects.In conclusion, when history meets luxury, it’s essential to make the right choices. And in the case of the Old War Office refurbishment, Access Building Products Access Panels were the perfect choice.