"metal internal wall finishes"

Finish: Interpon D2525 Steel Bronze 1 Y2206F Parts coated: Windows & Surrounds Architect: FUSE Fabricator: Premo Fabrications Applicator: Specialist Coatings

Finish: Interpon D2525 Steel Blue Platinum Y2207I Parts coated: Rainscreen Cladding Architect: Sheppard Robson Fabricator: Sotech Applicator: Specialist Coatings

The finish of the five rooftop terraces, with a total surface area of more than 1400 m2, was an unprecedented technical challenge for Zoontjens with a great result in beautiful Paris.

We recently completed a refurbishment of the washrooms at Fulwell Bus Depot in Twickenham, regularly used by over 300 bus drivers. As part of this project we installed:-4 No. Samoa Deluxe WC packs complete4 No. Urimat Ecoplus urinals with Visutal digital screen upgrades1 No. Tristone wash trough4 No. CONTI+ Ultra GM 20 tapsNew under vanity by Formwise in Grey Zebrano laminateNew WC duct IPS panels by Formwise in Grey Zebrano laminateNew lighting throughout by Ineco EnergyNew hygienic wall cladding throughout by JemicladNew suspended ceiling grid by Gemstone InteriorsNew air extraction system completeNew R12 Safety Vinyl c/w marine style wall upstand by Jemiclad

Installed by Kawneer’s approved specialist subcontractor FK Group, the £25.3 million project, designed by FCB Studios, was the first to use Kawneer’s newly enhanced AA®110 Curtain Wall system that features a bespoke expansion joint, which allows a building movement tolerance of +/- 15 mm. Creating a sense of scale and vibrancy, the white profiled terracotta ceramic façades contrast the earthy tones of the perimeter buildings in a modern interpretation of the grand Victorian warehouses nearby. The high-performance Curtain Wall was accompanied by AA®720 Side Hung Open-In Windows to deliver a high level of thermal performance throughout. Using passive principles, the high insulation building fabric coupled with solar control glazing, address the energy requirements for heating and cooling.

This beautiful new build home, close to the shore on Long Island, was to be the Client’s luxury beach house. UK architect David Russel, designed all windows and doors to be pocket style, disappearing into the walls.Much consideration was given to concealment and where possible the curtains also opened out of sight, into their own wall pockets. All Lutron curtain tracks were flush-mounted using TrackTrim by Blindspace, including a number of curved tracks.In some of the windows, Lutron blinds were concealed within Blindspace boxes behind the curtains, all disappearing when not required. These Blindspace products have the additional benefit of being plastered in during construction for minimal visual impact.The unique ground floor design brings the outdoor indoors, using hidden doors and curtains with amazing results.Transcript

GEC Anderson were chosen to supply stainless steel classroom worktops, drinking fountains as well as fabrications for the main school kitchen.Classroom worktops have integrated sink bowls and are mounted on wall hung stainless steel base cabinets, also by GEC Anderson. The cantilever arrangement allows for uninterrupted floor cleaning and easier working and access to the sink units. It also facilitates the ability to mount the worktops at the height appropriate for pupils. GB4000 wall hung drinking fountains were specified in the corridor areas. The units can be mounted at any height to ensure access for the children. Within the main kitchen, sinks and and worktops include leg frames with solid undershelves in order to maximise the limited space available.Brushed satin stainless steel (EN 1.4301 grade) was used throughout.

For what is one of London’s tallest residential towers, Siderise, leaders in the development of fire, thermal and acoustics insulation solutions, has provided cavity barriers and perimeter fire seals as part of the glazed curtain walling system for the Landmark Pinnacle Tower.

Bespoke Kawneer curtain walling adapted for the 11-storey commercial element of the £200 million Atlas building - at 40 storeys the tallest tower in London’s Tech City area - at 145 City Road, Clerkenwell, at the heart of London’s architectural sector.

Western Red Cedar Shingles with FRT Exterior® Fire Retardant Treatment (AA Rating) provided the Welsh Primary School in Swansea with feature cladding to the curved external walls, in order to create what the architect described as a ‘cedar shell’.

The indoor sports facility has utilised one of our wall systems(Topperfo M 16/16/8) to combat sound reverberation, voice intelligibility and to lower the sound pressure levels typically created in such a large hard surfaced area.

The British interior designer and DIY connoisseur Luke Arthur Wells has styled the Fat lever handle in charcoal to perfection. The deep charcoal hue of the inflated lever handle becomes a sharp, elegant accent against the cream-coloured walls. 

Tallest tower in London’s financial district uses market-leading SonaSpray for acoustic perfection.As well as dominating the skyline of London’s financial district with its striking 23-sided glass façade, 22 Bishopsgate has not only rewritten the rules of what a modern office space should look like but also how it sounds. Having become a ‘mecca’ for workplace wellbeing, putting individuals and employees at the heart of its design, it was important that the spaces sounded as good as they looked. With acoustics playing a leading role in delivering overall comfort to a space, partnering interior design studios DesignLSM and The Morris Project turned to experts, Oscar Acoustics, to control sound levels within its buzzing food and dining area - ‘The Market’ for pitch-perfect ambience.  Known as the ‘foodie heart’ of 22 Bishopsgate, its selection of bustling food counters makes it a hub for workers looking to drink coffee, take lunch breaks and host meetings. However, being a lively, open hospitality space, the clink of cutlery and energetic conversation would mean that the café space was at risk of excessively high noise levels, which left unchecked would create an uncomfortable drinking and dining experience for guests.  Karen Taylor, DesignLSM’s lead designer, said: “Providing a healthy environment that would enhance the physical and mental wellbeing of those working in the building was a top priority when designing the 20,000sq ft space. The building itself includes triple-glazed windows to reduce outside noise, but it was important that the internal acoustics were just as well considered to compliment the sense of balance and harmony throughout.  “As a multi-purpose space, The Market area is a dynamic part of the building where the Bishopsgate community can unwind, dine and socialise. Whilst the area needed to have a spirited ‘buzz’ to it, there would also be guests that wanted to relax and recharge, and therefore considering the people and their needs was always at the forefront of our design strategy.” As The Market includes an array of hard surfaces such as tables and chairs in-line with its open dining aesthetic, a solution was needed to counteract noise reverberation and echo, which causes sound levels to climb. To remedy this, DesignLSM turned to Oscar Acoustics’ SonaSpray acoustic spray range. Once applied to ceilings or walls the seamless acoustic finish absorbs sound energy instead of reflecting it, enabling designers to create serene and inviting spaces. In this case, its SonaSpray fcx acoustic plaster finish was used to reduce overall noise for a more calming atmosphere. With strict building deadlines and restrictions to adhere to, SonaSpray was also chosen for its efficiency as it can be applied quickly with minimum disruption, allowing work to continue as promptly as possible.  Importantly, it was Oscar Acoustics’ third-party safety certifications that caught the eyes of designers. With such a large building to consider, fire safety had to be a number one priority. With fire credentials that go above and beyond Approved Document B fire requirements (Class 0 to BS476 & B-s1, d0 fire rating), the SonaSpray range produces little to no smoke and absolutely no droplets – which can assist in the safe escape of occupants should an event occur.  As the first building in the UK to apply for the WELL Building Standard, the premium acoustic spray was a perfect fit due its contributions towards many sustainable design and health certification systems including WELL, BREEAM, SKA, Living Building Challenge and adds up to 17 points towards the LEED (Leadership in Energy and Environmental Design) rating of a project. It also boasts GREENGUARD Gold certification which shows it has met some of the world’s most rigorous and comprehensive standards for low emissions of VOCs into indoor air, aiding in the creation of healthier indoor environments. Ben Hancock managing director at Oscar Acoustics, said: “22 Bishopsgate has raised the bar in office design and it’s a real feather in our cap to be part of such a pioneering and monumental building.  “When we were approached about the project, we jumped at the chance. The design ethos of 22 Bishopsgate aligns closely with our own values – putting employee wellness and comfort above all else.  “It’s clear that our experience working on some of the UK's biggest office refurbishments has been put into action, encapsulating future thinking around work/life balance, to create a dining destination that offers maximum comfort without comprising on design. “We know from our own independent research that excessive levels of noise are a major deterrent for workers who want to embrace hybrid working – but this building proves that if it handled correctly, it’s possible to create a space where employees want to revisit time and time again.”Image credits to Tom Meredith Photography.

A higher quality of assisted livingProviding a higher standard of care for elderly residents, this purpose-built care home in Stirling, Scotland, has been designed to accomodate 65 residents in a relaxed, luxurious setting. Every aspect of the design was focused on avoiding an ‘institutional’ feel that might be regarded as typical of care environments, and instead achieve a desirable place to live with tasteful design features and creature comforts.We were delighted that Rutland closers were selected for the building’s fire-rated doors. One of the selected finishes, Antique Brass, is often chosen from our wide range, as it has proven popular in luxury care homes for its premium aesthetic, and the more homely feel that it provides.Life safety in fine formOur underlying purpose is to enhance life safety at every fire door. But we always say that maintaining life safety doesn’t have to diminish the aesthetic of an environment. Our tried, tested and certified door closer models are available in the widest range of finishes, making it perfectly possible to protect lives and enhance quality of life.65 - Luxuriously-appointed roomsFD30/60 - Fire-rated doors2x Premium closer models specified in two designer finishesTS.9205: Key features+ 15 finishes in stock+ Universal application+ Adjustable power size EN2-5+ Tested to BSEN1154 and EN1634-1+ Assists BS8300 for Doc M contracts+ CE and UKCA marked+ 35 year guarantee

Lightweight but very strong mounting profileCHALLENGEStraight lines, maximum light and a unique, remarkable design. This is how independent architect Lieze Vandael saw her own home. Due to the numerous voids and imposing windows up to 9 meters high, a traditional construction method was certainly not an option. A suitable alternative had to be found. Moreover, Lieze Vandael wanted to see the elegant, minimalist architectural style with straight lines envelop the building: a roof and façade finish in the same material - preferably timber - and moreover, seamlessly blending into each other. To have the building completely wrapped in wood. Definitely a real challenge! A neat and watertight connection between roof and façade is not an easy job at all. Besides, timber is never completely waterproof. So, the challenge for Lieze Vandael was to combine the roof and the façade into one uniform surface, ensuring a perfectly watertight roof.SOLUTIONArchitect Vandael wanted to step away from the traditional lightframe wood structure, and opted for an alternative mass timber construction: a load-bearing construction formed from tongue and groove stacked solid wood beams. After all, this type of construction creates a lot of possibilities and is, besides, a more durable and ecological solution. For the exterior finish of the building the architect chose thermowood Ayous, a knot-free, clear-grade exotic hardwood providing excellent durability. The façade was finished with thermowood in a traditional way. Finishing the roof, however, was a more complex task. Cladding a roof with timber, particularly a highly sloped roof poses a substantial risk. How to achieve a watertight roof?

After a particularly contentious and protracted planning process, this semi-detached, red-bricked house, part of a group of five properties that form Regent’s Mews in affluent London NW8, finally boasts an impressive third storey extension as a result of the erection of a mansard roof.The new dormer windows to its front aspect lend this 1980’s property a delightfully modern aesthetic, whilst the provision of a green roof to the rear aspect underlines its eco-credentials. The installation of Glazing Vision’s elegant sliding-over fixed rooflight above the stairwell, together with 4 additional fixed rooflights, has maximised the light streaming into this new living space, and also provided an all-important source of ventilation.Initial proposals to convert this house from two to three floors were rejected way back in 2001 by the local Planning Department on the grounds of it being “visually intrusive, overbearing massing not part of the existing architectural language and overlooking neighbours”. These same considerations faced Robinson Leigh Architects, whose track record of successful planning application had led to their appointment in 2013 by a client keen to find a solution to the planning impasse.There were a number of challenges for the architects, as they sought to design a scheme that would prove more successful through planning. The house is situated in St John’s Wood Conservation area, where restrictions on the character and appearance of all buildings are strictly applied. Normally any roof extension in this area would not be permitted and the house, indeed the entire mews, had been identified as an “unlisted building of merit”. Consequently the planners insisted that all new work to the house “must match existing original work in terms of choice of materials, method of construction and finished appearance in order to maintain the cohesion of the mews.The variety of roof forms in the mews, however, presented an opportunity for the architects to put forward their proposal of a flat-topped mansard roof as “a modern interpretation of the surrounding architectural precedent” said Leigh. Critically, the new mansard roof would also not add height above the general roof level of the neighbouring properties in Regent’s Mews, and thus would not be visually intrusive. The design of the three new dormer windows at the front of the house did depart from that of the dormer windows on the other mews houses though – they were square in contrast to the prevalent curved headed windows. However, given that they were really only visible from within the actual mews, the planners considered this alteration in form to be acceptable. Furthermore, the recessed glazing of the dormer windows ensured that the privacy of the occupants using the living spaces would not be compromised.The choice of materials also had to conform to the surrounding properties: the dormer windows were lead-clad, and the roof was tiled in Welsh slate, which softens its appearance and reduces the “apparent bulk of the structure.Another complication for Robinson Leigh related to the impact upon the large villas of Langford Place to the rear of the property. Vehement objections from these residents, who were concerned that the roof extension would shatter the illusion that they are set in extensive grounds led the architects to revise their proposal: the pitch of the northwest slope of the mansard roof was adjusted to a 70 degree angle in order to reduce its prominence in the views from these villas, particularly from 5 Langford Place. A second flat roof, which adjoined the house was removed, and Robinson Leigh extended the mansard roof to the parapet. This then gave the client more internal space, eliminated any overlooking issues, and created a more homogenous and symmetrical design.The architects cleverly designed both the main roof level of the mansard to be landscaped with indigenous flora in order to respect the planners’ preference for ecological biodiversity in the area as well as to attenuate water run-off.In conjunction with these structural requirements imposed on Robinson Leigh’s design of the mansard roof, unlocking natural daylight in the “dark zones” in the interior of the new storey was a key priority. Mindful of the rejection of the glazed roof proposal from 2001, which the planners had deemed to be too intrusive on the neighbours and at odds with the surrounding architecture, the architects sought to reduce the amount glazed by 50%, whilst simultaneously addressing the problem of reduced levels of natural daylight resulting from the recessed dormer windows.Robinson Leigh’s solution was to propose a more sympathetic glazing arrangement to the flat-top of the mansard roof, comprising four large fixed rooflights and a sliding over fixed rooflight from Glazing Vision, that would achieve the high specification they desired. These rooflights, pointed upwards to the sky, would maximise the amount of daylight entering the extension and bouncing off the hardwood timber, which had been used extensively, as Leigh points out, to “draw together several disparate elements of the interior design, such as the sliding walls, pocket doors and floor-to-ceiling shelving and cupboards”.Glazing Vision’s sliding over fixed rooflight was to inhabit the space immediately above the stairwell, which had also been lined in timber to subtly link the top floor with the ground floor and to help draw the eye upwards. Timber frames had also been used on the windows. As with the other four rooflights, Glazing Vision’s sliding over fixed rooflight needed to be made to a bespoke size – the architects required it to be the exact size of the stairwell, or indeed over-sized, so that the frames were not visible from below. Precision-engineered at the Glazing Vision factory in Norfolk, the special sliding over fixed rooflight was supplied in two sections, with an overall span of 2400mm and a width of 2240mm. The minimalist internal framework, finished in pure white rather than the standard grey, ensured that there were unfettered, sky-only views from the inside, thereby enhancing the impression of space and loft. Through the clear glazing of the Glazing Vision rooflight natural daylight absolutely flooded the stairwell, permeating also down to the lower floors.Given the stringent planning controls on the appearance of the mansard roof and the concerns of the vociferous neighbours, Glazing Vision’s sliding over fixed rooflight offered another invaluable benefit to Robinson Leigh. The footprint of the unit on the roof remained fixed, both open and close. This meant that there was no bulky additional furniture required, whilst the minimalist exterior framework was finished in slate grey to blend harmoniously with the Welsh slate roof tiles.No less important was the need for natural ventilation in the mansard roof extension. The architects were keen to create a venturi effect in the central core of the house and stairwell by channeling the airflow through the opening of the rooflight. The Glazing Vision rooflight, specified by Robinson Leigh to slide side-to-side rather than up and down, is electronically controlled at the touch of a button from inside the house, retracting the sliding section over the fixed section of glazing. Once the sliding section is fully retracted, there is a 50% clear opening in the rooflight, out towards the sky, thus providing superior air quality within the top floor, as well as intensifying the amount of natural daylight. An essential security feature of the Glazing Vision sliding-over fixed rooflight is that it is supplied with a manual override as standard.The design, approval and erection of the mansard roof extension took three years but Robinson Leigh have succeeded in updating a tired-looking 1980’s mews house with a new, sophisticated, modern exterior, that quietly complements the surrounding properties. The new third storey has exceeded the client’s needs for additional living space, and the clever use of rooflights has ensured the interior is light, bright and inviting.

Take a walk with us through Camberley, a traditional English town located in the county of Surrey, southeast England. Large-scale improvements to Camberley High Street, Princess Way, and Knoll Walk have brought a safer, modern, attractive space to the town centre. The redesign has created a pleasant environment that is pedestrian-and cyclist-friendly, whilst accommodating the needs of parking, servicing, and safer driving conditions for vehicles.„Camberley’s High Street transformation has set a new quality standard for the town’s public realm,“ comments Joao Toscano CMLI Director of Landscape & Urban Design at Project Centre. „Our design proposals were grounded in the latest best practice in streetscape design, and we used bespoke design to elevate a sense of place, identity and quality, whilst promoting pedestrian comfort and traffic calming principles,“ Stefano Scarano, Senior Landscape Architect adds.Taking into account the invisible importance of street furniture when balancing an urban landscape, the studio worked closely with an established international brand, mmcité. Together they furbished the streets of Camberley with refreshing and modern street furniture.The mmcité portfolio is based on products which are universal, fitting in almost anywhere. They are attentively designed down to the finest detail, and even when they’re not seeking attention they have a huge effect on people’s lives in the city. „This is proof of our aim to approach public spaces with respect to their context,“ said mmcité chief designer, David Karasek. „We are setting the bar for outdoor design as if it were conventional furniture. Furniture that must meet standards a thousand times more exacting than anything we have at home, thanks to the host of limitations on materials and technologies, as well as ensuring resistance against bad weather and vandalism,“ he concluded.The flexibility that the spatial design creates, the bespoke detailing of key design features (e. g. the seating planters across Princess Way and Knoll Walk, the green wall in Knoll Walk or the new High Street gate), the careful choice of paving materials and sensitive planting design – all of this illustrates a high level of placemaking ambition and innovation which prepares Camberley town centre for its future.

Shortly before the new school year started, the municipality of Ogre in Latvia opened a brand new sports complex at Ogre’s gymnasium. In the contest “Sustainability in Architecture Construction Design in the Baltics 2023”, organised by the Building Design and Construction Council, the sports complex was awarded 1st place in the category “Most Sustainable Project”. It was constructed by MONUM construction company.The multifunctional and energy-efficient sports hall has stationary and mobile tribunes, therefore providing space for up to 1700 spectators. The sports complex meets the requirements of the International Athletic Federation with four circular (200 meters) and six sprint tracks, a sector for the long jump, high jump, pole vault, and shot put. Also, in the centre of the hall, there are team sports courts suitable for basketball, floorball, tennis, volleyball and other games. On the second floor, the project's developers have built halls for a gym, gym classes and choreography. The building is complex and multifunctional, and four different Riga Wood birch plywood products have been applied here. Perforated Riga Decor and Riga Lacquer panels ensure excellent acoustics during sports activities, while Riga Paint gives an elegant touch to the lobby. Riga Ply has been used for various construction elements.“Riga Wood birch plywood products were chosen due to two main factors: it is a sustainable, renewable material with excellent technical properties and durable, with high wear resistance. Furthermore, in sports halls it is important to ensure good acoustics and perforated acoustic panels made of Riga Wood birch plywood panels serve their duty perfectly,” comments Maksims Žaguļins, project manager at MONUM.Riga Wood birch plywood has a long lifespan, and what is no less important, the maintenance is easy too. “In recent years, birch plywood has been used in many sports halls, especially for acoustic panels. The technologies that we use allow us to adjust the panels to the specific needs of each project with great results”, comments Intars Metums, head of the Wholesale Department of Riga Wood Baltics. “Furthermore, the versatility in our Riga Wood birch plywood products allows us to find the best solution, whether it’s for wall lining, floors or tribunes,” adds Intars.

Based in London, this home’s original black timber windows had rotted due to many years of natural weathering. The homeowners wanted replacement windows that would match their existing sightlines but provide modern thermal performance, save them maintenance costs in the future and enhance security. Because of this, the homeowners explored the timber alternative UPVC option and found our Heritage Rose sash window. Heritage Rose provides ‘A’ rated thermal efficiency and modern security levels as standard but can achieve the slim, authentic sightlines traditional to the original sashes. Using our in-house spray shop, we were able to replicate the home’s original sashes by spraying them black with a woodgrain textured finish. Even with a coloured finish, the homeowners can enjoy maintenance free benefits without the worry of future restoration costs. The windows were finished with a singular vertical astragal bar configuration to match the Victorian period styling of the property and a traditional deep bottom rail. The homeowners would also continue to save money for years to come on heating and maintenance bills.

The data sets for SIEGENIA's ventilation units can now be found in the CAD/CAE software Trimble Nova. This enables architects and planners to carry out easy and reliable planning with the facade and wall-mounted ventilator data as well as components contained in the software.

Almost four years on we look back at a distinctive Manchester tram stop within a landscaped park setting that boasts a ‘living wall’ of plants and wildflowers surrounded by extensive landscaping, offering a calm and peaceful environment for passengers who are waiting for the tram.

The Body in White Facility is an extension (60,000sqm) at the Castle Bromwich site of Jaguar Land Rover. This new facility utilises an interesting blend of Trisomet and Trimapanel roof and wall cladding and also benefits from the Colorcoat Renew transpired solar collector system.

Walsall based fabricators Aluminium Glazing Solutions (Midlands) Ltd won the contract to manufacture and install Kestrel Aluminium’s curtain wall and window systems for a prestige development of five and six bedroom detached houses on the Coton House Estate, near Rugby.

The Mary Webb School & Science College in Pontesbury, Shropshire has undergone major refurbishment. The first phase of the project was to install a completely new front to the main school building, replacing the old windows with Kestrel thermally efficient windows and curtain walling.

Finish: Interpon D2525 Golden Beach YW255F and Gold Pearl YY217E Parts Coated: Rainscreen panels Architect: Guy Holloway Fabricator: Baileys Applicator: Baileys

Finish: Interpon D2525 Gold Pearl YY217E Parts Coated: Rainscreen panels, brise soleil screens Architect: McBains Fabricator: Sotech Applicator: Specialist Coatings

Stow House is a boutique bed and breakfast set in the heart of the Yorkshire Dales. They had the Topseal waterproofing roofing system installed and a sedum roof to finish the new extension.

A new development of exclusive lodges on the coast of St Ives, Cornwall required a low maintenance, high quality finish that would withstand the types of weather experienced on the coast

The Roscoe building in the Greenbank Student Village at the University of Liverpool completed with the installation of 5,500m2 of StoVentec R ventilated rainscreen cladding, and finished with Sto Lotusan external render.

Working to BDP acoustic departments design the project boasts the Topakustik 14/2M (aw – 0.90, Absorption Class A, NRC – 0.89) with a factory finished RAL 9010. 

Finish: Interpon D2525 Steel Bronze 1 Y2206F Parts coated: Windows, railings Architect: Stanton Williams Fabricator: Glassolutions Applicator: Architectural Powder Coatings

The refurbishment of a community leisure centre in Wiltshire has been given a paint finish that is more than fit or purpose, thanks to leading paint manufacturer Crown Paints.

The warm, vibrant tones of Tobermore’s Tegula Trio block paving in Heather created a beautiful finish for the external areas at Aldermans Green Community Primary School in Coventry.

A contemporary hard landscaping solution was required at the Nuclear Advanced Manufacturing Research Centre at the University of Sheffield and Tobermore’s Mayfair Flags and Step Flags provided the ideal finish.

The LNER Stadium is home to York Football Club and York Knights Rugby League team.The 8,500 capacity stadium was developed by main contractor, Buckingham Group in what was a £40 Million project and completed in 2020. The extensive stadium is now home to leisure and corporate meeting facilities as well as an NHS outpatient centre, library and a plethora of retail outlets in what is a massive boost to the local community. With the four year project now complete, the stadium should help bring elite sport to the York community and allow the football and rugby league teams to progress up the league tables and into the big time!Find out how ThermoFoam delivered spray foam insulation solutions to the thermal line of the brand new stand to create thermal performance for internally heated spaces.

The striking First Direct arena boasts a unique 'honeycombed' external façade that has been based on a mathematical diagram to create a pattern of varying cellular shapes, which are further complemented by glazed panels and the use of coloured lights.Creating such an unusual façade was no easy feat - Lakesmere worked very with main contractor BAM Construction to devise a specification that would satisfy the vision of the extensive design team (headed up by architects Populous), while also providing a practical and economical solution.The Lakesmere team therefore suggested the use of a built-up cladding system featuring aluminium shingles and perforated rainscreen cladding, which come to life through the use of kaleidoscopic lighting."By far, Fixfast are the best company to deal with for fixings"Richard Wingate - International Director