"ceiling"

The ChallengeLocated in the city of Nancy, the Centre Prouvé offers a flexible conference space complete with a 3000 m² exhibition hall, two auditoriums, thirteen meeting rooms and a panoramic reception area.With glass playing an integral role in the building design, the architect required a proven smoke control solution that would not distort the aesthetics of the development while adhering to safety regulations. Additionally, due to the high footfall of visitors, the chosen solution would have to be maintenance-free.As a leading fire-glass specialist, Pyroguard was approached by the architect Marc Barani of Atelier Barani to offer a suitable solution.The SolutionTo meet these requirements Pyroguard recommended Smokeguard – a permanent, maintenance-free glazing solution that acts as a smoke barrier, keeping low-level toxic fumes at bay for up to half an hour to give visitors maximum time to exit the building safely.Thanks to its perfect transparency, Smokeguard also met the aesthetic requirements with the 8 mm thick tempered monolithic glass offering 87 percent light transmission, to provide the perfect transparent protective barrier with minimal visual impact.As a result, over 100 m² of Smokeguard was installed in the atrium, escalators, and lift areas utilising its patented fastening system to mount the system to the ceiling areas.Click here for further information on Smokeguard or for further advice and support please contact us.

GCB (Guan Chong Berhad) Cocoa UK Limited is a new chocolate factory that opened in Glemsford in 2023. GCB Cocoa was established in Asia when it started trading cocoa beans in the 1980s. The new chocolate factory produces liquid and solid chocolates. The site of the factory is 17-acre which will include new access, car parking, manufacturing facilities, warehousing, and biomass container to supply renewable energy for the manufacturing procedure.Our team Helmsman manufactured, delivered, and installed 14 bespoke cubicles as the clients requested floor-to-ceiling ‘Inline’ changing cubicles, with the measurements to be 2817mm high, 950 wide, and with the door opening at 1950mm. Additionally, they have 14 benches within the changing cubicles that are 900mm wide and 300mm depth.The Inline cubicles were requested to be 'Designer White', which we were supplied by Greenlam. 'Designer White' is a simple colour that stands out. The Cubicle head rail and channel were powder coated in White Aluminium to outline the cubicles.Inside the cubicles, the benches are plasticated in silver grey with slats in 'Arctic White'. These materials are designed to withstand a wet environment so are perfect for changing rooms at GCB Cocoa.Get in touch today if you have a similar project, or want any more information on the products mentioned, give us a call at 01284 530 427.

Originally built in 1928, the Fullerton building was initially usedas an office, housing entities such as the Ministry of Trade andthe Chamber of Commerce.Following a brief spell as a makeshift hospital during thesecond World War, Britain’s surrender of Singapore to Japanled to the building becoming the headquarters for Japan’smilitary operation in the country.In 1997, the Building was sold for £300m and work beganon renovating it for use as a hotel. Architects 61 set outto restore the building’s existing facade. The neo-classicalcolumns and high-ceiling verandas were retained and the theShanghai plaster panel cladding was restored.However, the interior had to be completely transformedto accommodate the hotel’s 400 rooms. New additionsincluded the indoor garden and the new restaurant, where thebuilding’s historical lighthouse was kept and incorporated intothe decor.Allgood began work on the Fullerton in 1999, with a viewto supplying a high quality, bespoke package that wouldcomplement the building’s prestigious reputation.Allgood originally specified a combination of stainless steelHaft Elipse levers and matching pulls (top & bottom rightimages) in the public areas, along with bespoke FSB pullhandles for the ballroom doors (bottom left image). In the backof house area, Modric lever handles were fitted throughout,ensuring the hotel had a product that would last for at least 25years.More recently, Allgood were asked to provide new windowfittings in a polished stainless steel finish, to match the whitepainted windows in the bedroom

Forming an important part of a £200m redevelopment, the flagship three building Llys Cadwyn (Chain Court) mixed-use riverside development encompasses office and retail units alongside a state-of-the-art library, café, leisure fitness and community facilities in the heart of Pontypridd. Owner client, Rhondda Cynon Taff County Borough Council, awarded the design of this eye-catching project to Darnton B3 Architects, who have worked with Willmott Dixon since 2018, to bring the innovative, ambitious £38m scheme to fruition. Around 9500m2 of Rockfon acoustic ceiling and wall systems are installed throughout the three building scheme to add a wow factor and help create healthy interiors where people can work, visit, study, socialise and relax. Architecture that looks and feels good The facades of two of the buildings are glazed, with those facing the riverside designed with sun-deflecting vertical fins in a mix of warm primary colours from yellow through to orange and red – adding a positive, contemporary accent. The third building sits in contrast to the others with its organic, aardvark curved outer shell clad completely in shimmering zinc tiles, reminiscent of the futuristic Bullring in Birmingham and the Guggenheim in Bilbao. The twin buildings required high levels of sound absorption due to the predominantly open-plan office interiors on their upper floors. Independent research shows that stress levels are reduced by 27% and focus is increased by 48% by improved acoustics in these environments. The high light reflectance offered by our ceiling systems optimises natural light, aiding wellbeing and helping provide the best working conditions whilst minimising energy usage and costs. Ensuring the desired Shhh In the Library, sound control was an obvious specification requirement. Happily, Rockfon ranges - including Rockfon® Universal™ Baffles - offer acoustic performance which deliver the desired Shh. Elsewhere in the café, gym and community spaces, our products are tough enough to deal with the impact of heavy use. Darnton B3 Project Architect, Martin Hurley, “I met with our client to discuss the acoustics in a large atria which sits between the children’s, and general reference libraries. We agreed to create a feature art wall using a selection of colours influenced by the council’s own corporate identity. The completed design works really well, delivering the visual impact and sound control we desired. Rockfon Eclipse® wall panels were used to create the stylish art wall, featuring dark greys, purples, turquoise, teal, lime and orange which were NCS-matched. Eclipse can be specified in a variety of shaped formats with a clean minimalistic A-edge and unlimited custom colour matching. Quick and easy to install, the fixing kit allows panels to be set at varying distances from the wall to enhance creative possibilities. Delivering the dream Tonypandy-based M&P Group, were responsible for the installation. The firm’s Andrew Pearce commented, “Co-ordinating the process of installation across three buildings within a tight, riverside, city-centre site presented particular challenges. It was vital the supply line remained on schedule, with deliveries on-time and in good order – something the Rockfon team helped ensure. In fact, the project came together well and everyone is very pleased with the completed job.” Nevill Long Area Sales Manager, Mike Parkin, “This was a technically and aesthetically interesting project to be involved with. It was a pleasure to work with Rockfon to ensure the correct materials were delivered on time and in full.” Great performance and fabulous looks Rockfon Specification Manager Rowan Green, “It was really beneficial to be part of the design specification process for this landmark build from an early stage. A guiding requirement was to achieve the least visible grid, using a selection of Rockfon ranges to create aesthetically pleasing results with high levels of sound absorption. In addition to the Eclipse feature wall, versatile, technologically advanced Rockfon Blanka® was installed throughout the three buildings, with specialised Blanka Bas utilised in meeting rooms to promote speech intelligibility. Rockfon® Koral™ was used exclusively within washrooms and lobbies.” The Rockfon Blanka range offers a wide choice of alternatives for installation and usage. All embody Class A sound absorption (aw 1.00), 87% light reflection and >99% light diffusion and room to room sound Insulation >26dB. Blanka’s easy clean, anti-static surface prolongs product life and is non-directional, which speeds up installation, saving time and money. Within the futuristic building, an arrangement of elegant, circular, Rockfon Eclipse islands, in white, are hung from ceiling wires, creating the illusion they are floating in mid-air. In common with other Rockfon ranges, Rockfon Koral offers excellent sound absorption and the highest fire safety characteristics. It is easy to clean with a vacuum or a damp cloth and is available in semi-concealed and visible grid options.

Like a lot of homeowners, William Oakley had an under-utilised part of his house. In his case an old outbuilding that had been used for storing the accumulation of life’s odds and ends. Lockdown saw high growth in repurposing previously neglected parts of people’s homes to better suit their lifestyle and leisure choices. William decided a new soundproof cinema room would be a far better use of this space, giving his family a much-needed entertainment area.This is the space William Started withWilliam engaged Cinema Rooms Ltd, a specialist AV equipment supplier and One Off Studio Ltd who specialise in the build and installation of Home Cinemas and Studios.Due to the proximity of the proposed soundproof cinema room to neighbouring properties, it was decided to investigate what acoustic treatments were available. Without adequate acoustic insulation, William’s neighbours may have been subjected to significant noise pollution resulting in potential neighbourhood disputes.Following a quick online search, William found iKoustic, a leading UK supplier of acoustic solutions. Discussing the available options with William and his installation team, iKoustic’s experts were able to advise on the most appropriate system to meet his needs. This included MuteClip, MuteCradle and Tecsound SY70, the quick and easily installed acoustic system providing market-leading acoustic benefits.iKoustic acoustic expert Richard Woodhouse explained, ‘Finding the right solution was imperative for all parties. The system we proposed using MuteClip, MuteCradle and Tecsound SY70 was a cost-effective solution to a complex but often seen problem. The impact of unwanted noise is such an emotive issue in noisy neighbours’ scenarios often resulting in easily avoided disputes if the right materials are included in the project from the outset. iKoustic take pride in sharing our knowledge with installers and end users to ensure the job is right the first time, saving expensive and intrusive remedial work.’Maciek Helfer of One-Off Studio commented, ‘This is the first time I’ve worked with the MuteClip and MuteChannel acoustic system. It was so quick and easy to install. I also found it very useful I could FaceTime Richard at iKoustic with any installation queries when building the soundproof cinema room’. Simon Gregory of Cinema Rooms enthusiastically added, ‘We only work with the highest specification brands and products to bring customers the best Home Cinema experience. The iKoustic team’s expertise and products fall into this category and we’ll definitely be using them again.’William’s soundproof cinema room is now fully operational and thanks to iKoustic his family can enjoy the latest blockbusters in glorious surround sound late into the evening, while his neighbours enjoy a peaceful night safe in the knowledge the biggest Hollywood stars will only be joining William. William commented, ‘We finally got to test out the soundproofing for the first time today with some serious SPL! The system has worked beautifully, barely a whisper outside. Fantastic job iKoustic!’https://www.ikoustic.co.uk/systems/floating-floors-and-under-screed/mutecradle-1630mm-concreteMuteCradle 16/30 was used to create a raised floor with the added benefit that the cradle and packers also allow accommodation of unevenness within the subfloor.The raised floor not only improves acoustic performance but allows servicing to be run through the floor void. Ideal for a soundproof cinema room.Wallshttps://www.ikoustic.co.uk/systems/masonry-wall/muteclip-stud-doubleMuteClip® Stud Double consists of an independent stud frame treated around the perimeter with Isolation Strip F5, MuteClip and MuteChannel are installed to the face of the stud. A double layer of 15mm acoustic board with Tecsound SY70 sandwiched between the two boards is then installed to MuteClip Channels.The system not only adds significant mass to the partition, but the layers of mass are decoupled from the structure by MuteClip. MuteClip is, in effect, a shock absorber – creating a ‘buffer’ between layers of mass and the core construction.The depth of the wall system also allows for servicing to run through the wall cavity of the soundproof cinema room.Ceilinghttps://www.ikoustic.co.uk/systems/timber-ceiling/muteclip-lp-doubleAs the ceiling height was restricted initially and further reduced by specifying a floating floor, MuteClip® LP (Low Profile) was used to minimise further loss in height.MuteClip LP again is a mini-shock absorber that decouples layers of mass from the core construction.With MuteClip LP you recess the clip and most of the channel into the joist cavity with channels running parallel to joists, this leaves just a few mm of channel sitting proud of the bottom of the joists – an acoustic benefit of MuteClip but with little encroachment on head height. This works great in a soundproof cinema room.If you are looking to build a soundproof cinema room you can contact ikoustic and our friendly team will guide you with everything you need to know to get started. Contact us today.

PROJECT OVERVIEW IQE, the leading supplier of advanced wafer products and material solutions to the semiconductor industry, planned a £100million investment to create a state-of-the-art semiconductor facility over the next ten years. The works were undertaken on the old LG site in Newport, which had stood redundant for twenty years. The new compound semiconductor wafer foundry is set up at the site as part of the Welsh Government’s commitment to creating the world’s first ‘semiconductor cluster.’We were first engaged by the architects Atkins, who was looking for a system that could be installed to expeditated programme but still achieve the GMP standards, including ISO 4 to ISO 7 cleanrooms. Atkins saw the Norwood Mediline partition 60min fire rated system as the perfect solution, allowing the build to be prefabricated and modulated, however still giving their second fix subcontractors full access to the partition void, which included gases and electrical works. We worked closely with Atkins, developing a design that could be installed quickly but maintained a high quality and specification.  During the construction phase, we worked closely with the appointed principal contractors, CMB Engineering. The project was delivered on time and recognised in Wales by winning the Constructing Excellence awards. Norwood’s relationship with CMB Engineering and Atkins has continued to grow, securing several future projects with the team.As part of our scope, we designed, manufactures and installed our Medline solid and glazed partitions, walk on ceiling and fire rated single and double doors.

Marble Arch is a fascinating structure with an intriguing history. Not to mention its unique location and the fact that it is surrounded by some of the most sought-after and expensive properties in London.Originally designed in the 1820s by John Nash the arch was planned to be used as an entrance to Buckingham Palace. It served this purpose for seventeen years before being removed and rebuilt stone by stone in 1851. It then stood as an entrance to Hyde Park for fifty years before it was completely cut off due to a new road scheme.Not far from this historic monument stands two mixed-use buildings that make up Marble Arch Place. A seventeen-storey high-end residential building, The Bryanston and a seven-storey office building adjacent. Designed by Rafeal Vinoly Architects and constructed by Multiplex, this development cost £261 million and is certainly a sight to behold where Mayfair meets Hyde Park.We worked with the architect to fulfil their design aspirations and supplied them our concealed riser doors throughout the 83,000sq ft office building. They provide a sleek, flush finish in the main office spaces whilst next door, Enigma sliding pocket doors were supplied to the residential building.The 54 apartments have a modern interior with floor-to-ceiling windows to maximise the stunning panoramic views across Hyde Park, Oxford Street and beyond. The vision behind the redevelopment as stated by Almacantar ‘was to transform it into a place that not only re-establishes the majesty of its location – but makes a lasting contribution of its own.’

application area: commercial kitchen extractuse type: school kitchen air extractionproject scope: line brick duct with four linersadded value: 25-year guarantee on liner, no need to fit and maintain chimney fansBackgroundVentilFlex-25 engineers were to supply and install a bespoke kitchen canopy solution for a grade 2 listed school building in Hampshire. The bespoke canopy could not be fixed to the walls or the ceiling, which was 14 meters high.The 20-metre ventilation shaft had metal supporting crossbars. This made it impossible for any rigid extraction ducting system to be installed without affecting the integrity of the structure. The client opted for a kitchen extraction system with a different approach – VentilFlex-25 RKV – a composite liner solution supplied in a flat and soft state. The bespoke-made liners are useful for ducts where access is difficult or if the duct has bends and offsets.The main challenge of this installation was to insert and inflate 4 VentilFlex-25 RKV liners simultaneously. This way the liners would fill the available duct space evenly and act as a single large liner.Statement of workThe steaming took a few hours, during which the high temperature started a chemical reaction in the composite structure which solidified the resin and gave the liners their final physical characteristics – tensile strength, high corrosion-resistance, high heat-resistance and an air-tight finish. The new VentilFlex-25 RKV liners provide an outlet for the gases coming from 3 combi ovens, 2 range ovens a fryer and a grill.

Altro kitchen system provides a perfect fitAltro Whiterock White, Altro Stronghold 30“We chose Altro Whiterock because it provides an easy to maintain, hygienic surface that is ideal for kitchens and have up to date fire certification.”Ben Rodgers,Cladpro LtdIssueBannold are one of the UKs largest independent family run suppliers of natural hard landscaping materials. Based in Cambridgeshire, Bannold wanted to refurbish 1920 railway carriages to create a tea room for customers.The Carriage Tea Room had a dated wooden substrate that needed to be replaced with a modern hygienic clinical finish for the kitchen facilities. The walls were not a square flat surface and needed a flexible product that could be fitted into the space. Floors and walls had to be easy to clean and maintain and fit into an environment without a straight line.ApproachCladpro are leading Altro Whiterock Premier installers specialising in hygienic wall finishes, floor coverings and ceilings. They suggested the Altro kitchen solution for the kitchen carriage. All the walls were thermoformed and wrapped to fit the unusual shape of the carriage.SolutionAltro Stronghold 30 keeps staff safe, with Altro’s highest slip-resistant rating of (PTV 55, R12) even with common kitchen contaminants such as grease, oil and flour. With 3mm comfort underfoot and 10dB impact sound insulation, it makes busy and noisy kitchen environments more comfortable for staff. Combined with Altro Whiterock it creates a full sealed solution to maintain the highest levels of safety and hygiene.

Project Overview: Re-imagination of a first-generation Canary Wharf building. ServiceFull hardware scheduling service. Project Details This clever redesign of YY London by Architects Buckley Gray Yeoman (BGY) centres around the wellbeing of its occupants created by maximising natural light, reducing overall energy demand and choosing materials that support health and well being. The space was reimagined to incorporate a new triple height lobby with feature staircase, floor to ceiling glazing throughout to maximise natural light and the addition of outside terraces on most floors.3v worked in partnership with BGY to develop the perfect Ironmongery scheme to enhance their design aspirations. Scheduled in the aftermath of Covid, the scheme included a full hardware scheduling service incorporating the use of a biocote anti bacterial finish in high traffic areas on all tangible stainless steel products such as pull handles and push plates. ‘Chris and the 3v team were a pleasure to work with and proactive in helping us adapt the ironmongery package in response to the pandemic. We’re really pleased how seamlessly the ironmongery has been integrated into the joinery finishes and look forward to continuing our collaboration on future projects.’Adam Whitlock Wood, BGYOur ironmongery is often the first physical product visitors interact with in their journey through a space, it is important that it looks good, feels right and functions correctly to fulfil the user experience and the architects design intent. Our simple 250 and 234 pull handles add an elegant finishing touch to this inspiring and vibrant space.An outstanding project to be involved with.Photography: Neil Kenyon

Streamlight Tower is a residential skyscraper in London that was completed in 2012. The building has 24 stories and contains a total of 174 dwellings ranging from 1-5 bedroom apartments. The upper floors of the tower offer panoramic views of the city, and many of the apartments feature floor-to-ceiling windows.The Streamlight Tower is a striking addition to the Providence Square development in the London Borough of Tower Hamlets. The slender, tower stands out against the brick and glass of its surroundings, and its simple form is punctuated by a series of recessed balconies. The tower has a signature angled roof, which provides a dramatic focal point for the development. The Streamlight Tower is an excellent example of contemporary architecture, and its unique design is sure to make it a popular landmark in the area.Just a stone’s throw from Streamlight Tower are restaurants, coffee shops, a gym, convenience stores and much more. A short drive is The O2 which is home to many shopping outlets, bars, restaurants and a Cineworld cinema. There are plenty of places to visit including Central Park and Crazy Putt London.The Facade has recently been updated with approximately 3400m2 of Valcan’s VitraDual which has been installed onto the building. VitraDual’s benefits from a A1 rating (to BS EN 13501-1 fire classification) which means the product non-combustible.As always, it’s been great working with MK Facades on this project who have installed the cladding panels. The team at MK Facades has worked hard on this project and we’re very happy with the progress, and look of this magnificent building.

ACOUSTIC insulation experts CMS Danskin Acoustics has worked with historic Standon Hall to specify and supply a range of acoustic products to reduce the impact of airborne and impact sound transmission in the Grade II listed Staffordshire venue.During the course of redeveloping the early 20th century country house into a high-quality wedding and business venue, Standon Hall made acoustics a key element for investment. CMS Danskin Acoustic’s in-house technical team conducted a site assessment in order to specify an insulation strategy to address structure borne noise and absorb sound.The objective was to prevent noise transfer between ground floor functions rooms and nine bedrooms and suites above. Andrey Magiy, Standon Hall’s MD, said, ‘During this two-year project to transform the hall into an outstanding venue we had an opportunity to address acoustics as floors were lifted to install new services. It was as important to prevent sounds from above being heard in meetings and conferences below, as it was to prevent noise from ground floor functions filtering up into the bedrooms.’The resulting acoustics strategy from CMS Danskin Acoustics involved the installation of 600sq m of Smartspan floor panels, Karma TNF70 high density stone-fibre batt and REGUPOL acoustic isolation strip. Challenges included the need to work from above to avoid disturbing fine, moulded lath and plaster ceilings below and the necessity to specify high performance acoustic materials of a thickness that wouldn’t increase bedroom and bathroom floor levels.Andy Hayes, CMS Danskin specification manager and IAO Affiliate, said, ‘Smartspan panels span across bearing structures such as, in this case, joists. They provide high acoustic performance, are easy to install, come in different thicknesses, such as the 32mm and 18mm used at Standon Hall, and have a reaction to fire classification (EN 13501-1) A1.‘Smartspan was also valuable for use in bathroom floors as it has excellent thermal conductivity making it ideal over UFH systems, has surface water absorption of only (EN20535) <300g/sq m is suitable for stone and ceramic finishes and, with a tongue-and-groove profile, it’s straightforward to install.’REGUPOL Acoustic Isolation Strip was also incorporated to reduce impact noise from first floor footfall. The strips are designed to sit beneath all types of partition walls and are described by the company as a simple and effective way to reduce structure borne noise. ‘Quick and easy to install, they provide long term performance without collapse or ‘bottoming’ out under high point loads, are resistant to ageing and deformation, are manufactured using recycled materials and are 100% recyclable.’~Karma TNF70 was also specified in places. Says the company: ‘It’s typically used in refurbishment projects for improving existing structures where access is only available from above and where additional acoustic and fire performance is required, such as in flats, offices, shops, and hotels. It’s lightweight, quick to install and is a dry system that won’t damage sensitive lath and plaster ceilings or fine plaster mouldings.’‘The products have been absolutely brilliant and we have great acoustics results for the primary rooms,’ said Standon Hall’s Andrey Magiy. Standon Hall opened for private hire for weddings and corporate events during 2021 and the bedrooms and suites were completed and launched in spring 2022.

With their proficient knowledge and background in conservation and working with listed buildings, 4 S Architecture (4SA) have completed numerous successful residential and workplace refurbishment projects around London, but this year the rising firm has proficiently completed the renovation of the striking Grade II listed 100 Pall Mall building. The design for new interventions is based on the original construction’s paired back ‘stripped classicism’ style by the renowned 1950’s architectural practice McMorran & Whitby geometry and materiality.  4SA’s approach was one of respect for the historic fabric while simultaneously updating the design to suit today’s modern office occupier.  In Hamson’s words: “Our practice’s design methodology starts with understanding the DNA of a building: what are the forms, materials, patterns and shapes that already exist [...]  Rather than introducing new forms and colours, those already present in the building were used to develop the design of the new interventions.  For instance inspiration for the green reception area wall panelling takes its queues from the prominent green marble arches, while the barrel vaulted ceiling informs the arched seating niches and tenant signage recess.Julia Hamson, founder and Director at 4SA, spoke highly of John Holmes’ attention to detail when it came to developing the bespoke ironmongery package for this project which features a combination of brushed brass and a patinated bronze ironmongery. “John asked us about our architectural concept for the design proposals at our first site meeting, which was a refreshing change when speaking with suppliers. We talked about how the existing barrel-vaulted ceiling and the arched green marble portals in the reception were two of our key design drivers in terms of generating what shape we chose for seating niches and tenant boards in the reception. Hearing this, John suggested that the top of the push plates could be arched to match.  At 4SA we firmly believe that paying attention to the smaller details is just as important as getting the big gestures right,  and it is this meticulous focus which can really distinguish a project. John’s suggestions with the ironmongery package throughout really helped to elevate this project.”Julia worked successfully with John at 3v, thanks to their shared design ethos and understanding of the existing building fabric. They worked closely together to develop a tailored hardware package; including the replacement of all existing stainless steel fittings with patinated bronze ironmongery for more utilitarian functional ironmongery elements such as hinges and push plates on smoked oak doors, and brushed brass for new decorative ironmongery elements.Julia recalls that “we received great feedback from client on the project and they were so happy with the design approach to the refurbished staircase with its new carpet, paint, lighting and ironmongery from the ground to first floors, that they rolled it throughout the rest of the building right up to the seventh floor.”Coordinating ironmongery schedules, when every door has an individual requirement, can be difficult, but according to Hamson, “John made me feel comfortable that nothing was going to get missed; this is what you want as an architect. Ironmongery schedules can be complicated and time consuming, and if there is someone who can do something better than you can in-house, then its best to take advantage of that skill and expertise to get the best result.”Photography: Neil Kenyon

Walsall College is the largest provider of qualifications for 14-to 19-year-olds in the West Midlands Borough of Walsall. In addition, it also provides education and training for adults, which is delivered both at the college campuses and on-site at workplaces and community centres. In total, more than 11,000 people study vocational technical qualifications, apprenticeships and higher education programmes with the college each year.Its main Wisemore Campus was built in 2009 following a multi-million-pound investment programme designed to provide a vibrant, lively environment that inspires and motivates students. The state-of-the-art facility includes bespoke areas for studying business, creative arts, computing, health, public services and automotive.As is the nature of modern building design, the Wisemore Campus features many hard interior surfaces such as plastered walls, glazed partitions, large windows and carpet-tiled floors. Despite being integral to creating a visually appealing, energy-efficient, safe, secure and comfortable learning environment.Hush Acoustics were invited to carry out a site survey in these relatively poor acoustic environments by Lee Bate, Head of Operational Services. He sought to find an effective response to a large number of complaints from college users in relation to noise in these areas of the building, chiefly as a result of sound reverberation, echo and ambient noise. These issues are known to affect the concentration, focus and engagement of students and staff in schools, colleges and universities, so Walsall College were keen to take the necessary action.The learning pods are used for online training, enabling students to participate and collaborate in Zoom and Teams calls or simply access a quiet area to work. Due to the construction of these rooms, there was a significant acoustic issue that could only be addressed by the introduction of a Class A sound absorber. These would prevent noise reflecting back into the room, which was the cause of the issue.The boardroom presented similar issues. It also features many hard reflective surfaces which were causing it to be very echoey, especially during conference calls and training sessions. To reduce the issue here, a number of Class A absorbers would also need to be installed.Step one was for Hush Acoustics to conduct a site survey. This allowed information to be gathered in order to carry out a series of reverberation calculations with a view to determining how sound absorbers could be used in the affected spaces to control and reduce reverberation and echo.The solution came with Hush Absorber 50 panels installed to the ceilings and walls. These Class A absorber panels utilise a specially formulated 50mm thick acoustic foam, hand finished with interior fabric that is applied to the face, edges and back return. They are designed to fit on any alignment and angle including slopes and ceiling in both portrait and landscape, with a choice of stylish and visually pleasing designs available in sizes, colours and finishes to suit any internal environment.Hush Absorber 50 panels have been highly effective in controlling the problem noise within the areas, dampening the sound issue with a level of absorption material that complies with the design guidance of BB93.The transformation of the learning pods and boardroom has been a great success according to Walsall College’s Head of Operations for the campus, Lee Bate. He said:“We are delighted with the difference the Hush Absorber 50 panels make and the service from Hush. We are extremely happy with how the areas are instantly more comfortable to work from and the panels look good in the spaces they have been installed.”

Ashwood House is a development of Manhattan-style apartments in the desirable Surrey commuter town, Camberley. Situated in a converted 1960s office block, developer Berkeley Homes Southern Ltd needed to ensure the 116 luxury flats were as energy efficient as possible.This was a particular concern for the properties situated above the first floor car park, which has open walls to allow adequate ventilation of exhaust fumes. As a result, the specification stipulated a U-value of 0.25 W/m²K.Chris Body, Business Development Director at RPN Ltd, the specialist sub-contractor at Ashwood House said: “We approached several insulation manufacturers to discuss the different options available. Knauf Insulation’s Rocksilk® Soffit Linerboard Standard met the brief in terms of thermal and fire performance. It can be used on uneven substrates and looks fantastic – all of which were key priorities for Berkeley Homes.”Aesthetic appealHow the insulation looked was an important part of the brief as Berkeley Homes wanted a solution that would be aesthetically pleasing. Rocksilk® Soffit Linerboard Standard features a black glass veil facing, so no additional finishing was required. This meant that RPN Ltd has been able to install the slabs perpendicular to the ring beam to create a quilted effect across the ceiling.A high-performance solutionThe other specification factors were thermal performance and fire safety. Knauf Insulation’s Technical Support Team undertook U-value calculations to determine that 130mm Rocksilk® Soffit Linerboard Standard would be required. It is manufactured from Rock Mineral Wool, has a thermal conductivity of just 0.034 W/mK and is designed to insulate structural soffits in applications such as open sided car parks.It is non-combustible with the best possible Euroclass A1 reaction to fire classification, so will not contribute to the development or spread of a fire should it occur. Rocksilk® Soffit Linerboard Standard also has excellent sound absorption characteristics so will help to ensure that residents are not disturbed by the noise of cars parking beneath their flats.Better for installersThe insulation was supplied by distributors CCF Ltd who delivered it to the site in line with the schedule of works. It was then installed by RPN’s specialist team.Rocksilk® Soffit Linerboard Standard is easier to install correctly than other insulants. The product recipe makes each slab rigid, which ensures the insulation maintains continuous contact with the substrate, preventing gaps that can reduce thermal, fire and acoustic performance.Rocksilk® Soffit Linerboard Standard is manufactured with ECOSE® Technology, Knauf Insulation’s unique bio-based binder that contains no added formaldehyde or phenol. It is made from natural raw materials that are rapidly renewable, and is less energy-intensive to manufacture than traditional binders, so it is more environmentally friendly.Products made with ECOSE® Technology are soft to touch and easy to handle. They generate low levels of dust and VOCs, and have been awarded the Eurofins Gold Certificate for Indoor Air Comfort. This means they are kinder to the installers who use them too.A safe solutionUltimately, using Knauf Insulation’s Rocksilk® Soffit Linerboard Standard means the Ashwood House car park ceiling not only looks aesthetically pleasing, but it helps to meet the increasing demand for non-combustible insulation in car parks too.

Eikon Design has successfully undertaken a major renovation of the Spirit AeroSystems main reception area, creating a stylish, energised space that integrates perfectly with the new corporate branding on its recently completed, world-class £28m Aerospace Innovation Centre.Spirit AeroSystems is one of the world’s largest manufacturers of Aerostructures for commercial airplanes, defence platforms, and business and regional jets. Eikon Design won the contract to design and project manage the reception area renovation.From the start, the designer felt that the refurbished reception area needed to reflect the dynamism and vitality projected by the Innovation Centre. The designers first thoughts were that they had to explore ways of using quality lighting and natural daylight on surfaces to create an impressive, engaging experience for visitors.The colour scheme - The designer Susan Anderson chose a neutral colour scheme that would reflect that used on the exterior of the Aerospace Innovation Centre, which was predominantly silver and grey. Surfaces – HARMONY pre-fixed slatted acoustic felt . Susan wanted to bring the reception area to life with surfaces that had different textures, depending on the light available and where the visitor stood in the room. After researching the market, Susan chose the Harmony ribbed-felt wall acoustic panels which Saxen sourced from the manufacturers, Soundtect. They were the perfect solution – grey fibre slats on a black acoustic sheet, as they had the structure, texture and colour she was looking for. Plus they were hypoallergenic and non-toxic, with up to 1.0 NRC (noise reduction co-efficient) – and a totally sustainable addition to the project, having been manufactured third-generation from recycled PET.The PET (polyethylene terephthalate) bottles are first recycled into exhibition carpets and then, at the end of their short second life, converted again into highly efficient acoustic felt by carefully re-layering the fibres to use as the core for this impressive, elegant, ribbed acoustic treatment.The Harmony panels are manufactured with fireproofing built-in, because the original carpet fibres were already fireproof so this critical safety component is integral to the product and not simply sprayed on. The Cause was responsible for fitting all the ribbed Harmony wall panels.The wooden wall panels behind the reception desk were dated, so the designer decided to repurpose them.- they were prepped, base coat applied and sprayed with two beautiful tones of metallic silver by Scottish Architectural Spray painters. Visual contrast was provided by prepped and coated matt white wall areas. LightingHaving found the perfect panelling, the designer had to consider the lighting and the role it would play. She worked with Seren Lighting, using a combination of existing products and bespoke lighting in ways which were both innovative and functional – using light to define spaces and surfaces. Depending on the way they were lit – whether artificial light, natural light or a mixture of both – the texture on the Harmony panels created subtly different moods. Also, as there is a fair amount of daylight flooding into the reception, the atmosphere of the whole space changed with the passing of time and the amount of daylight with both the ribbed and silver metallic panels creating different atmospheres depending on where you stood. All the lights installed in the project follow ‘circular economy’ principles and can be cost-effectively maintained and serviced – parts can be replaced with no need to throw the whole light away and buy a new one. The reception deskFor most of the day in summer and for short periods in winter, the reception area is flooded with natural light from two sides, so lighting the reception desk workstation needed a careful response.The workstation was located behind the reception desk, so using standard lighting methods would have detracted from the overall impression and been unnecessary for long periods. In developing the solution, the designer followed the basic principle, ‘put light where you want it, when you need it’. So an LED ultra-effect strip in diffuse profile was used under the top surface of the reception desk which threw a subtle light onto where the receptionist was working on the computer. The receptionist can switch this strip on or off as appropriate.The Cause remodelled and reformatted the reception desk to the design, which involved removing the angled elements and large posts, and replacing them with a concealed door. They also fitted the reception desk surface with a stylish, matt, dark-grey laminate, installing the lighting, graphic panel and ribbed panelling to the front. The panelling’s flexibility ensured a perfect fit around the curve in the reception desk.The reception desk skirting was painted the same colour as the staircase handrail.The Wing LightsThese were designed to develop the Wing Lights from first principle. The Wing Lights deliver light upwards, so it bounces off the various surfaces to enhance the textures and reflective differences. They also project a visual link to the ‘star’ element of the Spirit AeroSystems logo and took several attempts to create the final geometric shape. However, the Wing Lights now act as dramatic focal point within the space, capturing the essence of Spirit AeroSystems’ business and the designers overall design vision.CeilingThe existing suspended ceiling was off-white in colour, and looked rather tired so it was spray-painted with a dark metallic silver, which transformed the appearance of the ceiling and changed the whole look of the reception area. Lighting the upper-level walkwayThere were issues with uneven wall surfaces on the upper-level walkway. The solution was to apply architecturally inspired Harmony, lit by dramatic custom-made LEDs, to create the total effect – an utterly stunning, modern wall. The lights used were twin gimbal heads – round lights that can swivel in two directions. These were specially adapted from standard lights in the Seren range. The twin gimbal heads were installed in false pockets, clad with ribbed-felt. They provide functional lighting to the walkway, while adding a dramatic effect on the wall panelling.Finally, a pelmet was constructed to conceal a new LED Cob profile, allowing it to wash diffused light between the ribbed features of the Harmony panelling.The panels above the pelmet were spray-painted silver – the same colour as the ceiling – to give a much more dramatic effect.Other features…The wooden bannister handrail was stripped back and layered with different metallic colours to give a changing surface effect with different shadows and highlights. It was then coated in a high-gloss lacquer. This introduced an accent of colour, which also reflected the company’s corporate colours.StructuresDominating the reception area are two high columns, one of which contains a lift. Given the solidity and simplicity of the shapes, the designer decided on a lighting solution that would create an architectural feel, so she used beam-controlled light bars at the top of the structures to project a subtle wash down the full length of the columns.Carpets and furnitureThe existing carpet tiles were removed and upgraded. They were colour coordinated with the new, striking Italian Quadrifoglio furniture, sourced through Saxen. This furniture was the cornerstone of the designers vision vision, and its style, shape, colours and textures tie the space together.ConclusionThe success of the project was very much down to careful planning, creative thought and good people working together. Products used: Freestyle. Harmony