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Telling Rainscreens Ltd

Telling Rainscreens Ltd

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Atlas Tower

Atlas Tower

Telling Rainscreens Ltd

One of the key towers within the prime Nine Elms redevelopment in Lambeth, is Terracotta clad The Atlas which is nothing less of a statement and a local landmark. BackgroundFollowing the international recognition of the Broadcasting Tower building in Leeds that in 2010 won the CTBUH "Best Tall Building" award and became an industry referent, when Feilden Clegg Bradley Studios were given the arduous task of designing The Atlas building in Vauxhall, they knew that the World was watching and that their next joint venture with Downing Construction couldn’t be anything less than a statement and Argeton terracotta was selected as the material of choice for yet another prestigious project. The projectFCB Studios and the Lambeth planning committee wanted to portray the essence of Lambeth’s strong pottery and ceramics industry and of the site’s past which once was home to the Royal Doulton ceramic factory and Argeton Terracotta provided a solution that offered the versatility to respond to the technical challenges of modern high rise construction and ease of installation that would allow to meet a tight programme whilst answering to the aesthetic requirements and fitting in the concept sought.Industry leaders independent façade engineering consultants Wintech worked in the project from its birth and during the development of the scheme ensuring all of the engineering challenges were overcome and they worked together with FCB Studios in developing an algorithm to randomly distribute a mix of glazed and unglazed ceramic finishes, to resemble the speckles often found in traditional pottery. Argeton Terracotta provided a range of colours and finishes to meet the scheme requirements including a specialist hand-fired finish with special glaze for the lower areas of the scheme. Alumet’s record of outstanding delivery of full envelopes for some of the most reputable Main contractors nationwide combined with their over 20 years of expertise led them to be nominated façade contractor for the new build student accommodation tower which they delivered on time and on budget thanks to the cost effectiveness and ease of installation of the Argeton system.SolutionTerracotta is one of the cladding resources of choice in the market because it is a natural and versatile material that gives architects freedom of expression whilst it gives cladding and envelope contractors the advantages of a quick and easy installation process. The Argeton system is one of the principal terracotta systems used Worldwide not only because it is a natural and versatile material but also because it offers a technical and cost-effective solution for the residential, commercial and health and education sectors. Argeton is CE and UKCA marked and one of the most tested systems in the market including a BBA and an EPD. NHBC approved and not subject to any restrictions on building height or proximity to boundaries thanks to its Euro-class A1 Fire certification, it is no surprise Argeton is one of the materials of choice not only in new builds but also for refurbishment or re-clad. Durable and fully recyclable, ISO 14025 and EN 15804 (European BREEAM equivalent) certified, sustainability is at the heart of Argeton’s values.
Sponsored
Goldstone hall, Mithras Student Village, Moulsecoomb campus, Brighton University

Goldstone hall, Mithras Student Village, Moulsecoomb campus, Brighton University

Telling Rainscreens Ltd

BackgroundThe University of Brighton’s history goes back to when the Brighton School of Art was opened in the Royal Pavilion in 1858. However, it is since it achieved University status in 1992, that the institution has really began to grow to quickly become one of the most popular destinations for students in the South East.  The influx of students over the past three decades has meant a growing demand for accommodation that for many years the city hasn’t been geared up for and this has been an issue particularly in the suburb of Moulsecoomb, a neighbourhood housing the biggest of the four campuses and that has seen itself forced to transform onto a growing number of HMOs that aren’t quite suited for student living and that are struggling to coexist with local residents. Brighton’s architecture is mostly famous for ‘The Laines’ and the iconic Royal Pavilion however the city developed during the Regency, Victorian and Edwardian periods and was also greatly influenced by the Art Deco, Modernist and postmodernist movements resulting in an architecturally rich and diverse townscape that today has over 1200 listed structures with special architectural or historical interest.  The distinctive low rise character of the city is also a consequence of its position between the sea and the downs and although modern living and the scarcity of land available and apt for building put on the table the need for tall construction, the local planning committees are often strict when it comes to high rise and not only expect this type of new construction to demonstrate a high standard of design and to make a positive contribution to the visual quality of the environment but they also require that they live up to the city’s exceptionally fine historic environment context, and its cultural identity.The projectHassell Studio and Design South East were given the gruelling task of heading the regeneration of the Moulsecoomb campus to house the School of Business and Law, the School of Architecture, Technology and Engineering, the School of Applied Sciences, part of the School of Art and Media, state of the art student accommodation for over 800 students and leisure facilities. A project that would be delivered by construction giants Bouygues. The design concept was a cluster of buildings with 5 student halls built on the site of the old Preston Barracks, Watts House and Mithras House and where Goldstone hall was the tallest building of the development. With 18 floors, Goldstone hall not only became the focal point of the development but also the tallest tower to be built in Brighton in the 50 years prior to its construction.  Julian Gitsham, Principal and Education and Science Leader, who headed the project at Hassell, recalls how aware he and his team were of not only the architectural impact but also of the socio-economic significance of the development for the local area and how these aspects led to a meticulous study of all aspects of the project, it made the quality of the scheme non-negotiable and locked the material specification.  There was no doubt that the Goldstone hall would be the heart of the development and as such, that it had to have distinctive features. Julian and his team sought a natural and robust material that would make the building stand out from the lower brick architecture characteristic of the local area however they also wanted to portray the dynamic nature of the future of the building and they were able to achieve that through the use of glazed terracotta panels that reflected the sun light and changed in appearance with the weather, displaying the perception of a different façade every time. Julian comments ‘it is fascinating to see how on darker, foggy days, the building seems to disappear into the sky’. In the spirit of great architectural wit, despite of the contrast in materiality, the architects sought to reflect the neighbouring architecture in the body of the tower and for that they selected 20 different colours found across the local townscape and using a purposedly designed algorithm, these were randomly set out across the facades of the building showcasing the tonalities of the local architecture and the shades of the Brighton sky, gradually from the lower to the upper floors. A challenging task that skilled cladding contractors M Price delivered impeccably. Some of the chosen colours also paid homage to those found on the façade of the now gone The Lectern, which was the local go to pub for the students of the campus.Call-to-ActionTerracotta is one of the cladding resources of choice in the market because it is a natural and versatile material that gives architects freedom of expression whilst it gives cladding and envelope contractors the advantages of a quick and easy installation process.  The Argeton system is one of the principal terracotta systems used Worldwide not only because it is a natural and versatile material but also because it offers a technical and cost effective solution for the residential, commercial and health and education sectors. Argeton is CE and UKCA market and also one of the most tested systems in the market including a BBA and an EPD. NHBC approved and not subject to any restrictions on building height or proximity to boundaries thanks to its Euro-class A1 Fire certification, it is no surprise Argeton is one of the materials of choice not only in new builds but also for refurbishment or re-clad. Durable and fully recyclable, ISO 14025 and EN 15804 (European BREEAM equivalent) certified, sustainability is at the heart of Argeton’s values.' Argeton terracotta is available in a range off the shelf and bespoke profiles, in lengths to suit and in natural, glazes and engobed finishes. https://tellingrainscreens.co.uk/profile-and-finishes/
Sponsored
Hatfield Close and Gerrard House

Hatfield Close and Gerrard House

Telling Rainscreens Ltd

Following the devastating effects of the Grenfell Tower tragedy, Hatfield Close & Gerrard House fell into the category of social housing buildings that needed to be reclad to meet safety standards and Terracotta cladding offered a solution that satisfied the required standards and ticked all the boxes. BackgroundOn the 14 June 2017, a disaster that shook the nation taking away the lives of 72 people, injuring many others and devastating families and a whole community became the core of public unrest and resulted in a mass scale enquiry that identified around 2,000 buildings over 18m tall clad in dangerous combustible materials in England alone. The cladding crisis exposed that not only did the buildings pose an immediate fire risk to residents but also saw flat owners facing building insurance premiums, extensive and costly remedial work and mortgage lenders deeming the properties unsafe and ceasing to lend money against them. The Grenfell tower tragedy resulted in the review of the building regulations nationally and internationally in countries including Australia, Malta and The United Arab Emirates and in a government pledge of over £5bn towards the remediation of fire safety problems in high rise buildings. The three Hatfield Close & Gerrard House blocks were identified as being clad with ACM, the cladding material used at Grenfell. The projectAlthough originally constructed as a concrete frame with brick infill sections, the Hatfield Close & Gerrard House buildings experienced weather penetration issues during the 1980s and the 1990s that led to a programme of improvements which included the introduction of an ACM rainscreen system in the 2000s which during the post Grenfell tall buildings cladding mass review was found unsafe. Only weeks later emergency works to strip the hazardous cladding began.  Although the primary objective of the project was to improve the fire safety performance of the three blocks, the project team took the opportunity to redevelop the buildings to also improve their aesthetic and structural and thermal properties. The nature of the project called for a holistic approach led by a multidisciplinary team which included Michael Dyson Associates Ltd, a housing consultancy firm that specialises in the social housing sector, social housing main contractor United Living, a Lewisham Homes & Fire risk manager, independent consultants and resident representatives. The team, with guidance from the planners selected terracotta cladding as the material of choice due to its non-combustible A1 fire rating and robustness. In addition to its essential non-combustible fire classification, terracotta offered a large range of tile colours, shapes, profiles and textures that gave the team design freedom and opened the possibility to improve the aesthetic appearance of the blocks at the same time as offering durability due to being a natural product with no synthetic dyes and a life expectancy of 60 years +. The terracotta cladding system offered the façade contractor Novo Facades a simple method that allowed them to deliver a clean and non intrusive installation process which was key as the residents were living in the buildings all along. The project became a construction referent of inclusion and savoir faire. It was a winner in the Inside Housing 2020 Resident Safety Campaign Awards, it was shortlisted for ‘Best Community Engagement’ and Won ‘Project of the Year £10 million to £25 million’ awards at the 2021 National Building & Construction Awards. SolutionTerracotta facade panels are one of the cladding resources of choice in the market because it is a natural and versatile material that gives architects freedom of expression whilst it gives cladding and envelope contractors the advantages of a quick and easy installation process. The Argeton system is one of the principal terracotta systems used worldwide not only because it is a natural and versatile material but also because it offers a technical and cost-effective solution for the residential, commercial and health and education sectors. Argeton is CE and UKCA marked and one of the most tested systems in the market including a BBA and an EPD. NHBC approved and not subject to any restrictions on building height or proximity to boundaries thanks to its Euro-class A1 Fire certification, it is no surprise Argeton is one of the materials of choice not only in new builds but also for refurbishment or re-clad. Durable and fully recyclable, ISO 14025 and EN 15804 (European BREEAM equivalent) certified, sustainability is at the heart of Argeton’s values. Argeton terracotta cladding systems are available in a range off the shelf and bespoke profiles, in lengths to suit and in natural, glazes, digital print and engobed finishes. https://tellingrainscreens.co.uk/profile-and-finishes/

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