"british gypsum"

Project: Vita CoventryLocation:CoventryMain contractor: Bowmer & KirklandProduct specification: British GypsumContract value: 3 millionProgramme duration: 59 weeks

Around 34,000 sq m of gypsum fibreboard has been installed throughout the internal walling of The Morgan Stanley Clinical building (Phase 2A), which will form one half of the £300 million Mittal Children’s Medical Centre at Great Ormond Street Hospital.

Brick manufacturer Vandersanden, recognised for its innovation, sustainability and craftsmanship, now offers a 25-year guarantee against gypsum efflorescence on its facing bricks and brick slips, ensuring long-lasting, sustainably attractive facades. Vandersanden was the first company to develop a viable, large scale coating solution to their brick range, to provide superior protection against gypsum efflorescence as well as secondary protection against the effects of pollution. This innovative and environmentally sustainable process is available across a range of Vandersanden’s portfolio. The company is the only brick manufacturer to offer the 25-year guarantee. Mathew Davies, National Specification Manager for Vandersanden comments;“This guarantee offers specifiers the peace of mind that the buildings they design will retain the beauty of their original facades. Over time bricks can discolour and lose their lustre because of wet weather, air pollution or gypsum efflorescence. The result can have a detrimental effect on a building’s visual aesthetic, compromising the architect’s design vision. Our brick guarantee, means that brickworks will not be affected by gypsum efflorescence and facades built from Vandersanden’s wide range of bricks, will stay looking good for longer.” Innovative CoatingVandersanden worked with Belgian University, KU Leuven, to develop the solution which treats bricks with an innovative coating after the firing process. The process penetrates to a depth from 5mm to 15mm whilst retaining the original colour of the brick. The liquids contain no harmful substances or chemicals that can damage the brick or the environment and is applied at Vandersanden’s manufacturing facilities in Belgium and The Netherlands. A coated brick has exactly the same pore structure as a non-coated brick and the number of pores and their size remain the same. However, as the walls of the pores are covered with a water-repellent layer, the water droplets are no longer attracted to the walls and will not be absorbed. As the pores remain open, the bricks also retain their resistance to frost. To find out more click here RIBA certified CPD to enhance knowledgeVandersanden offers a RIBA certified CPD on how to prevent brick stains and efflorescence as part of their CPD webinar series. This CPD explains about the discolouration issues commonly experienced with brickwork facades and the reasons behind the different types of staining that occur, and also covers the preventative methods that can help avoid gypsum efflorescence and the protective role that innovative coated bricks can play. To find out more and register for the CPD, click here Inspirational ProjectsVandersanden has a long history of collaboration with leading architecture practices, with their products specified in a wide range of both commercial and residential buildings. Vandersanden’s coated bricks feature in a number of inspirational projects, including: Cosway Street; One of the first residential developments created and offered for sale by Westminster City Council, this project in Marylebone, London, designed by David Miller Architects, is a collection of 49 contemporary homes set around an attractive communal garden. Vandersanden’s Cayenne, Woodland Mixture and Lima bricks are integral both to the pre-cast Design for Manufacture and Assembly (DfMA) panels, forming the facades, and the traditional hand-laid brickwork lining the balcony spaces. Learn more here Oasis Academy: Setting an aesthetic benchmark at the heart of the regeneration of London’s Royal Docks, Oasis Academy Silvertown is a new Department for Education school created by architects Rivington Street Studio. The landmark building serves 11-16 year olds and achieves a BREEAM ‘Excellent' rating while its striking appearance owes much to the use of Vandersanden’s Perla bricks.Learn more here The Spa at South Lodge: Set amidst the rolling hills of the South Downs, the Spa at South Lodge is a sanctuary of relaxation and a shrine to well-being. Natural form, organic textures and harmonious colours were required to complement the existing hotel building and the surrounding countryside. Designed by Hove-based architectural firm, Felce and Guy, this prestigious 44,000 sq. ft building sits harmoniously in its beautiful, natural setting with Vandersanden’s Lithium bricks selected to provide regular form, nuanced colours and natural texture for the project. Learn more here To find out more about the 25-year guarantee and Vandersanden's coated bricks or to see the wide range of high-quality bricks available from Vandersanden, click on the 'View more' link

The garden, which grew out of the dark days following September 11th 2001, is helping to revitalize one of Lower Manhattan's most historic areas, celebrating the long-standing ties between the United Kingdom and the United States whilst honouring the 67 British victims of the World Trade Centre attacks.The British Memorial Garden is intended both as a living memorial and as a place of solitude, comfort and reflection, a truly British garden drawing from the many wonderful elements of the historic gardens of Britain.

Over 1,400m2 of RonaDeck Resin Bound Surfacing was installed at the British Racing School in Newmarket. RG Carter Group specified Lunar to create a decorative, low maintenance, hard-wearing surface dressing which is also wheelchair friendly.

Here we have our Armscote British Interior Limestone installed in our three distinct finishes; honed, tumbled and pillowed.

Project: British Petroleum BP, Khazzan - Oman, Omanv

Sustainability was a key consideration when British Sugar decided to create a new headquarters to replace its old, tired office.Once the designs were finalised, our floor fitting teams installed RMG600 raised access flooring across the ground floor, first floor and top floor of the building, totalling an area of 4,800m2, utilising our PSA MOB PF2 PS/SPU Medium Grade RMG600 panels.Around the central atrium, we fitted our innovative Attiro architectural finish over the steel-encapsulated RMG600 access flooring system. Attiro is an innovative overlay engineered timber flooring solution that is designed to enable quick and easy access to a raised flooring void at any point in that floor.

F. Ball products have been used as part of the refurbishment of Grade I listed building, The British Library. Contractors had to install 800m2 of flooring in the second largest library in the world. When contractors arrived on the site, the old floorcoverings had already been taken up. Stopgap Fill and Prime was selected to fill in the gaps between the raised access panels and create a smooth, even, and primed subfloor. Styccobond F40 high tack dual bond adhesive, with its ability to provide a peelable bond for release underlays, was used to adhere the carpet in the library.

Flooring by Welsh Slate features in a new gallery at the British Museum. Natural slate flooring by Welsh Slate was specified for the refurbishment of a gallery at the British Museum for a multitude of reasons. Some 172m2 of various sizes of Cwt-y- Bugail dark blue grey floor slates from Welsh Slate Ltd were used on the redevelopment of the museum’s “Middle Room”, one of the oldest rooms in Sir Robert Smirke’s Georgian museum. They were specified by Purcell architects, the museum’s conservation architects and lead consultants, based on their working knowledge of the product.

Architectural glazing systems by Kawneer were specified as a “key aspect” of the new regional head office of British Sugar’s parent company, the FTSE 25 Associated British Foods (ABF), for their pedigree and quality.CPMG Architects selected products from all of Kawneer’s portfolio for the building on a 4.5-acre site at Cygnet Business Park, Hampton, Peterborough, which would enable the relocation of almost 400 people from ABF businesses locally (AB Sugar, British Sugar, AB Mauri, ABF Ingredients and ABF) with the addition of purpose-built conference and training facilities and a showcase central reception area. Kawneer’s aluminium AA®100 SSG (Structurally Silicone Glazed) curtain walling features on the ground floor reception, meeting/conference spaces and south-facing restaurant/café while AA®100 mullion-drained curtain walling has been used on the first and second floor open-plan offices of the three-storey building.In addition, the 5,755m2 (GIA) building features ultra-thermally efficient AA®720 doors, large (3m high by 9m wide) AA®3572 sliding doors and over-sized (2.4m by 0.7m) AA®720 parallel opening windows, all installed by approved specialist sub-contractor Norman & Underwood.

Compartmentation, Protected Means of Escape and Boundary Protection were all required as part of the fire safety solutions and therefore Coopers FireMaster fire curtains and Coopers FireMaster Plus2 fire curtains were installed to ensure the fire safety requirements were met. In total, 113 fire curtains were installed, 96 with round headboxes and 17 with square headboxes. Round headboxes were engineered for The British Museum as a request from the architects. The headboxes of the fire curtains were going to be seen by the occupants so Coopers engineered a round headbox that looked in keeping with the design of the building.

The King Edward VII Galleries is a Grade 1 listed structure and part of the iconic British Museum complex in London.Constructed between 1907 and 1914, the building sits above a series of tunnels and ventilation shafts, which serve to supply air to the gallery via an external ventilation unit.Due to water ingress in the tunnels, there was serious concern as to the quality of air supplied to the gallery, and the impact that this might have on the artefacts kept there.

The British Horse Society headquarters is on a listed deer park with many protected trees. The building’s circular design posed key construction challenges. The single storey office building was constructed in a doughnut shape, to ensure that a mature oak tree on site was preserved. In keeping with its green surroundings Spectraplan SM120 Dark Grey, a polyester reinforced TPE waterproofing system was mechanically fixed to a composite metal deck, ready to receive a sedum blanket.

For the basement laboratories, Planet used p100 demountable double-glazed full-height partitions with two layers of 15mm toughened glass to reach heights in excess of three metres. The partitioning framework was set within the steel grid structure, ensuring an industrial look and incorporating slimline single-glazed and SonoTec double glazed doors with integrated venetian blinds. Planet provided a full blackout option for lab work on sensitive ancient human remains. Planet AG was responsible for the full-height atrium glazing, using 19.5mm toughened laminated glass. It required carefully spaced holes for securing attenuators that control airflow within the building.

The British Museum opened its doors in 1759. Now home to some 8 million works from a number of different cultures, the museum stands as an iconic London attraction. The Museum made the decision in November 2013 to replace the restaurant’s old flooring, as it could no longer handle the vast number of visitors. W B Simpson Ltd, was the chosen tiling contractor to complete the new installation. Marc Poland, Director at W B Simpson Ltd said “The architect consulting on this project specified we use ARDEX UK’s products. Their high performance adhesives are typically the preferred choice of architects.”

Harlequin has worked with Michael Nunn and William Trevitt, founders of the BalletBoyz, on a number of projects, providing Harlequin floors for their studios, tours and film productions. The BalletBoyz studios, based in Kingston Upon Thames, have two studios with Harlequin Activity sprung floor and Harlequin Cascade vinyl. The BalletBoyz rehearse for their tours there as well as hosting workshops including Parkinson's CAN Dance. In 2019 Michael and William directed the film Romeo and Juliet: Beyond Words where all performers, featuring dancers from the Royal Ballet, danced on printed Harlequin Cascade vinyl and Harlequin Liberty sprung floor panels. When touring, the BalletBoyz have danced on Harlequin Studio and Harlequin Reversible vinyl. 

Rockfon is very happy to have played its part in ensuring the team at premium British lifestyle brand Joules’ new Market Harborough HQ can work in an interior environment where beauty and acoustic control create the perfect space for collaboration.Founded by Tom Joule over 30 years ago, the Group had ambitious aspirations to create a new home that would support its continued growth over the coming years.  Edge vision melds contemporary with heritageEdge Architecture + Design were appointed to lead the project and chose to specify Rockfon acoustic systems. The result is a contemporary, eye-catching 60,000 sq. ft. new HQ, which brings the brand’s UK-based office teams under one roof for the first time. Amplifying the brand’s heritage and reflecting the site’s semi-rural setting, the campus resembles a series of interconnecting barn structures that appear to have evolved over time. The complex is surrounded by landscaping including wildflower meadows and a kitchen garden which enhances the natural feel of the space. Michael Fern, Principle at Edge, said, “This new space will enable a workplace strategy of nimbleness, agile working and wellness… We also wanted to create a strong sense of place that respects the natural surroundings of the site and have designed the scheme as a human scale experience with the building and the landscape interacting in a symbiotic way. We took the local farmstead vernacular as a starting point for the visual aesthetic and used sustainable materials.”Tom Joule, Chief Brand Officer and founder of Joules, said, “This has been a hugely exciting project for our company and our future. We are delighted with the new HQ which will support agile working and new efficiencies in an environment that will enable our growing business to continue to attract and retain world-class talent. Edge’s design embodies our brand and will help us preserve and support our heritage and culture as we expand.”Agricultural cues inform an 21st Century aestheticThe exterior of the campus looks sharp against the skyline whilst taking visual cues and inspiration from agricultural architecture. The interiors are a mix of single and two storey spaces encapsulating open plan and more defined rooms with levels reached by broad stairways. Structural steel and timber add visual heft to the predominantly white pallete which sees certain elements picked out in oxide red, deep teal and warm grey. It certainly delivers the wow factor and promises to nurture creative thought.Bailey Construction were the main contractor for the project, with Elmsmere Interior Systems responsible for the installation of the Rockfon acoustic systems. Gary Sturgess of Elmsmere spoke about the project, “This was an interesting project with Rockfon Mono® Acoustic used in a variety of roles and settings to help control sound while fitting in with the clean, pared down style of the interiors. Everyone concerned is very happy with the completed work which showcases Mono’s versatility.”Pandemic pause affects design choicesAppointed in 2019, Joules’ CEO Nick Jones joined the Group during the design and construction of the new HQ. However, when the pandemic struck and people shifted to working from home, construction was halted which allowed the company to revise its plans to best suit new methods of working and office culture. In response the company has expanded the central atrium and created more space between desks to promote spontaneous interaction. Meeting rooms are equipped with tech enabling remote workers to easily participate, while floor-to-ceiling windows and outdoor features, including a bug hotel, help to connect the space to the company’s countryside heritage.Nick Jones commented, “With the opening of our new office, we have introduced a new fully flexible approach to how and where our colleagues work, and the space that we have is critical to that. Not only does our new office allow teams to better connect with one and other—whether in the office or working from home—but also brings the countryside in, to help inspire colleagues from across the business.”Rockfon Mono Acoustic – versatility and styleRockfon’s Matt Barratt, “The completed Joules HQ looks fabulous. Throughout its open plan offices Rockfon Mono Acoustic has been installed to great effect, bringing together the seamless, clean lines associated with traditional plastered surfaces and acoustic performance thought only possible with modular systems. Large windows, structural steel and other hard architectural elements can generate unwanted sound within a space. Mono provides Class A sound absorption (0.95αw) which significantly decreases echo and reverberation levels.”The current utility aesthetic is in evidence at ‘the Barn’. Air conditioning, heating, ventilation and other services are on show in several areas, with Mono installed directly above. It offers Class A2 fire protection and remains dimensionally stable at up to 100% relative humidity. It offers 87% light reflection and greater than 99% light diffusion. In common with other Rockfon acoustic systems, Mono is made with a core of naturally occurring inert volcanic rock stonewall, is non-combustible and will not harbour harmful microorganisms and bacteria. It can be installed using a suspended grid system or be directly mounted on to the ceiling soffit or and wall.   

As part of continued commitment to product development Eagle are pleased to announce the successful launch of their second generation of commercial Bi Folding Speed Gates.

Harlequin have worked closely with the Hippodrome and it's resident partners for many years. The venue holds a 1,800-seat auditorium, 200 seat Patrick Studio, and also the largest dance led campus outside of London, home to Birmingham Royal Ballet, DanceXchange, Dance Consortium, OneDanceUK and The Space.

Since opening night in Dublin seventeen years ago, Riverdance has been packing out theatres around the world. With over 10,000 performances and 22 million people having watched the show, Harlequin Cascade has been consistent throughout. Riverdance explain why they chose Harlequin Cascade for their performances. “Well over 1,000 dancers, musicians and singers have performed their magic on those Riverdance stages, safe in the knowledge that Harlequin Cascade works as well and as consistently as they do!... Harlequin Cascade allows all our performers to deliver exhilarating performances in complete safety.” Julian Erskine Senior Executive Producer Riverdance

In the three dance studios Harlequin supplied and installed a fully-floating Harlequin Activity sprung floor with Harlequin Cascade and Harlequin Standfast performance surfaces totalling over 330 square metres. Harlequin Ballet Barres and Harlequin Mirrors completed the dance studio facilities. In the Performance Teaching Space a Harlequin WoodSpring basket weave sprung floor system with a Harlequin Standfast top surface was supplied and installed to an area of over 180 square metres.

After a £2m refurbishment programme, the British Motor Museum recently opened its stunning new hospitality and event facility. A showcase area, the Sky Suite boasts magnificent panoramic views over the Warwickshire countryside. Delivering flexibility to the suite, partitioning expert Style, was contracted to install two Dorma Hüppe Variflex semi-automatic, glazed moveable walls. Allowing the area to be quickly adapted to meet the needs of the day, the toughened glass panels are manually manoeuvred along a whisper-quiet tracking system. Once in place, powerful seals automatically expand to exactly the required pressure to ensure optimum acoustic integrity between the divided areas.

The decision by the British Museum to move a substantial part of its collection of historical artefacts from storage in London to a new state-of-the-art facility in Reading has led to a major fire-stopping contract for a specialist sub-contractor; featuring the use of the FIREFLY™ TITAN Lite™ 120:60 from the TBA FIREFLY™ range.The development at Cutbush Lane East, in the Shinfield district, has seen main contractor Graham Construction awarded a £30million contract for the erection and fit out of the new facility and while the original specification for the well proven and widely used FIREFLY product came from project architects, John McAslam + Partners, the installation and on site expertise was provided by St. Albans based Loftus Construction Solutions Ltd. in installing the 60 rolls of TITAN Lite™ in line with the manufacturer’s standard details and project specific guidance.The Project Manager for Graham Construction, Andrew Gardner, commented: “The British Museum is closing down its storage facility in central London and moving it here to the new research and storage building in Reading, which we expect to complete early next summer (2022). In terms of the fire barriers these have been designed with both life safety and asset protection prioritised: preventing break out of fire from places like plant rooms, and also the protection of dividing walls from both sides.“This has meant the use of in excess of 30 different details including bespoke ones which has led to TBA/Loftus assisting in further developing the initial specification by JMP to suit the unique site conditions. FIREFLY made several visits to site and offered a lot of useful technical guidance and assisted with alterations being made, while Loftus Construction Solutions Ltd has done very good work on the installation of these complex solutions.”Patrick Loftus, MD of Loftus Construction Solutions Ltd, added: “As an ASFP accredited contractor in conjunction with our FIRAS and LPCB Accreditation’s for Passive Fire Protection System we are familiar with the FIREFLY range and have, in fact been using another product from the range (PHOENIX) for three years in work at Whitechapel Station as part of the overall Crossrail Scheme. Again this has enabled us to be meet our Clients’ needs for multiple unique details on another complex project. TBA complements our on-site activities with their excellent technical support which ensures we can deliver on all aspects of projects to our Clients requirements.Combined with all the site reports, our operatives have undergone training from FIREFLY, including training delivered on-site. The work here in Reading is progressing very well in terms of all the compatibility of connection details and all stakeholders involved are pleased with the results and suitability of the products and installation work carried out.”As a flexible, woven material TITAN Lite™ is easy to cut and fix and is chemically treated to improve its cooling properties, meaning it will prevent temperatures rising in adjoining areas when used to create compartmentation. It is installed as a three-layer, staggered system to achieve 120 minutes integrity and 60 minutes insulation. The system has been fully tested to BS 476 Parts 20 & 22 and is third party certified by IFCC.

Harlequin's expert technical team installed a fully-floating Harlequin Activity sprung floor system in all of the professional-standard studio performance spaces, topped with Harlequin Standfast, Harlequin Cascade and Harlequin Freestyle vinyl surfaces. Harlequin Mirrors and Harlequin Ballet Barres completed the installation. All floors were completed with fully welded seams and composite edge trims.

English National Ballet and the English National Ballet School have moved to a brand new world-class home at London City Island. Designed by award-winning architects Glenn Howells Architects working together with fit-out and refurbishment experts BW, the new building provides 93,000 sq ft of unprecedented facilities. The enormous project for Harlequin Floors involved the completion of eight rehearsal studios. Harlequin Activity sprung flooring was installed with Harlequin Cascade vinyl performance surface.Completed installation of over 1900m2 of Harlequin Activity sprung floor and Harlequin Cascade vinyl surface and a further 200m2 of Harlequin Standfast vinyl performance surface in fitness and rehab facilities. Additionally, 225m2 Harlequin Liberty sprung floor panels were supplied for the Company to take on tour. Initially hired as temporary floors for the rehearsal studio space at Here East during the construction phase, these were then purchased for touring use. 

Before the installation of the Liberty Switch system could begin, a sub-floor was constructed using timber battens to provide a completely level surface onto which the pre-manufactured Liberty Switch base panels, complete with the drives and control mechanism were installed. The Harlequin Liberty top panels were then laid and locked into place, finally being topped with a Harlequin Studio vinyl floor. The whole system is operated via a master control unit using a simple touch screen placed on the wall of the room which enables rapid transformation.  

The Royal & Derngate Theatre is a mult-purpose space which can be configured for a variety of performances. Harlequin’s stage refurbishment project was the first restoration undertaken since 2005 when the theatre was first re-developed.A comprehensive multi-layered Harlequin Stage System. Harlequin fitted new battens to strengthen the stage over which a further double-layer of wood ply was installed. The stage surface was finished with a black Harlequin Standfast vinyl performance floor. The complete refurbishment project covered the entire stage area incorporating wings, lifts, orchestra pit and retractable removable seating.

The Egyptian Gallery was the first of many projects at the Museum to benefit from a replacement duo-pitch rooflight using Lonsdale’s ThermGard Roof Light System.After having procured roof lanterns of varying quality and with disappointing results from different manufacturers, the Client was determined to establish a design that met their very high criteria for thermal performance and protection of the priceless exhibits from damaging UV light. Whilst wanting the benefits of modern aluminium systems, there was a requirement for a ‘heritage’ appearance so that any replacement roof lanterns mirrored the original timber construction. High performance solar control glass was also specified to reduce harmful UV light to the exhibits below. Solar protection was further enhanced by the fitting of external shading blinds to the overhead glazing which produce the slightly ‘eerie’ affect that can be seen in this image. Such was the success of this initial project, the Client has held Lonsdale as the benchmark by which other roof light manufacturers are measured and we repay this loyalty by ensuring a first class job every time.

This beautiful Avonbridge Limestone was selected by our clients to complement the existing rustic timber beams and exposed brickwork throughout their traditional farmhouse. Colour and texture were essential when renovating this older property; the clients wished to create a cozy atmosphere that could withstand the rigors of a working farm lifestyle with children, dogs, and more!

Harlequin worked closely with the Royal Academy of Dance throughout the whole planning and development process. After working with Harlequin for After working with Harlequin for over 30 years, the RAD knew that they wanted Harlequin floors in their new studios. Harlequin supplied and installed over 1200m2 of Harlequin Activity sprung floor and Harlequin Cascade vinyl performance floor with BioCote antimic antimicrobial protection. Harlequin water cut the mirrors to fit the wall mounted ballet barres directly to the walls to create a seamless and neat finish. Along with the studios, RAD’s new home for dance has a 193-seat pe 193-seat performance space with Harlequin Activity and Harlequin Cascade to showcase the RAD’s dancing talent. 

Over 1,600m2 of Harlequin Activity™ sprung floor system and Harlequin Cascade vinyl was used to create four stunning performance spaces at the new £145 million Central Saint Martin’s College of Arts and Design at the King’s Cross Campus in London.

This well known producer of bakery products was experiencing repeated damage and rising repair costs on their loading bay roller shutter doors. Beings a BRCGS accredited site, they could not afford to have their external doors damaged (or left open) for any period of time, as this creates an ingress point for rodents. Tekta were pleased to work with this site to create an effective solution. The Rapidor Impact high speed door was specified due to it's self-repairing feature and it's anti-rodent functionality. Click the "View More" button above to view the full case study.

Since 201, CAST in Morpeth, Northumberland, train 350 students a year in all aspects of performing arts. Their studios are equipped with over 130 square meters of Harlequin Flexity sprung panels with Harlequin Fiesta and Harlequin Engineered Oak. ‘Ever since training at Italia Conti and rehearsing in and around London, my favorite studios and performance spaces to work in were all kitted out by Harlequin! I knew I had to have Harlequin supply and install the mirrors, barres and flooring in my own performing arts school.’

Rambert School of Ballet called upon Harlequin to provide professional standard dance floors for both additional areas. A high quality floor was essential as the correct dance floor makes an important contribution to the safe performance of dancers, reducing the risk of slips and falls, or longer-term stress injuries. Harlequin Cascade with BioCote Antimicrobial Protection was the perfect solution for both areas as it provided added reassurance in a time when it was most needed. Harlequin Liberty was also installed in the marquee.

When Shakespeare’s Globe looked at floors for their new education and rehearsal centre, Sackler Studios, they chose a Harlequin Activity floor with a hardwood oak surface. “It’s a product I am particularly familiar with due to working in and creating different spaces over the years and was something our acoustic consultant was keen on using. From a look and feel as a working surface and as part of the sound separation between all the studios I’m tremendously pleased.” Andy Scorgie Head of Facilities Management Shakespeare’s Globe