"signage"

Case Study – Power Grab ‘n’ Bond Customer: Signal Signs – OmaghProject: Pat Kirk Car Showroom, Strabane Power Grab ‘n’ Bond Eliminates the Need for Mechanical Fixings!Mechanical fixings on bright, new external facades can be ugly and distracting, especially when being installed at the entrance of Pat Kirk Motors stunning new car showroom in Strabane, Northern Ireland.With clean lines and seamless transitions throughout the building, mechanical fixings where exactly what the architect DID NOT want. This was the challenge presented to Michael from specialist installers McLaughlin Joinery who were tasked with fabricating the entrance and installing the façade design created by Signal Signs on extra-large 1500x3000mm sheets of Dibond® aluminium composite metal panels. A Stickler for Quality!Being a real stickler for quality and perfection Michael McLaughlin believes in always using the best materials, tools and brands to ensure the best, most durable and superior finish on his projects. He immediately sourced Power Grab ‘n’ Bond as he knew it is the best construction adhesive in the market, with excellent initial grab and exceptional tensile and sheer strength. Guaranteed to adhere to metal, wood and concrete substrates it totally eliminates the need for additional mechanical fixings. Power Grab ‘n’ Bond is developed by leading British manufacturers CT1, the No1 sealant and adhesive in the UK. CT1 is always leading and providing the industry with the very latest technology. Now thanks to its unique ‘Tribrid®’ technology Power Grab ‘n’ Bond is a revolutionary product in the field of heavy-duty versatile bonding. Why Choose Power Grab ‘n’ Bond?Working with large Dibond® metal 1500x3000mm panels being installed at height in an external environment Michael and his team needed a solution that would grab, hold and act instantly without needing to be braced and supported. With incredible initial grab, Power Grab ‘n’ Bond is a fast curing, non-shrinking and almost odourless adhesive that held the metal sheets with immediate effect.Three times stronger than regular hybrid polymers, the ‘Tribrid®’ technology in Power Grab n Bond ensures a phenomenal final tensile strength of 22kg/cm2, yet remains flexible, won’t dry out nor become brittle and will work effectively in temperatures ranging from 90°C right down to the Baltic cold -40°C.In fact, not only does Power Grab ‘n’ Bond successfully stick Dibond® to wood and concrete it will adhere to all metals (including lead), stone, granite, ytong, marble, MDF, fiberglass, glass, polystyrene, mirrors and most plastics (except PP, PE and PTFE).Creating a Superior Mechanical Fixing Free FinishUsing a heavy-duty caulking gun, Michael applied Power Grab ‘n’ Bond straight from the cartridge, onto the back of the Dibond® Sheets, allowing it to rest for 4-5minutes to begin activating, before fixing them directly into place.Originally created for facades and heavy stonework such as the installation of quoins, the versatility, strength and reliability of Power Grab ‘n’ Bond means it now used more widely by professional shop fit out companies as well as specialist trades, landscapers, kitchen fitters and bathroom installers. It is tested by a UKAS Accredited lab to BS EN 12003 (Determination of shear adhesion strength of reaction resin adhesives) and BS EN1308 (Determination of slip resistance).Power Grab ‘n’ Bond provided the perfect solution as it’s the ultimate grab adhesive, eliminating the use of mechanical fixings completely and coupled with the rapid curing characteristics saved a lot of additional labour time and cost.Michael said;“The result is exactly what the architect and client wanted, a stunning external façade, with no unattractive mechanical fixings, that not only makes a statement entrance but creates a stunning backdrop for promo photos of new cars too.”Grab also ‘n’ Bond is made in Britain with British technology and British design. Its available now in all good builders’ merchants nationwide and online from www.ct1.comCT1 often copied never equalled!We Innovate – Not Imitate!

Yeoman Shield were proud to supply Guardian Handrail, incorporating signage, to a pioneering scheme by Bradford Teaching Hospitals to provide a dementia friendly environment in their hospitals. The Horton Ward at ST Luke’s Hospital was transformed using a grant from the Prime Minister’s “Challenge on Dementia Fund”As part of the refurbishment, which involved the use of art, colour and signage to help dementia patients to navigate their way round the hospital, Yeoman Shield were approached by Bradford Teaching Hospital to supply a handrail that would also act as a directional guide.“We have worked with Yeoman Shield many times and when we gave Area Sales Manager, Steve Hawke, the brief for the refurbishment of The Horton Wing, Steve presented us with the Guardian Handrail that has the capacity to carry signage on the face of the rail which would ideal for this project.” Stated Project Manager, Shane Embleton.The Guardian Handrail, installed by Yeoman Shield’s directly employed fixing operatives, to corridors on level 1 & 2 of The Horton Wing, was supplied in a Dusty Grey colour with contrasting accessories in Mid Grey to highlight the corridor openings to doorways and lifts.Signage was incorporated flush to the face of the rail in White offering directional information to hospital visitors and patients.Ultra Corner Protection Angles were also fitted to vulnerable corners of walls to prevent damage which is easily caused by passing people, trolleys and equipment.“Not only did the Guardian Handrail lend itself perfectly to the environment the trust wanted to create but offered the obvious functionality of a hand/protection rail which will help to keep the newly refurbished corridors looking smart well into the future.” Concluded Shane Embleton.

Architect/Designer: BenedettiLocation: London Project OverviewFront of house refurbishment including developing bespoke signage and hardware to meet the client and architect’s requirements. ServiceFull hardware scheduling service. Bespoke signage & ironmongery. Project Details 3v worked alongside Benedetti architects to provide a full interior hardware package for the beautiful refurbishment of the British Academy of Film & Television Arts headquarters at 195 Piccadilly. This project included development of bespoke signage panels and hardware designed to complement the overall design aesthetic for the refurbishment of this Grade II listed building.The Expansion includes new top floor by raising & restoring two large Victorian rooflight structures & decorative plasterwork considered ‘lost’ for 40 years, from the original 1883 Royal Institute of Painters in Water Colours Gallery, built in ‘opposition’ to the Royal Academy across the road.Facilities include: doubled capacity, two cinema theatres, banqueting hall, multipurpose event and exhibition spaces, members’ bars/restaurant/club, roof terraces, judging/meeting rooms and offices.

PROJECTED BRICK DETAILING USING MARSHALLS CONCRETE BRICKS FORMS THE CONTEMPORARY ARCHITECTURAL FOCUS OF THE TIMPSON UNIVERCITY.The retail service provider group’s new training centre near its head office in South Manchester.Designed by the Manchester office of award-winning architect practice tp bennett, the purpose of the new state-of-the-art building, known as The Nest, is to host training to 500 staff a year, including ex-offenders and those on day release.“We wanted to create the best training facility in the UK; a welcoming and comfortable building that inspires people to be their best within an environment that is fun, calm, spacious and collegiate,” explains Timpson Facilities Manager, Natasha Nelson.The single-storey, 9,258 sq foot brick-built building comprises a boardroom, training and meeting rooms as well as a breakout space and garden area. Originally, the project architect, whose intent was to add architectural interest using a projected brickwork technique, specified a white clay brick, externally.Working alongside the architect and main contractor John Turner Construction, brick expert and LBT Brick & Facades Ltd Commercial Manager Steven Leggott, specified Marshalls Castleton Stock facing bricks, he explains: “Originally the architect was looking to specify a white clay brick. I proposed some alternative options and the Castleton Stock brick came out as the preferred choice. It provided a competitive clay alternative – it’s a concrete brick that met both aesthetic and technical requirements.”THIS BRICKWORK DETAIL PROVIDES THE PERFECT BACKDROP TO THE BUILDING’S SIMPLE YET EFFECTIVE SIGNAGE.Running the full length of the entrance façade, Marshalls Castleton Stock facing bricks add texture and relief. The bricks have been laid using a natural mortar to create a projected pattern from the ground up to a two-third height, with the bricks protruding 20mm. This brickwork detail provides the perfect backdrop to the building’s simple yet effective signage.The Castleton Stock facing brick is part of the Marshalls frogged, contemporary range. With an industrial chic feel and a smooth face, it works well when creating modern designs.TIMPSON UNIVERCITY SITE HAS SAVED 12.4 TONNES OF CARBON.What’s more, this particular brick is Green Guide rated A+, as Marshalls concrete bricks have significantly less embodied carbon than clay bricks – almost 49% less over their whole lifecycle. By selecting the Castleton Stock brick as an alternative to a traditional clay brick, the Timpson UniverCity site has saved 12.4 tonnes of carbon.Commenting on the finished building Timpson Group Facilities Manager Natasha Nelson said: “The building is a huge hit with our colleagues and external clients, from the minute you approach the entrance, the brickwork detail makes such a first impression - setting the professional tone for what’s happening inside!”

If you’ve ever seen the film The King’s Speech with Colin Firth playing King George VI you’ll recall it features the King overcoming a debilitating speech impediment thanks to the world-famous speech therapist, Australian Lionel Logue. In real life Logue practised at 146 Harley Street between 1926 and 1952. In 2020 the 142-146 Harley Street premises underwent a substantial refurbishment at the request of owners Howard de Walden Estate. The Howard de Walden Estate extends 92 acres and includes the freehold to over 800 properties and includes the healthcare hub the Harley Street Medical Area [HSMA].The brief for the Harley Street premises was to provide a self-contained D1 Medical building of 6,299 ft² across lower ground floor to fourth floor. The linked grade II listed buildings needed to provide accommodation suitable for a ‘first in class’ medical operator to work from, whist retaining and respecting the building’s historic character and charm. It was also noted that the restoration and improvement works should serve to enhance the overall appearance of the neighbouring properties and surrounding Harley Street Medical Area.Working alongside Howard De Walden Estates were Sonnemann Toon Architects LLP, construction contractor Whistlers Ltd and architectural ironmonger 3v Hardware. 3v specified, scheduled and supplied the ironmongery packages for both the traditional upper floors, and the contemporary lower medical area floors for this piece of 19th century architecture.“The project presented a challenge to 3v Architectural Hardware who were given two separate briefs. The old building needed updating while retaining its traditional feel and the medical areas in the basement required a practical and easily maintained product,” said Chris Taylor at 3v.Matt black and satin steelProducts supplied included traditional knob furniture from Frank Allart in a matt black nickel finish for the traditional areas and Vieler satin stainless steel furniture for the medical areas. All the accessories were carefully chosen in matching or sympathetic finishes. For example it was not possible to fit concealed closer into the existing doors and therefore overhead, surface mounted white closers were used to blend in with the door finish.Appropriate sash window furniture was sourced and supplied in the same matt black nickel finish.The client requested that modern fire signage on the face of the door be avoided if at all possible. Instead, ‘lollipop’ signage was suggested, but with the caveat that this did not comply with the guidelines of BS5499 and therefore approval from Building Control would be required. Samples were put forward and approved (two per door leaf were supplied: one for the leading edge and one for the jamb but only one has been fitted).The project was finished to such a high standard it secured 3v Architectural Hardware and Sonnemann Toon architects a highly commended in the Public Health and Education category in the GAI/RIBA Specification Awards 2022. GAI technical manager Douglas Masterson, who chaired the judging panel and performed the inspections of shortlisted projects, called this project “really impressive”. “The history of this building felt tangible as you walked around it and the ironmongery specified really tapped in to this,” he says. “The matching of the various items of ironmongery products throughout was exquisite and the matt black specified was an impressive contrast to the white door. It was a very sympathetic refurbishment which was a delight to inspect.”Photography: Neil Kenyon

Situated on Millbank in London, Tate Britain is a tourist hotspotdedicated to the finest British art dating back to the 16th century.The site originally housed the Millbank prison which was the maindeparture point for criminals being sent to Australia. Following thedemolition of the prison, the National Gallery of British Art (Tate Britainas of 2000) was opened in 1897 by Sir Henry Tate, making it the firstof the four Tate galleries.The building has gone through numerous renovations since it’s 19thcentury opening. In 1987, the Clore gallery was opened and wenton to win a Royal Institute of Architects award the following year.More recently in 2006, Caruso St. John architects began a long termdevelopment and renovation project which aimed to create ninenew galleries. The redevelopment featured a number of differentrenovations spanning seven years, whereby Allgood were chosento supply an Ironmongery and an access control solution in the newgalleries.Working on such a prestigious project, it was evident that aestheticswere of paramount importance. The architect desired a unique finishon items, so Allgood worked closely to produce a shot peened finishon some of the stainless steel furniture. To create a clean aestheticon doors which required push plates and signage, Allgood createdan all in one solution by shot peening stainless steel plates, blankingoff areas to create contrasting areasfor signage to be screen printedwithin.Many doors within the gallery space were of traditional archeddesign which caused a challenge on fire doors with self-closingrequirements. Allgood’s solution to this issue was to specify floorsprings combined with projection hinges to provide a specificationthat would self-close in conjunction with the door geometry.Furthermore, to minimise the aesthetic impact of the floor springs,bespoke tile trays with access holes were created to conceal thefloor springs whilst providing easy access for floor spring adjustment.This provided an aesthetically pleasing solution for a very technicalapplication.Having previously worked with the museum on their Mantonshop, Allgoodwere well prepared for this project and the existingrelationship enabled a smooth operation that was completed on timeand within budget.

Richard Richardson-Derry of GEZE UK looks at how a properly fitted fire door with the appropriate components can give occupants vital time to escape in the event of a fire.Despite what most people believe, toxic smoke is the cause of the most deaths in fires, as opposed to the fire itself. So what constitutes a fire door?The BWF Fire Door Alliance states the term usually refers to a fire door leaf which is the main component installed into a fire-rated frame, along with ‘essential ironmongery’ to make the door perform correctly in the event of a fire.However therein is the challenge – when not required to be a fire door it must still perform everyday functions of providing safety, security, privacy, separating different areas and reducing noise in a building.When an architect specifies door products, it is imperative that as well as achieving the everyday design requirements, factors relating to fire resistance are also a key consideration in order to achieve regulatory compliance.Under the spotlightApart from the frame and door leaf, a fire door includes a door closer, smoke seals, hinges, push pads or handles, signage, and maybe a vision panel. Each and every component must be fit for purpose; should any component fail then the whole fire door assembly could fail. And any item that is badly fitted or wrongly specified could contribute to the spread of fire.For each part of the fire door there are standards that must be adhered to.The door and frame should be installed securely and plumb and true with a maximum gap of 3 mm to all sides for a fire door with smoke protection (for a general fire door the gap can be up to 10 mm).The door closer is an important part of the fire door assembly and it is critical to specify a suitable unit and ensure minimum size EN 3 is used.All doors must be fitted with intumescent seals – they play a major role in fire safety as they will expand to around 10 times their volume when significant heat is applied.Hinges are a critical part of a door, carrying its weight and allowing free movement of the door leaf but also helping to keep the door straight during a fire episode. There should be three hinges in a fire door up to 2,100 mm high. For doors over 2,100 mm high, exceeding 150 kg, or over 100 mm wide there should be four. All hinges for fire doors should be made of steel or stainless steel and have a melting point of no less than 800°C.All relevant push pads, handles and kick plates must have the required test data and standards and should have a melting point of at least 800°C. Locks need to comply with BS EN 12209 and lever handles with BS EN 1906.Signage on a fire door is required, such as ‘Fire Door Keep Shut’ or ‘Fire Door Keep Locked’. They need to conform to BS 5499: ISO 7010.Vision panels can be introduced to a door specification for reasons of safety, aesthetics, or to allow transfer of light, however the relevant seals must still be used so as not to compromise the integrity of the fire door and only suitable fire tested glass should be used.Specifying a closer for a fire doorThere are four main types of closer – surface mounted with link arm, surface mounted with guide rail, concealed, and floor mounted closer. All should be tested, approved and certificated to harmonised standard EN 1154, BS EN 1634-1 and have Certifire or similarly approved testing. In addition, a closer should be CE marked or hold the new UKCA (UK Conformity Assessed) certificate (effective fromJanuary 2023).There is also the application to consider: which closer is best suited to the door type, size, location and intended use of the door? Another consideration is the best fitting arrangement, and again this is dependent on door type, size, location and use.There are several different configurations for a variety of applications that also need to be taken into account including fitting configurations, using brackets, mounting plates or spindle extensions to overcome specific site details. All should be specified in accordance with test evidence.Another consideration is being able to adjust the closer. The correct adjustment of the closing force is needed to ensure it meets the requirements for access under Part M and BS 8300 with Part B of the Building Regulations for fire as well. Correct adjustment refers to electro hold open, back check, closing speed, and latch action to ensure the door opens and closes safely and securely.All door closers complying with EN 1154 will have a six figure classification which should be marked on the door closer.The power of door closers according to the EN 1154 standard are rated from one to nine, for example a size three door closer has a closing force of 18 Nm (Newton Metres), where Nm is the closing force exerted by the door one metre from the hinge point. It should be noted that the minimum size allowed for any door closer on a fire door is size three.In summary, while all the component parts of a fire door must be thoroughly tested and conform to all relevant standards, the most important aspect is that they must work together as a doorset.Richard Richardson-Derry is national specification manager for GEZE UK

Reducing pavement clutter in Hackney.Dockless hire bikes are a great way to get around, but they can lead to inconsiderate parking and increased pavement clutter.To encourage responsible parking, Hackney opted to create designated parking areas for both the end-user and the scheme operator. They selected 71 locations and Cyclehoop installed their newly launched Mobility Corral, which offers clear advantages over simple road-marked boundaries and built-out parking options. When installed on the carriageway, it creates a physical barrier to separate dockless bikes from other road users, helping prevent damage from falls or vehicle strikes. The enclosure encourages neat, ordered parking for a tidy streetscape. High level signage makes the corrals visible to users from a distance. Signage can also be customised with branding and instructions. The modular construction and minimal ground fixings allow corrals to be relocated, expanded or reconfigured to meet changes in demand.

Union Court is located in the Clapham area of South West London. It is made up of bright and varied workspaces to rent.Anton Boekhoudt of KEIM Mineral Paints was contacted by GPAD Architects as they were looking to update and change the façade of the building from a plain stock yellow brick colour. The architect wanted to use a breathable coating as a way of changing the appearance. Changes were also to be made to the window details and signage for the building along with new cladding areas. From their conversation an initial site unseen specification was produced.Following a site visit with the architect and Anton, sample trials commenced. Anton initially produced seven samples using KEIM Soldalit and KEIM Restauro Lasur in a selection of colours. Once GPAD Architects reviewed the samples, two further samples were applied on a larger scale. One sample with the mortar joints painted using KEIM Restauro Lasur and the other without. The preferred option was the brick faces painted only.KEIM Restauro Fixativ was applied to all brick faces and mortar joints. A 1:1 ratio mix of KEIM Restauro Lasur, in colour RB001, and KEIM Restauro Fixativ was then applied to the brick faces only. Two decorating companies worked on this project – Restore & Preserve and Chameleon Brickwork, who both used different techniques. Restore & Preserve used a spray technique after masking up all mortar joints, whereas Chameleon Brickwork hand painted each brick face. Both techniques have worked brilliantly, and you wouldn’t be able to tell the difference.Graeme Winestone of GPAD Architects commented “We are delighted with the service that KEIM offered, including plenty of colour choices and on-site samples that allowed us and the client to make an informed colour choice for the finish of the brickwork.The existing building was given a new lease of life by the use of KEIM Paints, creating a uniform brick colour which complemented the new façade alterations.Frequent site visits provided by KEIM gave us peace of mind with regards to surface preparation and application of the KEIM products producing a very satisfactory end results.”

Aspiring to create a brand new design concept with a Fresh and Contemporary feel, Asda working closely with Resopal, has achieved this goal. Resopal Candy Wood 4147 - EM texture (HPL) Laminate has been selected, offering a natural wood feel, whilst giving a modern authentic look. Used to stunning effect in the cafe, signage above the customer service desks and fresh food areas, this concept will be rolled out in future stores.

New Farnley Cricket Club in Leeds, when given the greenlight to open their bar and restaurant, wanted to ensure that their returning clientele would feel comfortable by providing facilities in line with the government guidance on Covid 19 safety.Along with clear signage and establishing a one-way system through the club house, New Farnley CC commissioned protective screening from wall & door protection specialists Yeoman Shield.To help protect staff and customers alike from viral loads that can be expelled by coughing, sneezing or shouting, Yeoman Shield installed a bespoke 800mm high screen using 4mm thick clear uPVC affixed around the bar with attractive chrome brackets and fixings.Yeoman Shield portable protective screens were also supplied to help with the configuration and separation of dining tables and the social distancing of patrons whilst waiting in the expected queuing systems.Being lightweight the screens can be moved around easily to accommodate requirements whilst being sturdy enough not to be knocked or tipped over.The portable screens are available in a range of options such as clear or frosted uPVC or with the alternative of a clear top half giving a sense of space coupled with a through coloured, frosted or design printed bottom half.The club’s Chairman, Mr John Baldwin, commented “It’s been great that Yeoman Shield were able to provide us with the right solution to our social distancing requirements to enable the club to re-open, which like other sports clubs, provide amenities to the local community.”Yeoman Shield have also been providing similar solutions for Hospitals, Schools and Offices allowing visitors, students and employees to return to safe environments.

This office redesign for a client in the healthy living space incorporated a variety of natural finishes and details for the right look and feel. Vtec’s texture range met the natural requirement with ease and STONE WALL PANELS in STRATA WHITE were used as a design statement in the reception area, reflecting the client’s wellbeing brand and setting the tone for visitors. The panels were an ideal backdrop for company signage to be added. Throughout the design, the execution is impeccable with high quality fixtures and colourful details bringing the office to life.

Sixmile Boardwalk is a wooden walkway located in Ballyclare, a town in County Antrim, Northern Ireland. The boardwalk stretches for over a mile through Sixmile Water Park, providing visitors with stunning views of the surrounding natural beauty. The boardwalk is an accessible and family-friendly attraction that allows visitors to explore the park’s wetlands and wildlife, including ducks, swans, and otters. It is a popular destination for walkers, joggers, and cyclists, as well as families and nature enthusiasts. The boardwalk also features several rest areas and interpretive signage, providing visitors with information about the park’s history and ecology.The second phase of the Antrim Boardwalk refurbishment project involved an extension and upgrade of the walkway, including the removal of existing slippery timber deck boards and replacing these with new anti-slip timber deck boards. For this, Gripsure’s non-slip Premier decking were carefully chosen for the new raised boardwalk and viewing platform area, installed by Martin Contracting Services Ltd.Primarily chosen for its safety benefits, Gripsure’s Premier profile achieves a PTV rating of 78 assuring a safe and comfortable walking surface for visitors, even in wet or damp conditions. Gripsure decking has been tried and tested on projects for over 15 years and is now trusted by many household names, such as Center Parcs and Samsung.In addition to the proven safety benefits, the Gripsure decking used at Sixmile Boardwalk is also extremely durable and long-lasting, making it a cost-effective choice for Antrim and Newtownabbey Borough Council. The decking requires minimal maintenance and is resistant to rot, decay, and insect damage, ensuring that it remains in excellent condition for years to come.Overall, the Gripsure non-slip decking used at Sixmile Boardwalk has been a great success, providing a safe and sustainable solution that enhances the park’s natural beauty and functionality. The decking has helped to increase visitor safety and comfort, and has helped to make Sixmile Water Park a more accessible and enjoyable destination for visitors of all ages and abilities.The Mayor of Antrim and Newtownabbey, Councillor Billy Webb, said: “These refurbishment works will bring more footfall to Antrim town centre and help us tackle the challenges of climate and environmental change by encouraging active travel whilst also proving a local business with the contract.”All media is courtesy of Martin Contracting Services. ©2022 Martin Contracting Services

Rhodes House is set in a large garden on Oxfords South Parks Road, it was designed by Herbert Baker in the 1920s and is the base for the Rhodes Trust – a charitable trust founded by imperialist Cecil Rhodes which offers scholarships to the University of Oxford.To enable the trust to more forward and offer more scholarships Stanton Williams’ set about “architecturally liberating the building, to unlock its potential as a diverse and inspiring platform for ethical, creative and courageous people across geographies, cultures and disciplines.” The project included restoring the original building as well as creating 40 ensuite bedrooms, improved office accommodation, a range of meeting spaces and a hall for 300 people in the basement.3v worked in partnership with Stanton Williams and Beard Construction to develop the perfect Ironmongery scheme to work with both the old and new elements of the building using a mixture of antique brass for refurbished areas and stainless steel for new accommodation. We also undertook an extensive review of all existing doors and hardware and upgraded hinges, closers and signage to meet current UK fire regulations. Our products work seamlessly with the architects design aspirations helping to create a wonderful collaboration of old and new.Photography: Neil Kenyon

The Royal Zoological Society of ScotlandGripsure has teamed up with wildlife conservation charity, the Royal Zoological Society of Scotland, to help create an incredible home for Scotland’s only sloths. Moana and Feira have settled in well at Edinburgh Zoo and have been busy exploring their new surroundings (albeit very slowly). They are set to become a visitor favourite and have already begun to draw in the crowds.Gripsure donated 60 square metres of sustainable anti-slip Bamboo decking. It has been used to create visitor walkways through the recently refurbished enclosure. The space is full of greenery and designed to feel just like home for two-year-old male Moana, nicknamed Mo, and one-year-old female Feira, known as Fe.A special partnershipThis unique project - the result of a special Corporate Sponsorship Partnership between Gripsure and the Royal Zoological Society of Scotland - also features Gripsure Graphics. This innovative new non-slip decking has been used to create fun, educational messaging around the enclosure.Staff said Gripsure decking had helped to establish the perfect environment for the new arrivals – and their fans. “The decking featured in the main walkway flows incredibly well with the exhibit, allowing our visitors to walk right through and become immersed in the natural look and feel of the space, which is wonderful,” said Beccy Angus, Head of Discovery and Learning at the Royal Zoological Society of Scotland.Beccy added: “Being able to add our own artwork was a huge positive for our charity. The ability to personalise the decking meant we could completely tailor it to the enclosure, making it one-of-a-kind and offer more opportunities to engage our visitors with educational interpretation and signage.”A new home for Scotland’s only slothsThe zoo’s two-toed sloths have joined large hairy armadillos Nymeria and Diogo in the Sloths and Armadillos building, which tells the story of wildlife in South America. The Royal Zoological Society of Scotland has been supporting conservation partners in South America, the sloth’s native home, for more than a decade.Conservation and sustainability are at the heart of this new area, which made Gripsure a natural partner. Beccy said the team was delighted with the results. “Gripsure’s generous donation has helped our charity create and deliver a first-class visitor experience within our new sloth building,” she said. “As a wildlife conservation charity, sustainability is at the heart of everything we do. Bamboo was selected as a sustainable material both in the immediate production and in the future as it can be recycled.”Bamboo: a sustainable futureThe bamboo poles used to manufacture the Bamboo decking, which is used at Edinburgh Zoo, are harvested after just five years. This makes them the fastest growing timber in the world.Tom Anderson of Gripsure said: “Edinburgh Zoo were seeking a long lasting sustainable timber but were keen to avoid using tropical hardwoods as logging is destroying the sloth’s natural environment in South America. We recommended Moso bamboo, the giant grass species which can grow up to 80cm per day in the growing season. This species also stores huge amounts of carbon in its vast root network in the forests.”Gripsure manufactures the boards using a heat treatment, which protects the timber from decay and insect attack and gives the boards an expected service life of at least 35 years.Moso bamboo has a class one durability rating, a Euroclass B fire rating, extremely stable with virtually no movement. A study from Delft University shows that, even taking into account the transport and manufacturing process, the product is a net carbon sink over its life span.Connecting people with wildlifeThe sloths are said to be settling in well after arriving at the zoo from Europe. Moana came from Aquazoo Friesland in the Netherlands and Feira arrived from Wilhelma in Germany.Expert staff at Edinburgh Zoo are keeping viewing hours limited for the first few weeks to allow the pair adapt to their new surroundings, complete with plenty of trees and ropes to explore at their own pace. Beccy said: “We hope that by welcoming this well-loved species we can help visitors foster a deeper connection with nature and inspire future conservationists to better protect wildlife across the globe.”

Following a year-long transformation, in September 2021, the ribbon was finally cut on the newly-pedestrianised Greenfield Crescent, in Edgbaston Village.Representatives from a host of nearby businesses came to watch CEO of Calthorpe Estates, Haydn Cooper, and Sir Euan Anstruther-Gough-Calthorpe to officially open the streetscape.Working with Birmingham City Council, Calthorpe Estates, and McPhillips has seen a new streetscape created to help set Edgbaston Village apart, with high quality public realm areas, easier pedestrian access and reduced traffic.With a vision to create a greener, safer and more accessible Edgbaston Village, the newly designed area has new high quality granite surfaces, planters and planting, festoon lights and upgraded signage, which will enhance access to local businesses, bring to life an improved and more convenient leisure location for those living, working and visiting the area to enjoy.Granite included the BBS Toranja Rosa (pink), Gris Sombrio (medium grey), and Blanco (silver grey) all indigenous to Portugal where the stone was also cut to specification. Haydn Cooper, Chief Executive of Calthorpe Estates said, “We open Greenfield Crescent at an exciting time for Edgbaston. The transformation of Greenfield Crescent was a result of successfully working in partnership with Birmingham City Council to deliver a high quality public realm area, which saw Calthorpe Estates invest significantly in the project. Our ambitions have not stopped here – we are improving the walking route to the Edgbaston Village Metro station over coming months and are delivering a popular Artisan Market along Greenfield Crescent to make the location accessible for all.”Edgbaston Village is already home to a variety of award-winning independent restaurants, cafes, bars and shops, including the Michelin-starred Simpsons, The High Field and Loki Wine, which have just been joined by LUX gallery. Recent plans unveiled by Calthorpe Estates showed the potential for even more al fresco dining and shopping options in the area, all of which will be made increasingly accessible following the creation of the new Edgbaston Village Metro stop, set to open at the end of 2021 along with Chapter restaurant & bar and KIN Homes on Greenfield Crescent.

Built in 1986, Dukes Court was viewed as a symbol of Woking’s economic growth, offering 220,000 sq. ft. of premium office accommodation. These works will ensure Dukes Court continues to play an important role in the town’s future.The front of Dukes Court underwent an extensive remodelling, creating a landscaped pedestrianised public plaza and restaurant with outdoor seating. The building features an impressive full height living ‘green’ wall, which is one of the tallest in Europe. The building is arranged over five blocks which are accessed via three separate reception areas, leading to the flexible floor plates which all benefit from excellent natural light.Other features include:A larger than life statue of composer and suffragette Dame Ethel Smyth will proudly conduct passers-by in the centre of the pedestrianised plaza.New signage and pedestrian routes which will enhance the visitor experience.Relocation of main vehicle entrance from Dukes Street to Stanley RoadMaybury Road, Stanley Road and The Broadway junctions improvements.Granite from around the world (mainly the far east) included BBS Steel (mid grey) granite, Haze (silver grey) granite, Barzan (black) basalt, and Peppercorn (pink) granite.

With their proficient knowledge and background in conservation and working with listed buildings, 4 S Architecture (4SA) have completed numerous successful residential and workplace refurbishment projects around London, but this year the rising firm has proficiently completed the renovation of the striking Grade II listed 100 Pall Mall building. The design for new interventions is based on the original construction’s paired back ‘stripped classicism’ style by the renowned 1950’s architectural practice McMorran & Whitby geometry and materiality.  4SA’s approach was one of respect for the historic fabric while simultaneously updating the design to suit today’s modern office occupier.  In Hamson’s words: “Our practice’s design methodology starts with understanding the DNA of a building: what are the forms, materials, patterns and shapes that already exist [...]  Rather than introducing new forms and colours, those already present in the building were used to develop the design of the new interventions.  For instance inspiration for the green reception area wall panelling takes its queues from the prominent green marble arches, while the barrel vaulted ceiling informs the arched seating niches and tenant signage recess.Julia Hamson, founder and Director at 4SA, spoke highly of John Holmes’ attention to detail when it came to developing the bespoke ironmongery package for this project which features a combination of brushed brass and a patinated bronze ironmongery. “John asked us about our architectural concept for the design proposals at our first site meeting, which was a refreshing change when speaking with suppliers. We talked about how the existing barrel-vaulted ceiling and the arched green marble portals in the reception were two of our key design drivers in terms of generating what shape we chose for seating niches and tenant boards in the reception. Hearing this, John suggested that the top of the push plates could be arched to match.  At 4SA we firmly believe that paying attention to the smaller details is just as important as getting the big gestures right,  and it is this meticulous focus which can really distinguish a project. John’s suggestions with the ironmongery package throughout really helped to elevate this project.”Julia worked successfully with John at 3v, thanks to their shared design ethos and understanding of the existing building fabric. They worked closely together to develop a tailored hardware package; including the replacement of all existing stainless steel fittings with patinated bronze ironmongery for more utilitarian functional ironmongery elements such as hinges and push plates on smoked oak doors, and brushed brass for new decorative ironmongery elements.Julia recalls that “we received great feedback from client on the project and they were so happy with the design approach to the refurbished staircase with its new carpet, paint, lighting and ironmongery from the ground to first floors, that they rolled it throughout the rest of the building right up to the seventh floor.”Coordinating ironmongery schedules, when every door has an individual requirement, can be difficult, but according to Hamson, “John made me feel comfortable that nothing was going to get missed; this is what you want as an architect. Ironmongery schedules can be complicated and time consuming, and if there is someone who can do something better than you can in-house, then its best to take advantage of that skill and expertise to get the best result.”Photography: Neil Kenyon

Smet Supported Partners, Capel (CS) Ltd, completed the floor screed application of SMET LiteFlo® Lightweight Flowing Screed within the improvement works at Harold Wood Station.  A number of improvements were delivered at Harold Wood station in preparation for the new Elizabeth line service, including:A new footbridge over the tracks with new staircasesThree new lifts to provide step-free access to every platformPlatform extensions to accommodate the new, 200m long Elizabeth line trainsNew platform lightingNew station signage, help points, customer information screens, and CCTV.SMET LiteFlo® Lightweight Flowing Screed is a high-quality pumpable, factory-produced, CE marked, self-levelling screed based on calcium sulphate.German-made SMET LiteFlo® is unique because it’s the first pumpable lightweight flowing screed available. Made from specially selected aggregates - means it’s 30% lighter than conventional flowing screeds and can be laid in reduced thicknesses. The screed offers a high yield, 43kg per m2 @ 40mm.German-made LiteFlo® is unique, in that it’s the first pumpable lightweight flowing screed. Made from specially selected aggregates, makes it 30% lighter than conventional flowing screeds and therefore 70% lighter than traditional sand & cement – ultimately this means less is required per m2. Another plus is that that screed made from Calcium Sulphate has naturally substantially lower embodied carbon emissions than a sand and cement screed. LiteFlo® complies with EN 13813: 2002, is CE-marked, and is available in 27Kg bags or bulk silos.Have a look at the Northern Builder MagazineTop 5 Liquid Screeds Article.  Read about SMET LiteFlo® in the Irish Construction News.Whether your job is – self-build, retro-fit, floor renovation or repair, design floor, commercial or shop, sustainable build, historical renovation, ECO build, Lightweight, or an industrial flooring venture – SMET has a flooring compound or ready to use product suitable for your application.www.smetbuildingproducts.com or www.smet.ie

Office Principles North designs London office for ArcadisLeading built environment consultancy Arcadis has moved from its Kings Cross HQ to 80 Fenchurch Street (80Fen), in the heart of the City of LondonThe move reflects an evolution in ways of working, in which choice and flexibility are key; an approach that has led to Arcadis being named Best Big Company to work for in LondonOver 20 different types of workspace will be available, enabled by Arcadis’s own Building Intelligence technology to manage capacity and support ‘activity-based’ workingOn 8 June 2021 Arcadis announced the opening of its new London office at 80 Fenchurch Street, in the heart of the City of London. From 14 June 2021, the business has been operating out of new premises, with over 40,800 sq ft of new office space across two floors, purpose-built around the needs and preferences of its people.The move signals a fundamental change in Arcadis’s approach to its office estate, with the emphasis on ways of working increasingly shifting from ‘where’ to ‘how’. It comes as part of a global review and ongoing commitment to embrace remote and fully flexible ways of working, which began in 2020 and has since been both reinforced and accelerated by changes resulting from the pandemic. As such, 80Fen will provide a blueprint for future offices both in the UK and worldwide.According to a series of internal engagement surveys, Arcadis found that 70% of its people would like to visit the office between 1-3 days per week, post-pandemic. The office clearly still has an important role to play, but the data shows the extent to which people value sustainability, flexibility and choice. Nearly half of respondents reported that they would want to visit the office to work on specific tasks or projects with colleagues, and nearly 40% to socialise and be part of a work community.Arcadis’s approach at 80Fen has therefore been about enabling people to make choices that satisfy both personal and work commitments – and recognising that these are not set in stone and may continue to change over time. Employees will have complete autonomy to manage where they work, in a way that best suits their needs. This flexible ‘no one-size-fits-all’ approach to the workplace has contributed to Arcadis being named Best Big Company to work for in London, and among the top 3 Best Big Companies to work for nationally.At 80Fen the concept of ‘activity-based working’ will be key, with the office providing far greater diversity of work settings. There will be more than 20 different types of workspace - ranging from open plan desks to collaborative and private workspaces, project areas, touchdown areas, call rooms and informal meeting areas, in addition to a purpose-built innovation area and a flexible event space, all of which enable people to work as flexibly as possible.Technology sits at the core, with ‘smart’ features embedded as a key design principle. The space is equipped with Arcadis’s own Building Intelligence software, provided in partnership with ICONICS. This incorporates a unified suite of apps, including environment and utilisation sensors, digital access, a branded Visitor Management System, and apps for mobile and digital signage, along with touch-free desk booking systems and the ability to control individual temperature and light settings in enclosed spaces.Not only does this help people find the right spaces for their tasks, but the resulting data also gives a rich picture of how the building is operating and how people are engaging within it. It means the space can be flexed in different ways. For example, monitoring energy and water consumption can help to manage and reduce use; air quality and thermal comfort sensors will better regulate the environment and ensure people are comfortable; and desk booking systems can be used to help manage capacity requirements, with available spaces being turned ‘on’ and ‘off’ as required. This can help to reduce space requirements by over 30%. Meanwhile, improving the performance of a building can reduce the energy needed for heating, ventilation and air conditioning by as much as 75%, with a further 25% reduction in lighting energy. This will make a significant difference not only in terms of lowering costs, but also reducing carbon consumption and mitigating environmental impact.80Fen has been designed as a place for collaboration, shared ideas and social interaction, but crucially also in a way that supports the health of employees. It features a range of social and wellbeing environments including quiet libraries, coffee lounges, a winter garden and contemplation and wellness rooms.As one of a new breed of sustainable office buildings, 80Fen has a BREEAM ‘Excellent’ rating, and reflects best practice in sustainable design and health and wellbeing by maximising natural and atmospheric light and incorporating biophilic design and planting.Mark Cowlard, CEO of Arcadis UK and Ireland said:“The move to 80Fen represents an exciting new chapter for Arcadis. Over the last 12 months, we have been helping our clients chart a path to recovery, and are now practising what we preach through a flexible, inclusive, sustainable, and digitally-enabled new London base. We firmly believe that we still need offices and office space, but it must be a different type of space that reflects the changing nature of the work-day and our workforce.“The continued strength of the City office market demonstrates the importance of having a place for collaboration, shared ideas and social interaction, and the impact this has not only on productivity, but crucially the health and wellbeing of employees.“For us, 80Fen isn’t just a one-time fit-out, it’s a step change in how we use and curate space. It’s about people working in a very different, more mobile, flexible and even healthier way; which they can do at 80Fen. This approach has been reinforced by changes to the way we work during the pandemic, but for Arcadis, the shift started long before, and we can’t wait to call the City of London our home.”Speaking on behalf of the City of London Corporation’s Planning and Transportation Committee, Deputy Chairman Oliver Sells QC, added:“We are pleased to welcome Arcadis to their new home in the City of London. Big business moves such as this show that the Square Mile continues to be an attractive location from which to trade.“Arcadis relocating to the fantastic space at 80Fen shows that demand to return to the office is now being realised by business owners. We know that many workers are fatigued with remote working and employers are also keen to get back to a central office as Government restrictions ease.“We are confident that the City will remain a magnet for world-class talent, as we embark on our exciting plans to boost attractiveness even further through additional culture, leisure and great spaces.”John Dickie, Chief Executive at London First, said:“This move is a huge vote of confidence in the capital as one of the greatest places in the world to do business.“Arcadis was recently recognised as one of the best companies to work for in London, and its commitment to building a great environment for its staff shows that they are firmly at the heart of its plans for the future.”Soundtect was approached to supply the ceiling acoustic treatments throughout the building, and as a manufacturer of sustainable and recyclable products these worked perfectly with the company’s sustainable beliefs and design, which heavily focused on BREEAM. The Freestyle baffles, which were supplied in a number of lengths and colours for the different zones, worked perfectly with the overall design theme for the project and slotted in nicely with the planned layout and overall feel of the building, to handle the spread of noise and retain a calm atmosphere once the client’s many employees had moved in.

The Natural History Museum in London is a museum that exhibits a vast range of specimens from various segments of natural history. It is one of three major museums on Exhibition Road in South Kensington, the others being the Science Museum and the Victoria and Albert Museum. The Natural History Museum's main frontage, however, is on Cromwell Road. The Natural History Museum in London stands as a revered institution, renowned for its priceless collections and historical significance. Ensuring the protection of both its artifacts and the safety of its visitors is of paramount importance. This case study highlights the successful collaboration between the Natural History Museum project and Rapid Access Ltd, a trusted supplier of Riser Doors equipped with Fire Door Keep Lock Shut Signs and advanced 3-Way Locking Systems, bolstering fire safety and security.Challenges:1. Fire Safety and Security: Preserving the museum's invaluable collections and ensuring the safety of its visitors demanded robust fire safety measures and enhanced security.2. Architectural Sensitivity: The project necessitated access solutions that respected the museum's architectural and historical significance, ensuring minimal disruption to its aesthetics.3. Advanced Locking Systems: The museum sought advanced security measures to protect against unauthorized access and potential threats.Solution:Rapid Access Ltd, known for their expertise in access solutions, was selected to address the specific requirements of the Natural History Museum project. The solution included the installation of Riser Doors featuring Fire Door Keep Lock Shut Signs and advanced 3-Way Locking Systems, designed to meet the following key criteria:1. Riser Doors: Rapid Access Ltd provided riser doors that seamlessly integrated with the museum's architecture while offering secure access to utility areas.2. Fire Door Keep Lock Shut Signs: Prominent signage was installed to ensure that fire doors remained locked shut when not in use, promoting fire safety awareness within the museum.3. 3-Way Locking Systems: Advanced locking systems were incorporated to provide an extra layer of security, protecting against unauthorized access and potential security threats.Implementation:The installation of Riser Doors with Fire Door Keep Lock Shut Signs and 3-Way Locking Systems by Rapid Access Ltd was carried out meticulously, ensuring that the security measures were seamlessly integrated into the museum's architectural framework.Conclusion:The collaboration between the Natural History Museum project and Rapid Access Ltd exemplified the successful integration of fire safety and security measures into a historically significant and culturally important institution. The installation of Riser Doors with Fire Door Keep Lock Shut Signs and 3-Way Locking Systems not only met the museum's fire safety and security needs but also preserved its architectural integrity. This case study underscores the importance of selecting the right access solutions provider for projects that require a sensitive and integrated approach to safety and security in a historical setting.

Originally home to Pathé films and situated in the heart of London’s famous Soho district, The Pathé Building at109 Wardour Street is a newly refurbished developmentconsisting of 15 apartments. With exquisite interiors drawingon a classic British palette of textures, the apartments offer2-3 bedrooms with communal area and kitchen. With flatsretailing at the higher end of the market, it was imperativethat Allgood’s specification complemented the luxuryaesthetic of the apartments.Initial discussions revealed that the architect wanted tospecify the same finish throughout the entire building.This presented a challenge for Allgood as there wereseveral different types of doors and door colours:orange, white and grey. Allgood felt stainless steel,while a finish that would suit the décor, would not beappropriate for this type of residential building so abronze finish was agreed upon. The grey apartmentfront doors were supplied with bronze door closers,thumb turns, lever handles, hinges and flushbolts,whilst the bathroom doors were fitted with bronze pullhandles and thumbturns.The building also required signage to direct residentsand guests to various areas of the facility. However,the architect wanted to continue the bronze themeinto this so Allgood manufactured bespoke individualnumerals, letters and various symbols including abicycle in a bronze finish.Like with any central London residential building, spaceis an extremely valuable commodity. In order to maximisespace in the apartments, Allgood supplied bronze pocketdoor locking kits for all the bathrooms.

When designing a new music department for BirminghamUniversity, Glenn Howells Architects faced the challengeof creating a new construction to fit in with the surroundinggrade II listed buildings, whilst meeting contemporarystandards of accommodation and acoustics.The Bramall Music Building provides a home for thedepartment of music, with a 450-seat auditorium,a domed rehearsal room, various studios, offices andteaching rooms. Working in conjunction with the architect,Allgood created an ironmongery specification that wasclosely aligned to the design concept of the building;classically designed whilst meeting contemporaryperformance standards. The choice of FSB bronze doorfurniture throughout the public areas compliments theaesthetic of the interior but also links the building to themore traditional materials associated with the design of theexisting buildings.The architect wanted to extend the bronze aestheticthrough to the mechanical hardware which provided achallenge as options are limited for fire rated mechanicalhardware in a bronze finish. Allgood were able to applythe unique, simulated Bronze finish to satin stainless steelhardware, continuing the bronze finish throughout thebuilding. Not only did this complete the visual aesthetic butit meant that the hardware would meet all of the fire andbuilding regulations.In addition, Allgood provided electromagnetic holdopen units, signage and door furniture to allow the maincirculation doors through to the auditorium to be held openin pockets. This created a clean, architectural detail thatprovides clear opening widths for visitors to enter through.

SROMC is the new cancer support and information centrebased at Harrogate and District NHS Foundation Trust, providingstate of the art facilities for patients and their families acrossNorth Yorkshire. Designed by IBI Group and constructed by SirRobert McAlpine, the centre offers patients the highest qualitytreatments, teamed alongside an integrated supportive care andcomplementary therapies.As always in a healthcare environment, it is imperative thatgood hand hygiene is maintained at all times to stop the crosscontamination of bacteria between users of the hospital. As doorfurniture is an item that is frequently touched by many differentpeople, IBI Group wanted an ironmongery solution that wouldprotect patients and visitors against the cross contamination ofHealthcare Acquired Infections (HCIS) whilst having a matchingfinish to rest of the mechanical hardware.Antimicrobial Copper is the most effective touch surface materialin the fight against pathogeinic microbes, killing greater than99.9% of bacteria within two hours of exposure. No othermaterial comes close. Historically, most antimicrobial copperdoor furniture has a copper-like appearance but this would notmeet the requirement of a stainless steel aesthetic. By using ourunique Contego range of ironmongery formed from a provenantimicrobial copper alloy that has the appearance of stainlesssteel, Allgood were able to provide a solution that met thearchitect’s requirements.A full specification was created using Contego range suchas lever handles, push plates, pull handles, WC turns andescutcheons complimented with satin stainless steel mechanicalhardware such as signage, door closers, locks and kick plates.By selecting the truly unique Contego range, Allgood were ableto supply an ironmongery package that matched the aestheticthroughout whilst providing protecting against the spreadof bacteria, reducing the risk of infection for the users of thebuilding.

Mann Island is where cutting edge architecture and modernurban living meet English history. Situated at the heart ofthe Liverpool docklands, the £45 million ‘Building 3’ wasbuilt for commercial use and has since been leased byMersey Travel.The UNESCO world heritage site was once the startingpoint for millions of emmigrants on their journey to the ‘newworld’ countries of America, Australia & New Zealand.Now an architectural hotspot, Mann island has becomeone of Liverpool’s most vibrant and upcoming areas.Comprising of office space and apartments, the waterfrontdevelopment attracts over 25,000 visitors per day alone.Allgood were employed to supply high end ironmongeryand an access control package. Mersey Travel wereparticularly concerned about providing facilities that wereaccessibile to people of all ages and disabilities. To meetthis specification, Allgood Trio both supplied and installedunderfloor and overhead operators in addition to magnetlocking systems to create automatic doors.Allgood provided a full hardware package that incorporatedstainless steel signage, kicking plates and lever actionflushbolts to match the buildings modern interior design.Allgood also worked with the client to design andmanufacture specially made pull and lever handles in orderto match the range of glass, oak and walnut doors.As always, Allgood delivered on time and exactly to theclient’s requirements, ensuring that the building’s interiordesign and functionality were to as high a standard as thearchitecture.

The new Design Museum at Kensington, which opened itsdoors to the public in November 2016 following a move fromits previous residence at Shad Thames, has specified Allgood’sModric ironmongery throughout its interior. Winner of the Guildof Architectural Ironmongery Specification Awards 2016/ 2017Commercial category, the imaginative ironmongery solutionsmeet the architects brief; matching the building’s look and feel.One of the £83million refurbishment’s standout architecturalfeatures was the preservation of the original roof structure, whichwas central to how the new project took shape. The internalfloors of the old building were demolished with a series ofpiles, temporary trusses and beams supporting the internal roofcolumns until the new structure was built and the fit-out stagecould begin.The inherent objective of the project was to create a worldclassmuseum in the heart of London, including permanent andtemporary exhibitions as well as learning spaces – showcasingall elements of design, including fashion, product and graphicdesign.Established in 1989, the museum is known for promoting andexhibiting the best in British design as well as displaying bold andiconic international items.A British design classic, Modric is manufactured in Allgood’s UKfactory where craftsmen pay close to attention to detail, handfinishing every product. Modric has a long-standing reputationof quality built on its ability to consistently perform to the higheststandard. Operating on the unique quadaxial fixing, Modric leverhandles have been independently tested to BS EN 1906 andhave surpassed 1 million cycles, providing just one example whyAllgood has the confidence to offer a 25 year warranty on therange.The interior of the Design Museum features an array ofproductsfrom the Modric range including lever handles, hinges,pull handles,push plates, wc turns, and door signage, as wellas overhead doorclosers, magnetic door holders and unique,concealed doorstops.

Located in Edinburgh’s prestigious Charlotte Square,these former National Trust for Scotland offices havebeen refurbished and redeveloped into commercialaccommodation.Originally designed by Robert Adam in 1791, the restorationof these 6 A-listed townhouses sees the architecturalintegrity of these neo classical facades, fully restored. Aswell as restoring the buildings exterior and interior, MorganMcDonnell Architects have also redeveloped the areabehind these old Georgian houses, linking the 3 centraltownhouses to a contemporary lightweight glass and ETFE(a fluorine based plastic) covered courtyard to provide32,000 ft2 of grade A office space.The balanced contrast between the old exterior andmodern interior is reflected throughout the building’s fabric,especially it’s ironmongery. A traditional oval design wasapproved for the knob handles as it provided the mostgrip available. A polished chrome finish was chosen asMorgan McDonnell Architects wanted a modern feel to thehardware whilst being traditionally sensitive to the age ofthe building. Initially Morgan McDonnell Architects wantedto use lever handles, but due to the listed status of thebuilding and the design of the doors (many of the originaldoors were refurbished) a knob handle was deemed themost suitable.Working with Morgan McDonnell Architects, Allgood Plcprovided a combined ironmongery and access controlpackage that included: hinges, door closers, locks, kickplates, signage and concealed electromagnetic locks. Allitems Allgood provided were delivered on time and withinthe clients budget.

Opened on 3rd of September 2013, the Library of Birminghamoffers world class facilities and resources to transform livesthrough learning, knowledge and culture, providing an excitingand inspiring visitor experience for all.Designed by Dutch architects Mecanoo, the £186m building,was a key part of Birmingham’s “big city” regeneration plan.The new building is situated in the cultural heart of the city,comprising of performance spaces, rooftop terraces and alarge glass-topped central book rotunda that rises throughthe middle of the building, echoing the traditional great roundreading room of the British Museum. It shares an entranceway and performance studio with the neighbouring RepertoryTheatre, whilst the Symphony Hall and the National IndoorArena are situated nearby.The intricate steel lattice work that covers the outside ofthe building represents both the city’s industrial past andits heritage in jewellery making. It reflects and dissects thedaylight to create ever-changing shadows on the library’s wallsand floors. The golden rotunda at the top of the building sitsthe Shakespeare memorial room, housing the original carvedwood panels from the memorial room at the city’s demolishedVictorian Library.Allgood supplied a full Alite package that included doorfurniture, signage and mechanical door hardware, whileAllgood Trio supplied electronic locks and key switches. Dueto the specific requirements of the design of some of thedoors, Allgood had to supply bespoke products to match thespecification of the project.On 17 July 2014 the Library of Birmingham was nominated asone of the six short-listed buildings for the 2014 Stirling Prize,awarded for excellence in architecture

Based in the heart of London’s financial district, LibertySyndicates has taken up new office space at 20Fenchurch Street, more commonly known as the WalkieTalkie.Famed for it’s unique design, the building wascompleted in 2014 by world renowned architect, RafaelVinoly. Unlike most skyscrapers, the walkie talkie adoptsa top-heavy shape which allows it to maximise space onthe higher floors, the most expensive to rent.It also offers a free to use sky garden for the public,situated on the top three levels, which was one of thekey factors in the building receiving planning permission.Liberty Syndicates opted to make six floors of 20Fenchurch Street their new London home, with a view todeveloping a modern and vibrant working space.In a high usage, commercial environment, Allgood’skey brief was to provide a high performing ironmongerypackage. Grade 316 stainless steel Modric pull handleswere supplied on all of the meeting room doorsalongside matching accessories and overhead doorclosers.In the bathroom areas, Allgood supplied a co-ordinatedModric range of signage, WC turns, coat hooks andescutcheons.

Breezefree screens are used to provide a protective barrier, and regularly changing signage at the world-renowned Royal Observatory, Greenwich. As one of London’s top tourist attractions, the historical Royal Observatory, Greenwich hosts thousands of visitors every year at its stunning location and vantage point within Greenwich Park. The bronze planetarium cone needed a screen system on its outside perimeter to discourage visitors from touching the structure, which occasionally becomes hot in the sun...

Products designed, supplied, and installed by Furnitubes at Christchurch Gardens include bespoke wall-top seating and steel-framed boundary screens including a wire system for climbing plants and with integrated illuminated signage explaining the historical background of the site. Material quality was of paramount importance to all parties, and steelwork was finished in a specialist bronze coating in keeping with this high-profile site in the heart of Westminster. The scheme presented the further challenge of being delivered during the 2020 Covid lockdown, with Furnitubes’ installation works conducted under strict health and safety controls. The redeveloped site opened to the public in autumn 2020.

Originally built in 1986, Dukes Court has formed part of a £77 million regeneration scheme in Woking, Surrey. The redevelopment included new signage and pedestrian routes, updated office space, a new restaurant and a living ‘green’ wall - aimed to improve air quality. Outside of Dukes Court a new pedestrianised public space was designed and required the creation of large wavey planting beds all in corten to sit either side of the entrance to the building. The planter had to adapt to the stairways, slopes and columns present in the final design, adding a lot of complexity to the required planter wall geometry.Our latest solution, AKRI steel retaining planters were best suited for this as they are flexible enough to allow for varying levels and can be manufactured in the desired style of corten to harmonise with the existing building facade. The AKRI planters were then welded on top with a return, to create an attractive wave look. The finished scheme has created a pleasant, open space for tenants and members of the public to enjoy.

Location: LondonClient: Knight DragonContractors: Kier and WatesArchitect: Squire and Partners, CF Moller, Jestico + WhilesAspex supplied: PAS24 Entrance Doorsets, Communal Doorsets, Internal Doorsets, Ironmongery, Signage & Mailboxes

The Edinburgh Centre for Carbon Innovation (ECCI) is a newcentre for world leading research on carbon innovation. Partof Edinburgh University’s estate, the ECCI acts as a social huboffering teaching, support and information on climate relatedchallenges facing society. The ECCI also doubles up as agreen business venue for events and conferences in the heartof the city centre.Originally built in 1777 by Alexander Laing, the refurbishment ofthe Neo Classical Royal High School was the first refurbishedbuilding in the UK to achieve the BREEAM ‘Outstanding’award. Refurbished by Malcolm Fraser Architects, part of theCentre’s unique design includes careful consideration of thebuilding’s fabric, prioritising sustainable and recycled materials.A facet of the building’s refurbishment was to improve itsenvironmental aspects such as waste, pollution, land use,ecology, materials, management and energy.Reaching this iconic benchmark involved sourcing materialsfrom a sustainable background. When Malcolm FraserArchitects detailed the building’s ethos and aim to achievea BREEAM ‘Outstanding’ award. Allgood proposed a FSBironmongery solution that recycles 100% of the water used inthe manufacturing process and 90% of all FSB products canbe recyled at life end. Once presented with our FSB range andenvironmental manufacturing credentials, Edinburgh Universitywere happy to use Allgood’s ironmongery solution.Overall, Allgood supplied a combined ironmongery, sanitaryand access control package that included: hinges, doorclosers, locks, kick plates, signage, grab rails, soap dispensers,paper towel dispenser and concealed electromagnetic locks.Having successfully supplied to other Edinburgh Universityprojects before, Allgood knew how to approach the project,allowing all items to be delivered on time and within the clientsbudget.

The recently refurbished reception of 25 Copthall Avenue by QOB Interiors and John Robertson Architects for developer Helix, includes new floor to ceiling glass, contemporary signage, virtual daylight luminaries and a stunning 120m2 curved Armourcoat 'KonCrete' polished plaster wall to create a striking entrance.The hand-applied polished plaster wall leads through into the transformed reception area, with a design feature that incorporates a custom stencil of the office address. The full height atrium floods light into the heart of the building creating a bright, spacious environment with a business lounge and in-house café.Armourcoat ‘KonCrete’ is an urban range of polished plaster colours and finishes designed for contemporary projects. The range offers a wealth of design options to achieve a distinctive modern look, including distressed effects or recessed ‘shutter’ markings. Photography: © Photobanks

The New Fusion Hive Innovation Centre at Northshore, Stockton-On-Tees, was part of a 56 acre and £300 million overall project. The 36,000 sq ft Innovation centre is a state-of- the-art, high-tech building that provides spaces for small and medium sized science and technology businesses. Having been identified as the preferred supplier, Artform offered a selection of site furniture elements which included Big Harris Benches, Word Bollards and Box Litter Bins. There were also bespoke signage plates incorporated into some of the bollards to identify disabled parking bays.