"ceiling"

Universal Music Group – 4 Pancras Square, London
Architect: Aros
Installer: BOK Construction Ltd
Product:  Durlum PolylamIn the summer of 2018 Universal Music Group joins the likes of Google and Louis Vuitton inside the commercial floors of Eric Parry Architects’ Pancras Square 9 building development in Kings Cross, London. UMG’s 1,000 strong workforce occupy the entirety of the buildings 10 floors and 174,570 sq ft of floorspace.LSA Projects Ltd supplied 1,532 Durlum Polylam baffles (roughly 1000m2) to the project in 4 different lengths and custom timber effect finishes: natural oak, light stained oak, medium stained oak, and light grey stained oak. The baffles are installed independently at varying pitches and offset linear spacings to encourage visual flow through the space and elegant incorporation of linear lighting.By using metal baffles rather than a solid or wrapped timber product the architect and client were able to achieve the effect of a linear timber ceiling on a more dramatic scale than would be possible with natural wood. The baffles are also finished with micro perforations to the vertical sides and are filled with mineral wool for additional acoustic control.

Architect: Moses Cameron WilliamsInstaller: Willmott DixonProduct: Gustafs Linear RibThe new Library at the Luton campus of the University of Bedfordshire which opened in June 2016 was designed by Moses Cameron Williams Architects (of Cambridge) and project managed and installed by Willmott Dixon.The University has been around for over 100 years and teaches in a wide range of subject areas as well as conducting award winning research across health, energy and technology, and social policy topics.The library is spread over 7 floors including silent study rooms, group work and meeting spaces, computer labs and presentation facilities and a café as well as miles of bookshelves. Gustafs and LSA Projects supplied over 8,000 linear metres of ribs to the project for both wall and ceiling application covering around 450m2.Over 3,000 individual 28mm deep ribs in natural Oak veneer have been used to clad the impressive open atrium and cafe area as well as throughout the library isles and study spaces. 12mm gaps between ribs give the entire installation depth, texture, and warmth as well as impressive acoustic control; perfect for a busy university library!

Installation of our MG500 flush glazed sliding folding door system to create an L shaped flexible space over looking London. Panel Profiles powder coated white to match the interior design for the client, with the panel profiles being able to be powder coated to any RAL finish this system is a great option to blend in to any office design. Particularly desirable for office spaces, our MG500 hinged sliding folding glazed wall partitions and glass movable walls offer multiple benefits to your workspace and for your employees. The benefit of the MG500 is that we require no structural support within the ceiling meaning this product can be installed anywhere. With the slim back painted border you have clear view visual lines allowing a superior light flow around the office, cost-effective installation, flexibility in the work environment as well as the simple fact that they look elegant and classy. Not only these, but they also offer exceptional sound reduction allowing for privacy to be had amongst clients or for important internal meetings. The hidden hinges allows us to create a smooth Wall, with no interferences. We worked to achieve a high aesthetic level and produce a architectural product for demanding spaces.

Architect: Page \ ParkInstaller: McLaughlin & HarveyProduct: ‘Shiluvit’ by Oranit400m2 of Shuluvit panels in 7-501 formation and Natural Yellow Pine were installed to the ceilings of the entrance way and cafe area of Kelvin Hall in Glasgow as well as 170m2 of linear acoustic planks in Natural Oak veneer to the main lecture theatre.The facility on historic Argyle street to the west of Glasgow city centre is a thriving community hub. Home to event and lecture space for the public as well as the University of Glasgow and local businesses. Kelvin Hall also houses the Glasgow Museums and the National Library of Scotland, celebrating the country’s history in historic and present literature and manuscripts as well as maps, films, and digital media.In addition to the educational spaces Kelvin Hall also has fitness suites for both adult and child classes as well as a 100 piece gym and multiple sports hall for public and commercial use. New to the facility in 2019 is the public climbing wall activity centre and soft-play for younger community members!The newly refurbished Kelvin Hall is home to parts of the National Library of Scotland, Glasgow Museums, and University of Glasgow research exhibitions as well as the Glasgow Club hosting fitness classes and children’s gymnastics clubs.

Skelbrooke Seclusion Suite, Skelbrooke Ward, DoncasterWorking with Raceway Builders, on behalf of Rotherham Doncaster and South Humber NHS Foundation Trust, we were responsible for the supply and installation of the following elements:R-Quest Severe Duty Steel interlaid seclusion doorsets, incorporating our own Pill & Beverage HatchR-Quest Heavy Duty cross corridor doorsetsSteel interlaid external doorsetAnti-attack internal viewing screenAnti-ligature ironmongery including Surelock McGill multipoint locksBespoke manufactured CCTV & storage cupboard with anti-ligature hinge and lockFloor to ceiling storage cupboard with anti-ligature hinge and lockRecessed wall storage cupboard with anti-ligature hinge and lockAll doors (including cupboard doors) within the seclusion and de-escalation space are PVC encapsulatedOur Pill & Beverage Hatch offers a high level of security and safety, when opened, the door becomes a shelf allowing staff to place items and stand back allowing residents to take the items. Once the resident has taken items, the door is pushed closed instantly locking shut. There is then an additional 3 bolt locking mechanism for additional security

Zentia worked with Ryder architects to help showcase products that can provide an in-depth insight and mechanics into behind the scenes of suspended ceilings. Featured areas was specified to use Zentia Axiom C Canopies with Aruba Max Board tiles, this enabled the students to see the suspension systems used and to showcase services behind the canopy.Through the project Aruba Max was used due to excellent acoustic performance for sound absorption and attenuation. Prelude 24mm XL2 grid was specified due to ease and speed of installation. Axiom Transition was used to provide a smooth connection where tiles meet plasterboard boarder margins throughout the project.Hydrabloc was used within the WC areas due to excellent moisture resistance capabilities and providing a Class A sound absorption. Zentia Prelude 24mm Corrosive resistance grid was specified alongside Hydrabloc due to the robust cleaning regime in keeping with being a technical college.Harton Academy can have peace of mind with Zentia 30-year system warranty for Axiom Canopies and Hydrabloc due to it be installed on Zentia Prelude 24mm XL2 grid, whereas Aruba Max comes with a lifetime warranty.These tiles have a high level of recycled content and are fully recyclable at their end-of-life.

Project Wick is a film studio located within Chiswick Park, which comprises of 1.8 million sq ft of award-winning accommodation, arranged as a necklace of 12 office buildings. Located in London, Chiswick Park is home to some of the world’s leading companies including Starbucks, Qualcomm, Pepsico, Paramount, and Discovery.Discovery Networks Europe, the pan-European arm of leading factual entertainment group Discovery Inc., relocated its European headquarters to the Richard Rogers designed Chiswick Business Park. In the new building there is ample space for offices, screening rooms, and transmission facilities. We were called upon to design and install a box-in-box solution to acoustically isolate the recording studios from the other areas of the building, thereby preventing unwanted noise and vibrations from becoming a nuisance.A Stravifloor Channel floating floor using isolated steel battens in combination with medium stiffness natural rubber pads (Pad-M50) and plywood and soundbloc plasterboards guarantee an isolation frequency of less than 10 Hz.The floating floors in these box-in-box rooms are complimented with our resilient head detail (Stravilink RHD) and Stravilink PHS isolation hangers for the ceilings.

Tower Supplies is an industry leader in PPE and workwear.They desperately needed to bring their office up to date to be in line with their operation.There was a need to have a functional office whilst maintaining a hardworking culture. Tower spent time and money with three other office design specialists, on all accounts the designs and solutions blew their budget putting the project out of reach.How we helpedThrough workshops and consultancy we were able to provide a 3 phase project that would provide Tower with the facility they required whilst still operating.We are able to provide a large multi-purpose workspace with kitchen, lunch area, directors offices, presentation area with moving partition, washrooms, shower rooms, reception and meeting spaces.By value engineering the project we were able to provide, within budget, an office with a modern and professional design that reflected the companies industrial roots. We ProvidedOffice DesignSpace Planning / 3D VisualsElectrics and LightingFlooringMoving PartitionsGlass PartitionsCeilingsBespoke JoineryWashroomsFitted FurnitureAudio VisualReception AreasKitchen & Breakout SpaceAgile WorkspaceDecorationAcoustic BafflesAir-ConditioningBlinds

The office “G+P Muller architectes” designed a total of 94 rooms, including classrooms, laboratories, workshops and studios. The Lycée also has its own swimming pool, sports halls and a canteen kitchen with an attached cafeteria. The straight-lined architecture, which uses daylight in a variety of ways and cleverly leads into the building, is captivated by a fresh color concept that takes on an aesthetic and structuring function throughout the building.In order to harmoniously adapt the swimming pool, sanitary areas and canteen kitchen to the color concept, the architects chose two tile series from Villeroy&Boch: PRO ARCHITECTURA and UNIT ONE. In addition to the necessary technical properties for public kitchens and wet areas, the PRO ARCHITECTURA series in particular offers a professional color and format system.For the sanitary area, the architects chose orange, which also appears in the school’s logo, as well as red and white, using several of the system’s modular formats. The swimming pool area is designed around the pool with specially anti-slip tiles from the PRO ARCHITECTURA series. In the surrounding areas, the swimming pool is divided into the colors light and dark gray, which harmonize very well with the concrete elements and the wooden ceiling.

The clinking of glasses, the chatter of patrons and the selected music are all essential to a vibrant dining experience. This experience is, other than that of the food, is one of balance that is often found tipping towards the more noise-related end of the scale. An enjoyable experience does not include people having to raise their voices above one another, or by missing out on a conversation because they cannot hear. This effect is called the Lombard effect, or ‘Café effect’ where groups unconsciously raise their voices over others so that they can listen to. This effect continues to happen until the room reaches a dreadful cacophony.There is now greater access to online reviews that can be brought up in seconds on your smartphone. There are even Crowdsourcing apps (check out SoundPrint) that allows the user to measure the loudness (in decibels) and categorise how loud it is. You will also find those food critics discussing how ‘noisy’ a restaurant is, as over time they have cranked up the volume. Potential customers now have these ‘tools’ to help avoid eateries that do not match what they want as an experience, and this could be potentially your restaurant(s)!When it comes to noise and sound, this is your ‘acoustic environment’. When Bluebell got hold of iKoustic to see how a new and thriving restaurant could create a better acoustic environment, we walked them through what is possible, and the path to dimming the cacophony.Noise in Restaurants.In open-plan restaurants like Bluebell, designers are creating a living, breathing space. These feature kitchens that blend into dining areas and have high ceilings that expose the ducting of air conditioning with light fixtures that extend the reach of the room. They are also made up of hard-finished furnishing and surfaces to appeal to the current boom in minimalism. Not only this, but the hard furnishings are easy to clean, another area of management for making sure your restaurant is in tip-top shape. But, what these mean for your acoustic environment is far less manageable without professional input and a series of effective resolutions in place. There has been a rise in studies of noise, music, taste and experience in hospitality in recent years; it is a complete sensory experience combined with social interaction. It is our vision, hearing, taste and smells that all become excited. The rise in noise found in restaurants has steadily grown year on year. On some occasions, these measurements have been found at damaging levels to our sensitive ears, let alone at levels that are comforting for allowing conversation; an essential part of the social element of dining out. The Guardian has found that“The dB levels at many restaurants far exceed this pleasant thrum [between 55-65dB]. The average sound level recorded in UK restaurants on Soundprint, taken between 6pm and 9pm, is 79dB. “I’m sure many of those are above 80, and I’m sure some are above 85,” says Scott. “It’s really loud for conversation.” In 2017, the UK charity Action on Hearing Loss (AoHL) found that noise levels in some well-known chains, such as Patisserie Valerie, topped 90dB on busy evenings. That’s the equivalent of munching your croissant next to a lawnmower or motorbike.”and if you are finding these kinds of levels at your restaurant, these would most definitely land complaints and critiques pointing this out.There are possible connections between the sound intensity and the drinking of alcohol, but when combining this with food, it comes up as the second most common complaint in restaurants. Different intensities in background noise may even affect what you taste. PRI’s study on the impact of sound on taste highlights the following.“Researchers asked participants to eat chips and cookies while listening to white noise at either high or low volumes, or in silence. They found that the eaters perceived saltiness and sweetness as less intense when they ate the food in the presence of loud background noise, in contrast to when they ate it with quieter or no background noise.”The fascinating part of what we are beginning to discover is that there are certain foods that taste best or worse at specific sound intensities, with the aviation industry tailoring their meals to match the loud roar of jet engines, to the average dB levels of restaurants revamping their menu for the different intensities. Reverberant spaces are open and reflective. They allow everyone’s conversation, the clanging of pots and pans in kitchens and the background music to all meld together as intrusive background noise. It is the introduction of more absorptive surfaces that help to control this ‘bouncing around’ and reinforcement of perceived amplitude of the sound. Acoustics Today has highlighted that“The higher the average absorption coefficient, the more sound will be absorbed by the room surfaces. So, if a restaurant is to offer a quiet, subdued environment, where people can talk quietly, it is important to use larger amounts of sound-absorbing material on the available ceiling and wall areas. If a venue is to have a more “energetic” feel, less sound-absorbing material should be used, but that material should be used in strategically placed areas that have the potential to get louder than others”. It is not that that whole room would require absorptive materials; this would not create a vibrant balance and would be more like dining in an anechoic chamber! The aim is to place them evenly across walls and ceiling so that there is a more even surfacing that will absorb the sound energy.As we mentioned, it is about the balance of what you want for your restaurant’s atmosphere and experience. These will determine the amount of internal acoustic treatment you will need to create it. BluebellBluebell has had a successful start with their food, but after receiving a few reviews about the noise at their restaurant, especially on busy evenings, they got in contact with iKoustic. With an open-plan dining space made up of glass partitions, hard finished walls and floor – this resulted in a very challenging and reflective environment. Both at lunchtimes and evenings, the noise reverberated and caused massive disruptions to the conversation of others.The team at Bluebell wanted a complete design that would complement their current interior design and colour scheme, so we needed to work together on finding a solution that would do so. We went to visit them to present our Note™ range on-site to show them the possibilities of not only matching their surface colours but also their light fixtures and cooling fans. We brought along our ‘mood-board’ to collaboratively choose the right tone and mood of the room by comparing these internal features with our available options!MeasureWe took a simple projection of estimated reverb time by using a modelling of the room. These take what is called the ‘absorption coefficients’ of the surfaces, how absorbant a surface is in other words and calculates an estimated reverb time. This reverb time is how long it takes the sound to decay. You can discover more about reverberation by pressing on our icon below.Dimensions of the spaceLength – 8.1mWidth – 4.9mHeight – 4m (top of pitch) 2.4m (bottom of the pitch.)Estimated Reverberation CalculationsFrom these dimensions, our calculations were estimated at a reverberation time of 3.3 seconds, much too high for a restaurant with receiving even modest levels of speech intelligibility. We would usually aim between 0.8 – 1.2 seconds. We proposed that at least 17.3m2 of Class A sound absorption would be needed to be at the levels between 0.8 – 1.2 seconds. This would need applying across the wall and ceilings space for best coverage.LookTo present our proposed finished look, we provided them with our visualisation service. 2D drawings would help display the layout of our Hexagonal Soft Note™ panels wrapped in Camira Cara Fabric. The choice of using Hexagonal cuts in various sizes and colours not only creates a visually stimulating space, but the shaping also allows more space to add sound absorption in these areas, just as bees do with its honeycomb structure.From the measurements, we then created a 3D scale of the room with its current colour scheme and implemented our approved Note designs with the addition of Soft Note™ Pro on the ceiling, evenly spaced. In this process, we include all fixtures and furniture that we closely match to assure best representation.Hexagonal Soft Note™ x 18 (various sizes)Soft Note™ Pro x 20All ceilings panels were evenly spaced to provide the best performance possible, and this is important when reducing reverberation as there is more available absorptive surfaces.FeelOur installation team installed the panels as direct adhesive fixing so as not the impose on the room or interfere with the fixtures. The Hexagonal shaping in these colour gradients created an off-beat style of imagery but at no time feeling out of place. The different sizing and placement also allowed various shapes to appear from the original wall which we think creates a stimulating visual.The texture of the Hexagonal Soft Note™ panels comes from the Camira Cara Fabric wrap, and this gives them more depth instead of a solid colour wrap. An approach that both us and the team at Bluebell love.The final sound was vastly improved and the ‘feel’ of the room was undoubtedly more controlled, we now await those reviews after a busy period from customers that congratulate them on the improved acoustics of the room!

RAF Museum Cosford, one of the premier tourist destinations in Shropshire, officially opened its brand-new Astor Bannerman Changing Places Toilet last week. Staff at the museum were joined by carers from City of Wolverhampton Council, Adult Provider Services and Aveso CEO Nick Kent for the ribbon cutting ceremony.Located in the visitor centre, the toilet includes a ceiling track hoist for full room coverage and an adult size height adjustable changing table, amongst other essential equipment and the extra space needed to use the toilet safely and comfortably.The equipment in the Changing Places toilet includes: Astor Invincible Changing TableAstor OT200 Ceiling HoistAstor ABW6 Height Adjustable Wash BasinCentrally Placed ToiletPortable Privacy ScreenAccessories including grab railsTalking about the new accessible facility, Paula Kovacs, RAF Museum Community Engagement Manager said:‘As a national museum, we recognise how important it is that each one of our visitors is able to enjoy their day with us in comfort and dignity. This is particularly important for visitors with profound and multiple learning disabilities, and others who need extra support. I am certain that this new facility will have a tremendous positive impact on the visitor experience for those of our visitors with such requirements, as well as their families, friends and carers, enabling them to enjoy as fully as possible their day with us, confident that their requirements are being catered for.’The Changing Places toilet was given a big thumbs up from members of the City of Wolverhampton Council, Adult Provider Services (Day Opportunities), who recently visited the RAF Museum on their first day trip to an attraction in more than a year.One carer said:‘It’s my first visit to the RAF Museum and the Changing Places facility is wonderful. The Museum is amazing, and we will now be able to plan more days out with our members. Without the Changing Places facility, we wouldn’t have been able to bring some of our members.’‘It’s vital when we go out that we have facilities for people to use. Changing Places toilets is something we can’t always find but having one so close will make days out so much better.’Nick Kent, CEO of Aveso, a long-term sponsor of The Changing Places Campaign making venues more accessible for all, said:‘Changing Places are a vital facility for the disabled community and their carers. There are over 1,600 Changing Places rooms in the UK, but this facility is one of the most beautifully designed with the mural of the sky. It’s a great facility for users and carers and ensures the Museum is an attractive day out for everyone.’The Museum’s new Changing Places facility is provided in addition to the standard accessible toilets that can be found in each of the Museum’s buildings. For further details of the various facilities that the Museum offers for visitors requiring additional assistance please visit rafmuseum.org/Cosford.

Camelot Primary School approached Hush Acoustics to help improve the acoustics with its large dining hall, which was achieved successfully through the installation of Hush Absorber 50A panels.Having been impressed with the ability of Hush Acoustics to effectively treat poor acoustic conditions within educational buildings in a previous project, the school’s executive headteacher approached the company to explore the potential for reducing noise levels in a number of areas.The key room to address, given how busy it can be at lunch and break times, was the dining hall. The high ceilings which feature in the hall create a large volume and it is typically built and decorated with materials that result in many hard surfaces. While these surfaces are highly durable and low maintenance, they can contribute to poor acoustic conditions.The dining hall had become excessively noisy and echoey at peak times, with a significant build-up of background noise resulting from sound reverberation. This is caused when sound waves arereflected off hard surfaces back into the room, meaning that sounds generated through routine use, such as talking, music playing and furniture being moved, become unbearably loud.MEETING THE CHALLENGEHush Acoustics was tasked to provide a solution to the reverberation and echoing problem. The company worked with executive headteacher James Robinson and the school trust previously to successfully address a similar issue at its nearby Cobourg Primary School in 2018 with outstanding results.Step one was for Hush Acoustics to conduct a site survey to gather the information needed for the reverberation calculations in areas of concern. Whilst the survey concentrated on the dining hall, the team was also asked to assess another school hall and four classrooms which were regarded as being very poor acoustically with a view to improving these in future.The survey gathered information on material finishes within the room and the size of the areas as well as providing an opportunity to explore the possible positioning of the panels. The Hush team was then able to feed this information into its calculation software to arrive at the best possible reduction in reverberation.THE SOLUTION24x Hush Absorber 50A panels were mounted to the existing soffit because of the limited space available on the walls, where sound absorber panels are often positioned. The 1200 x 1200mm panels, which feature a 50mm thick acoustic foam and supporting brackets, were installed symmetrically within the bays that formed the ceiling and finished in an outer fabric colour that is consistent with the rest of the room.In terms of the acoustic improvements that could be achieved given the building design and usage, the installation of the absorber panels sought to reduce reverberation by half. The initial acoustic survey estimated that the dining room’s overall mid-frequency reverberation time (T mf ) was 6.01 seconds, but after the Hush Absorber 50A panels were fitted, this was cut to 2.97 seconds.Installation was completed during the school holidays by Hush Acoustics to avoid any disruption to the day-to-day operation of the school.

Finished in June 2019 ready for the Spring and Summer seasons, the Welcome Building is the new £20m addition to the flagship RHS (Royal Horticultural Society) gardens in Wisley, Surrey. The installation which includes over 2,500m2 of linear rib ceilings is already a strong contender for our signature project of 2019!The building was officially opened on the 10th of June by celebrity ambassador for the RHS Alan Titchmarsh, alongside TV Baker Mary Berry and Director General of the Royal Horticultural Society Sue Biggs. The Welcome Building is the first of 3 major works to the 240-acre garden, totalling an impressive £70m investment for the attraction.The 5,000m2 Welcome Hub is home to modern, state of the art, improved visitor facilities including a grand multi-functional arrivals hall, 100 cover a la carte restaurant and cafe, and a huge shop with an extensive range of gardening books, gifts and homewares.Being leaders in the ‘Greening Great Britain’ movement, the client looked to keep the project as environmentally responsible as possible; working to the Considerate Constructor program the build process aimed to respect the local community by contributing to the local economy and minimising any negative impacts of the works. The scheme also encourages contractors to consider the long-term sustainability of the build; by using air source underfloor heating and extensive insulation as well as LED lighting throughout, the energy needed for the day-to-day running of the site is greatly reduced.In keeping with the natural and ‘green’ ethos of the RHS the scheme architect’s at KSS specified linear ribs for the pitched ceilings across the space, the system is comprised of a solid gypsum core rib wrapped in a choice of natural or faux timber veneer and delivered with a unique and versatile ‘easy-up’ installation system.The linear rib solution allows for versatility of installation; the standard installation system allows for flexibility in gaps between allowing specifiers control over the acoustic performance of the system. By design The Euroclass B-s1,d0 (for fire resistance) gypsum core of the ribs gives a secure base for the industrially glued veneer or foil finish as well as being a stable material for cutting and ensuring the ribs will never warp over time.Sustainable sourcing is another important factor to be considered in modern building, when working with natural timber products production and supply chain accountability is paramount. FSC® (Forestry Stewardship Council®) product certification is the global standard for responsible timber sourcing. All of the natural Oak timber and veneer used on the 18,000 linear metres of linear ribs at RHS Wisley were delivered as either FSC Mix (veneer) or FSC Controlled Wood (solid timber) certified for meeting the relevant chain of custody requirements of the timber in addition to continuing to commit to the operational values outlined by the council.

With a height of up to 110 m, the impressive Elbphilharmonie rises up on around 1,700 reinforced concrete piles. The architects from Herzog & de Meuron have placed a curved glass facade made up of more than 1,000 differently curved window elements on the brick Kaispeicher A, a former warehouse for cocoa, tobacco and tea. Their shape is reminiscent of giant horseshoes and tuning forks and creates unique mirroring effects. The concavely curved roof evokes impressive wave crowns with shimmering sequins.The heart of the Elbphilharmonie is the legendary concert hall, which literally floats at a height of 50 meters – decoupled from the rest of the building for sound insulation reasons. Its acoustics, for which the Japanese Yasuhisa Toyota, one of the world’s most renowned acousticians, is responsible, are overwhelming: the “White Skin”, which owes its name to the around 10,000 gypsum fiber panels on the walls and ceilings, and a reflector in the middle of the vaulted ceiling for optimal listening pleasure in each of the 2,100 seats. Functionally and aesthetically reliable tilesIn addition to two other concert halls, the building is home to 45 apartments, the freely accessible plaza at a height of 37 meters with a 360° panorama over the city and a very special hotel. The “The Westin Hamburg” extends in the eastern part of the building from the 6th. floor to the end floor on the 20th floor. In the 244 exclusive rooms and suites, discerning guests will encounter Villeroy&Boch tiles: mosaics from the PRO ARCHITECTURA series are integrated into the design concept by Tassilo Bost, bost group berlin. The calm, puristic interior design plays with the themes of sand, air and water and combines a linear design with a flowing design language. The pure white small formats of just 2.5 x 2.5 cm with a matt surface give the designer space for individual bathroom designs. The minimalist ceramic tiles underline the exquisite room atmosphere in a reserved manner and without pushing themselves into the foreground.“The Westin Hamburg” also includes a 1,300 m² fitness and wellness area. In addition to training options, saunas, steam baths, two fresh air loggias with a view of the Elbe and the harbor, treatment and relaxation rooms and a lounge, the Elb Spa offers the longest indoor hotel pool in Hamburg at 20 m. The swimming pool was also designed with PRO ARCHITECTURA. Villeroy&Boch Tiles has been a proven and reliable partner for planners and architects in swimming pool construction for many years and, in addition to modular tile series, offers them all the additional molded parts for a functionally high-quality and at the same time aesthetically sophisticated swimming pool. PRO ARCHITECTURA is also used in the staff rooms for the approximately 160 employees, who look after the well-being of hotel guests from all over the world at “The Westin Hamburg”.

An intelligent Advanced Go panel has been installed in The Steading, the home of sculptor and furniture maker, Tim Stead MBE.The Steading is an A-Listed building, located in Blainslie near Lauder in the Scottish Borders, and was both the creative centre and home to the Stead family across several decades. It was purchased by the Tim Stead Trust in 2021 and a programme of restoration work has included the addition of an Advanced Go new-generation, single-loop fire alarm control panel to protect this historic home.The Steading is considered Tim’s masterpiece with an interior that was transformed over many years. The interior is completely clad in sculpted wood: floors, walls, ceilings, stairs, cupboards, beds, a grandfather clock, sink, conservatory, hanging sculptures, desks and so on – all made by Stead himself. This exceptional building now aims to become a hub for practical expertise in everything to do with wood and the environment, hosting a variety of day and residential courses in the unique environment of The Steading.Fire and security service providers, Safe Services, installed the Advanced Go fire alarm panel in The Steading and were involved from the design stage though to installation and commissioning. The Advanced Go panel is integrated with EMS Firecell radio equipment for a complete cable-free fire system – which was an essential requirement to preserve and protect the unique interior of the building.

A.J Wells manufactured and installed over 600 square metres of vitreous enamel cladding panels for the fourth floor of world renowned department store Harrods.The Knightsbridge store unveiled the new section in November 2013 as part of a £200m makeover. In a radical overhaul the Way In fashion section was converted into a 30,000 square foot “Fashion Lab” with cast concrete floors, crackle-glazed wall panels, steel columns and a metal grid ceiling system. The department houses an array of contemporary brands aimed at the younger market.Working with Found Associates, A.J Wells designed and manufactured the wall panels and the framing system. Vitreous enamel was specified for its durability, low maintenance and luxurious surface finish. A unique satin enamel finish was used with a subtle crackle glaze effect. The panels wrapped the walls of the store and formed counters and cash desk bulkheads. The cladding also extended into a café area within the store.The cutting edge scheme, designed by Found Associates, was deliberately minimal with uniform fixtures and fittings and plain enamel walls to counter the confusion often associated with concessions within department stores.KEY FEATURES:• Satin crackle glaze vitreous enamel• Wall cladding• Counter frontage and bulkheadsA.J WELLS SERVICES:• Design & development• Manufacture• Framing• Project management• Installation

Armourcoat surface finishes have played a central role in the comprehensive refurbishment of the iconic Minster Building in the heart of London’s business district, applying over 600m2 of it's seamless Acoustic Plaster System to the ceilings.The interior design by architects BuckleyGrayYeoman for Ivanhoé Cambridge and its development/asset manager Greycoat Real Estate LLP, has created a major repositioning of the building built around the central eight storey atrium. The ground floor reception is approached by a 30 metre long boulevard from the new entrance on the corner of Mincing Lane and Great Tower Street. The original entrance has also been retained to Minster Court piazza.Designed to optimize the acoustics of interior spaces, the Armourcoat Acoustic Seamless Plaster system offers a clean and smooth mineral surface that can be applied seamlessly over large expanses to both flat and curved surfaces. Comprising of a special mineral wool composite panel that is bonded onto the substrate and finished with a seamless layer, the system offers an elegant marble based plaster finish while allowing sound energy to pass through the surface. The zero VOC system, which consists of over 70% recycled material, achieves class '0' fire rating and a class 'A' Noise Reduction Coefficient rating.Photography: Jonathan Banks

The owner of this house wanted to build a purpose-built home to meet the needs of his growing up family.  He wanted to live in the village he grew up in but at the same time it was important that the design embraced new concepts and ideas. The end result is a stunning contemporary luxury home that incorporates large glazing areas throughout. There has been a careful use of traditional stone, wood and also unique metal cladding detail with the external design. Internally the feeling throughout is minimalistic clean lines, with the furniture being a perfect complement to the end result. With the exception of the switchable privacy glass for the window adjacent to the front door, the inclusion of completely concealed fully automated blinds to all other windows are the ’Grand Finale’ to this beautiful home.  When not required the blinds are completely concealed but at the press of a button or using their mobile devices, blinds appear as required – providing shading, sun protection, privacy or blackout blinds as required.A feature of interest is the large gable window in the master bedroom.  Here Honeycell Duette® blinds have also been concealed within the sloping ceiling and again appear from their hiding places when required showing that irregular shaped areas can benefit from the Blindspace headboxes which can be made to conceal almost any blind available on the market.

The combination of old and new architecture provides unusual views and insights.This was certainly the case with the extension of the Batelease Farm owned by the Moody couple in the English county of Devon.The original Batelease Farm was built back in the 15th century and the building has been changed and extended over the centuries. Because the Batelease Farm is a Grade II listed building everything had to be approved by the responsible heritage officials.The modern extension to the old farmhouse creates a contrast between old and new and combines the two - quite literally. Because the goal wasn’t merely to create a new build - it also had to be accessible and enable barrier-free access between the old and new building.This will allow the client, a wheelchair user, to navigate between the buildings independently and to move between the centuries, so-to-speak.A glass structure connects the main house and the new build and covers two floors, including a lift. Barrier-free access has been created between the buildings on both the ground floor and the first floor. There is also an entrance and exit here, which enables the client to enter or leave the building independently at any time.A Guldmann GH1 ceiling hoist system is used in the client’s bedroom with the rail system integrated subtly into an exposed timber beam, so that the practical aid is almost invisible.

Automatic sliding doors provide patient comfort at outstanding healthcare facilityThomas Audley Ward at Homerton Hospital, London - The trust operates acute services from a single site: Homerton University Hospital, which opened in 1986. Based on an aggregation of ratings across all of the core services provided from the hospital, the hospital has been rated by Care Quality Commission as ‘Outstanding’.Architect – Hunters ArchitectsProduct – SL500 bi-parting doors in slim-eco profiles with fixed side screens of up to 8 panels covering 6.7m on 4 separate bays.The works encompass a full ward refurbishment comprising of layout changes, floor, wall and ceiling finishes, sanitary appliances, mechanical and electrical installations, fixtures and fittings renewal and internal doors.Working alongside the project lead architect, we assisted with the design to create 4 new ward entrance screens, to assist with reducing noise and air pollution, creating a more welcoming and comfortable patient environment. Our slim-eco door profiles were chosen and also provided with our unique TightSeal system, minimising any gaps around the doors. In addition to the door profiles, directional activation units were installed, contributing even further to eliminate unnecessary opening cycles. 

The owner of this house wanted to build a purpose-built home to meet the needs of his growing up family. He wanted to live in the village he grew up in but at the same time it was important that the design embraced new concepts and ideas. The end result is a stunning contemporary luxury home that incorporates large glazing areas throughout. There has been a careful use of traditional stone, wood and also unique metal cladding detail with the external design. Internally the feeling throughout is minimalistic clean lines, with the furniture being a perfect complement to the end result.  With the exception of the switchable privacy glass for the window adjacent to the front door, the inclusion of completely concealed fully automated blinds to all other windows are the ’Grand Finale’ to this beautiful home. When not required the blinds are completely concealed but at the press of a button or using their mobile devices, blinds appear as required – providing shading, sun protection, privacy or blackout blinds as required.  A feature of interest is the large gable window in the master bedroom. Here Honeycell Duette® blinds have also been concealed within the sloping ceiling and again appear from their hiding places when required showing that irregular shaped areas can benefit from the Blindspace headboxes which can be made to conceal almost any blind available on the market.

In Rugby, 57 aerial masts and a radio station are the genesis for the beginning of a new town, centred around the recently finished Houlton School. The carefully considered design of the School by Van Heyningen & Haward (VHH), is the successful retrofit of a collection of historic, grade 2 listed radio station buildings. Its cost-effective evolution into a thriving, sustainable secondary school comes through the careful integration of the previous buildings and by choosing to use products that fitted soundly within the pre-existing vernacular.Adapting the original framework to today’s standards was a job that took years to come to fruition, careful application of steel frame and the restoration of the original brickwork has meant that the two main listed structures, Transmission Hall and Power Hall will become a place of learning for generations of students. Handmade clay bricks provided by Michelmersh were vital to the restoration of the project, where they were used to ensure the structures could be repaired and retained rather than rebuilt from the ground up.Throughout the project, various elements of the building's industrial past have been retained, with arched windows and high ceilings to ensure that the history of this nearly century-old building is revered, but not overpowering compared to its newly instated modern sensibilities.Houlton School recently won the Refurbishment Category at the BDA Brick Awards.

Surespan designed and manufactured four access products for the SoFi Stadium in Inglewood, California The Project:HKS Architects were behind the architectural design of the stadium by creating an unrivalled sports and entertainment destination. The 5-billion-dollar stadium has created a diverse event space that offers an unparalleled experience from enjoying cocktails and food to immersive sporting events.The stadium offers a ground-breaking video experience that became the first venue to air live football on its roof. Furthermore, the centre-hung Samsung screen is the world’s first halo video board that is roughly 70,000 square-foot, dual-sided and is considered the most LEDs ever used in a sports and entertainment venue.The SoFi Stadium will be hosting several global events from the Super Bowl LVI 2022, 2026 FIFA World Cup and 2028 Summer Olympics opening and closing ceremonies.The Product:Surespan designed and manufactured four access products.  Two electrically operated, double leaf, flush floor hinged access covers to suit an overall frame size of 4267 x 1768mm.  Two electrically operated, double-leaf ceiling access panels to suit an overall frame size of 4267 x 1768mm. The lids have been designed to open downwards.

Technowood facade and ceiling systems, pergolas and many other products are used in Istanbul Airport spaces. These have different function such as entrance gates, check-in areas, passport control points and restaurants.Technowood real timber veneered product were used in this high-energy environment was due to the Euroclass A2 fire rating, adaptability in design and performance as real timber all without the short comings of solid timber.Lightweight, fascinating shapes and hidden fixing systems all add to make these products the most innovative and GOTO products used for all scale projects for both interior and exterior projects.“Why use solid timber when you can use a little 2% if you use Technowood products”If you can draw it, send it to us and use the skills of our in-house Architects to offer advice, realisation of all fixing considerations to be presented with the full scale of problem solving and a simple solution of installation for your contractors.I could write thousands of words, hyperbole and details of what for how and why but in this instance, I’ll leave you be with the photos that speak sufficiently for themselves…Credits and Further informationArchitect: Grimshaw in partnership with Nordic Office of ArchitectureLocation: Istanbul Airport Interiors Materials: Technowood louvres, panels and claddingCompletion: 2013

The Danish Church in London has been in existence, since 1696. Since 1952, it has occupied St Katherine’s, a neo gothic Church sited in the calm and secluded setting of London’s Regent’s Park, forming part of the Crown Estate.A recent refurbishment of the Church has been undertaken, overseen by Architects CF Møller and carried out by, main contractor, Coniston. The work included three new kitchens, communal spaces, and vicarage. GEC Anderson were employed to supply and install the three kitchens occupying two levels of the historic building. Liaising closely with the Architect, GEC Anderson were able to produce and install the required kitchen surfaces and fabrications as well as the required package of commercial kitchen appliances. Managing director of GEC Anderson, Martin Tye, commented “Space was very much a limiting factor in all three of the areas that we were involved with and so, it was a real challenge to be able to accommodate and include all of the necessary elements. Following the careful guidance of the design team, we were able to translate the requirements set out on paper into a tangible result for the client. This also involved meeting with the end user team and understanding the order of priorities.” Certain areas included high ceilings and so some tailored storage options were provided to maximise the useable space. Shelving and cabinets were included to provide the appropriate storage.

Park Regis Birmingham, part of the Stay Well hospitality Group, is a brand new upscale four-star luxury hotel with 253 well-appointed guest rooms in the heart of Birmingham's city centre on Broad Street. The hotel offers a modern and contemporary ambience with a boutique feel. Tibbatts Abel Interior Design specified Armourcoat polished plaster finishes for the front desk recessed logo wall and throughout the lobby and public areas of the hotel.Armourcoat finishes also feature within the Rofuto restaurant and bar located on the 16th floor of the hotel tower. This modern Japanese Izakaya-style concept features an incredible 200m2 Armourcoat polished plaster ceiling and finished columns throughout the venue. Rofuto is divided into two main areas; the dining lounge with a 360⁰ panoramic view of Birmingham, and the seven-metre long central dining bar featuring open kitchens and theatre Yakitori grill counter. An array of global projects for an impressive list of international blue chip clients in the residential, hospitality and boutique retail sectors have established Armourcoat as a leading supplier of high quality surface finishes. Armourcoat products are made from natural minerals including recycled Italian marble, contain low or zero VOCs, and have the added confidence of a full 10 year guarantee. Photography: ©Richard Kiely and Rofuto restaurant and bar

Established in Eastbourne over 130 years ago, W.Bruford is proud of its reputation for exceptional service, exclusive choice and attention to detail. They are recognised as a prestigious jewellers and pride themselves in offering the highest quality products and services. We wanted to do their brand justice by working closely with them to make their vision for their entrance come to light.Project Year: 2019Product: ASSA ABLOY SL500 Transparent Sliding DoorProject Background: Having worked with Innovare Design on their shopfront redesign, the client approached us to request a bi-parting all glass automatic door with side screens and pocket screens, and for the operator to sit above the ceiling and be the closest match to the bronze finish on their sign. As a high end jewellery store, both security and a clean and sleek look, were priorities for the entrance.Solution:FAAC Entrance Solutions installed the SL500 Transparent sliding door four panel system and finished the operator cover in a 50% gloss Light Bronze RAL Finish. The pocket screens were replaced by flush mounted EN16005 compliant safety presence detecting sensors which together with the 10.8mm glass and a dotted manifestation, contributed to an elegant yet safe entrance. We integrated mechanical bolt floor locks, and first-entry switch and last-exit push buttons for the use of staff. For more information or assistance with any project, please contact enquiries.esuk@faactechnologies.com where we can provide expert guidance and detailed documentation.

Architectural glazing systems by Kawneer were specified for their “robustness and quality” for two linked 16-storey apartment blocks on the last plot to be developed in one of Britain’s fastest-growing property hot spots - the £37 million BTR (Build To Rent) towers at Erie Basin in Salford Quays, Manchester, a stone’s throw from MediaCityUK.Kawneer’s AA®100 curtain walling features as strip curtain wall to copper-coloured rainscreen areas of the towers at Erie Basin. In addition, AA®110 curtain walling features on link bridges and as floor-to-ceiling screens facing the water. While the AA®100 system uses 50mm sightlines, the AA®110 system uses 65mm but both in this case were zone-drained. They are complemented by AA®541 open-out casement window inserts and AA®720 ultra thermally-efficient entrance doors.The Kawneer systems were installed over eight months by a team of up to 35 from approved specialist sub-contractor FK Group for main contractor GRAHAM and client Glenbrook, the privately-owned property development and investment company, who acquired the site from the Peel Group.The prominent dockside development is GRAHAM’s second project with Glenbrook, with work also underway on another £27 million BTR project in Ellesmere Street, Castlefield, Manchester, which also features Kawneer systems.

Solid wood floor specialist Junckers worked closely with world-renowned architects BIG (Bjarne Ingles Group), to create a custom finished oak floor for the M/S Maritime Museum in Helsingør, Denmark. The textured floor acts a link within the interior scheme of the award winning building, bringing together elements of concrete, glass and steel, housed in an amazing 150 metre long, old concrete dock. The architects’ brief was for a solid hardwood floor that can withstand the heavy footfall of a national museum, with a rustic quality to soften the raw and patinated concrete and large glass panels featured throughout the building. Junckers created a textured finish solid oak floor, which gives contrasting warmth to the overall impression of the museum. By using a specially developed hard brushing technique, the outer sapwood layer of the timber is removed, leaving a tactile, textured surface to expose the beautiful grain patterns naturally inherent in oak. The floor is finished in Junckers Ultra Matt Lacquer resulting in a matt, very hard-wearing floor. The lively two-strip oak floors really come into their own in the large, open spaces of the museums galleries. When natural light from the floor to ceiling glass wall hits the surface of the floor at an angle, it creates a spectacular effect. Following the immense success of the project, Junckers has added the incredible textured finish to many of its floors, both two-strip and wide board planks.

PROJECT OVERVIEW Jaguar planned a £500m investment for their first in-house engine manufacturing facility. Opened by Her Majesty, it currently produces 400,000 Ingenium petrol and diesel engines a year. Norwood worked with Interserve to deliver this ground-breaking project to the highest standards. The overall project won the Regeneration award at the RICS Awards Grand Final.OUR SCOPE OF WORKThe main challenge was to provide a 120Min fire-rated demountable compartment wall at 11 meters high. Norwood teamed up with Interserve, developing our 200mm Mediline system, which was subjected to excessive laboratory testing to achieve the 120Min Fire Rated certification. In addition to solid partitions, Norwood supplied a 90Min fire-rated 9-meter high glazed partition wall which provided a viewing gallery from the grand reception onto the manufacturing floor.In addition to the fire-rated compartment walls, Norwood provided a self-supporting machine and QC enclosures. The enclosures had to give a clean environment to a GMP standard; therefore, they had their own mechanical equipment, which was all supported by the Norwood enclosure. This was delivered by designing and installing a bespoke PodSolve system which consisted of a hidden ceiling joist system that provided the structural support for the mechanical equipment.Norwood often returns to Jaguar Land Rover providing modifications without business interruption to the build as their product cycle changes.

As a leading provider of renewable energy across the UK, SSE Energy Services aims to drive the transition to a net zero carbon world through the development, construction and operation of state-of-the-art renewable energy assets. To support this mission, in 2017 SSE built a wind farm in Stronelairg - a remote area of Scotland near Loch Ness. At an elevation of around 600 meters above sea level, it is one of SSE’s windiest sites. The site includes 66 wind turbines and has the capacity to generate 228 MW of energy.As part of the project, SSE needed to create three transformer enclosure bays on the site, each of which had to meet a demanding four-hour fire-rated standard. This required the installation of walls and ceilings - as well as internal access doors for maintenance personal - that would all meet this high-level of fire resistance. It was also necessary that various penetrations, including wall bushings, were able to safely pass through the barriers in the enclosure bays.An additional challenge was that the project would have to be completed in an isolated setting where the work would be constantly exposed to cold, wet weather conditions. Having worked with Promat and its products for more than a decade, the project’s subcontractor, Invicta, knew its fire protection solutions would be a perfect fit for the wind farm’s unique requirements.

The “Wohnpark in der südlichen Luisenstrasse” residential project was built in Karlsruhe in 2015. At the client’s request, architects AGP Generalplaner GmbH designed the building with enhanced impact sound insulation. Schöck Tronsole® was chosen as the impact sound insulation system for the stairs.Spacious rental and owner-occupied apartments with 1, 2 and 3 bedrooms were designed on a floor area totalling 18,000 m². All of the stairs in the buildings comply with the requirements of soundproofing level III as per VDI 4100 or DEGA class B. Specifically, the measured standard impact sound level of the stairs and landings ranges between 32 dB and 38 dB. These levels are about 10 dB better than the required standard impact sound level of 46 dB. By comparison: A reduction of 10 dB is equivalent to reducing the volume by half. The residents in the complex in Karlsruhe will notice this difference quite clearly. By not being able to impact noise from the stairs. The stairs are soundproofed using Schöck Tronsole® type F on the ceiling slabs while Tronsole® type Z separates the landings from the stairs and outer walls. The supporting element for the Tronsole® type Z was cemented into the 26 cm landing back at the prefabricating plant. Accordingly, the Tronsole® type Z wall element was installed and type F fastened to the landings and stairs on site.

Located in Davos, Switzerland the InterContinental resort and spa consists of a guest building with 216 rooms, and a separate wood-framed building with 38 luxury condominiums. These two buildings are connected by an underground passage, combining the services of a five-star plus hotel with a private home environment.To experience the uninterrupted views of the Landwasser Valley, the InterContinental resort unleashes fully glazed fronts with extending balconies, taking over 882 ft2. The balconies combine the indoor space with the outdoors, visually merging with each other. Yet, in terms of insulation the thermal separations is made to avoid the effects of thermal bridging. Nestled in the Swiss alpine location, construction had to specifically address the fluctuations in temperature and climate.Insulating and SupportingSchöck Isokorb® was incorporated in the balconies to minimize heat losses between the ceiling and the balcony floor. "We have been working with the Schöck products for many years," says Patrick Hager, co-foreman at the construction company Toneatti that occurs along with Baulink AG as the consortium and total contracting.Residences at Minergie® standard (Swiss equivalent for passive house)"To achieve the high insulation goals in this climate, to even the hidden or seemingly insignificant component is an extremely important role to play," found Regina Meier when choosing Schöck products for the balcony constructions in the Residences. Regina is a construction manager at Baulink AG and responsible for compliance with the specifications. "We can at any time, even in the long term, rely on their reliability and durability."

Over the next ten years Nine Elms will see 20,000 homes built, along with new schools, parks, cultural centres, a pedestrian and cycle bridge over the Thames; and the opening of two new London Transport underground stations as part of the Northern Line extension. The residential and commercial heart of this huge development is Embassy Gardens, London's new diplomatic precinct on the riverside. The first release of apartments in Embassy Gardens is the Ambassador Building, adjacent to the new US Embassy. It comprises six distinct cores, which house not only the residential apartments boasting high ceilings, abundant natural light and walnut parquet flooring throughout – but also a fully equipped private members club to rival the best in any international hotel.Inevitably, the development has attracted a sophisticated level of residents who demand the highest standards of detail throughout these buildings; and one of the key features is the wide variety of balcony types, each governed by unit size and orientation. The specific requirements at the Ambassador building involved the Schöck Isokorb® T type K, K-WU an SK. The diverse range of Schöck Isokorb® T load-bearing thermal insulation products guarantees totally verifiable performance standards, meets full compliance with the relevant UK building regulations and offers BBA Certification and LABC Registration. 

Hush Acoustics were tasked with resolving acoustic issues within the King’s House School in South West London.The two Victorian buildings feature a dining hall which had become an extremely noisy environment during lunch service, and this had become disruptive. The hall itself featured hard surfaces throughout with no sound absorption potential, and this was also a problem when the hall was being used to deliver assemblies.Hush Acoustics carried out tests using its Acoustic Modelling Software to measure the reverberation time within the area. Reverberation time is the most common way of expressing a room’s basic acoustic character. It is the time taken for a steady noise to decay by 60dB after its source has been abruptly cut off.After analysing the result of the tests, 31x Hush 50A panels were proposed to be mounted across the ceilings of the two areas to significantly reduce these noise levels. These panels comply with BB93 standards for school acoustics and all the UK Building Regulations relating to acoustics.Feedback from King’s House Estates Management was very positive, saying that the enhancements made to the space made a huge difference for the school as well as the children.Scott Beavers says “Work was carried out professionally and the sound reduction/intensity has decreased dramatically. This has really made a great improvement, thanks!”

Originally built in 1928, the Fullerton building was initially usedas an office, housing entities such as the Ministry of Trade andthe Chamber of Commerce.Following a brief spell as a makeshift hospital during thesecond World War, Britain’s surrender of Singapore to Japanled to the building becoming the headquarters for Japan’smilitary operation in the country.In 1997, the Building was sold for £300m and work beganon renovating it for use as a hotel. Architects 61 set outto restore the building’s existing facade. The neo-classicalcolumns and high-ceiling verandas were retained and the theShanghai plaster panel cladding was restored.However, the interior had to be completely transformedto accommodate the hotel’s 400 rooms. New additionsincluded the indoor garden and the new restaurant, where thebuilding’s historical lighthouse was kept and incorporated intothe decor.Allgood began work on the Fullerton in 1999, with a viewto supplying a high quality, bespoke package that wouldcomplement the building’s prestigious reputation.Allgood originally specified a combination of stainless steelHaft Elipse levers and matching pulls (top & bottom rightimages) in the public areas, along with bespoke FSB pullhandles for the ballroom doors (bottom left image). In the backof house area, Modric lever handles were fitted throughout,ensuring the hotel had a product that would last for at least 25years.More recently, Allgood were asked to provide new windowfittings in a polished stainless steel finish, to match the whitepainted windows in the bedroom