"rooflight"

After a particularly contentious and protracted planning process, this semi-detached, red-bricked house, part of a group of five properties that form Regent’s Mews in affluent London NW8, finally boasts an impressive third storey extension as a result of the erection of a mansard roof.The new dormer windows to its front aspect lend this 1980’s property a delightfully modern aesthetic, whilst the provision of a green roof to the rear aspect underlines its eco-credentials. The installation of Glazing Vision’s elegant sliding-over fixed rooflight above the stairwell, together with 4 additional fixed rooflights, has maximised the light streaming into this new living space, and also provided an all-important source of ventilation.Initial proposals to convert this house from two to three floors were rejected way back in 2001 by the local Planning Department on the grounds of it being “visually intrusive, overbearing massing not part of the existing architectural language and overlooking neighbours”. These same considerations faced Robinson Leigh Architects, whose track record of successful planning application had led to their appointment in 2013 by a client keen to find a solution to the planning impasse.There were a number of challenges for the architects, as they sought to design a scheme that would prove more successful through planning. The house is situated in St John’s Wood Conservation area, where restrictions on the character and appearance of all buildings are strictly applied. Normally any roof extension in this area would not be permitted and the house, indeed the entire mews, had been identified as an “unlisted building of merit”. Consequently the planners insisted that all new work to the house “must match existing original work in terms of choice of materials, method of construction and finished appearance in order to maintain the cohesion of the mews.The variety of roof forms in the mews, however, presented an opportunity for the architects to put forward their proposal of a flat-topped mansard roof as “a modern interpretation of the surrounding architectural precedent” said Leigh. Critically, the new mansard roof would also not add height above the general roof level of the neighbouring properties in Regent’s Mews, and thus would not be visually intrusive. The design of the three new dormer windows at the front of the house did depart from that of the dormer windows on the other mews houses though – they were square in contrast to the prevalent curved headed windows. However, given that they were really only visible from within the actual mews, the planners considered this alteration in form to be acceptable. Furthermore, the recessed glazing of the dormer windows ensured that the privacy of the occupants using the living spaces would not be compromised.The choice of materials also had to conform to the surrounding properties: the dormer windows were lead-clad, and the roof was tiled in Welsh slate, which softens its appearance and reduces the “apparent bulk of the structure.Another complication for Robinson Leigh related to the impact upon the large villas of Langford Place to the rear of the property. Vehement objections from these residents, who were concerned that the roof extension would shatter the illusion that they are set in extensive grounds led the architects to revise their proposal: the pitch of the northwest slope of the mansard roof was adjusted to a 70 degree angle in order to reduce its prominence in the views from these villas, particularly from 5 Langford Place. A second flat roof, which adjoined the house was removed, and Robinson Leigh extended the mansard roof to the parapet. This then gave the client more internal space, eliminated any overlooking issues, and created a more homogenous and symmetrical design.The architects cleverly designed both the main roof level of the mansard to be landscaped with indigenous flora in order to respect the planners’ preference for ecological biodiversity in the area as well as to attenuate water run-off.In conjunction with these structural requirements imposed on Robinson Leigh’s design of the mansard roof, unlocking natural daylight in the “dark zones” in the interior of the new storey was a key priority. Mindful of the rejection of the glazed roof proposal from 2001, which the planners had deemed to be too intrusive on the neighbours and at odds with the surrounding architecture, the architects sought to reduce the amount glazed by 50%, whilst simultaneously addressing the problem of reduced levels of natural daylight resulting from the recessed dormer windows.Robinson Leigh’s solution was to propose a more sympathetic glazing arrangement to the flat-top of the mansard roof, comprising four large fixed rooflights and a sliding over fixed rooflight from Glazing Vision, that would achieve the high specification they desired. These rooflights, pointed upwards to the sky, would maximise the amount of daylight entering the extension and bouncing off the hardwood timber, which had been used extensively, as Leigh points out, to “draw together several disparate elements of the interior design, such as the sliding walls, pocket doors and floor-to-ceiling shelving and cupboards”.Glazing Vision’s sliding over fixed rooflight was to inhabit the space immediately above the stairwell, which had also been lined in timber to subtly link the top floor with the ground floor and to help draw the eye upwards. Timber frames had also been used on the windows. As with the other four rooflights, Glazing Vision’s sliding over fixed rooflight needed to be made to a bespoke size – the architects required it to be the exact size of the stairwell, or indeed over-sized, so that the frames were not visible from below. Precision-engineered at the Glazing Vision factory in Norfolk, the special sliding over fixed rooflight was supplied in two sections, with an overall span of 2400mm and a width of 2240mm. The minimalist internal framework, finished in pure white rather than the standard grey, ensured that there were unfettered, sky-only views from the inside, thereby enhancing the impression of space and loft. Through the clear glazing of the Glazing Vision rooflight natural daylight absolutely flooded the stairwell, permeating also down to the lower floors.Given the stringent planning controls on the appearance of the mansard roof and the concerns of the vociferous neighbours, Glazing Vision’s sliding over fixed rooflight offered another invaluable benefit to Robinson Leigh. The footprint of the unit on the roof remained fixed, both open and close. This meant that there was no bulky additional furniture required, whilst the minimalist exterior framework was finished in slate grey to blend harmoniously with the Welsh slate roof tiles.No less important was the need for natural ventilation in the mansard roof extension. The architects were keen to create a venturi effect in the central core of the house and stairwell by channeling the airflow through the opening of the rooflight. The Glazing Vision rooflight, specified by Robinson Leigh to slide side-to-side rather than up and down, is electronically controlled at the touch of a button from inside the house, retracting the sliding section over the fixed section of glazing. Once the sliding section is fully retracted, there is a 50% clear opening in the rooflight, out towards the sky, thus providing superior air quality within the top floor, as well as intensifying the amount of natural daylight. An essential security feature of the Glazing Vision sliding-over fixed rooflight is that it is supplied with a manual override as standard.The design, approval and erection of the mansard roof extension took three years but Robinson Leigh have succeeded in updating a tired-looking 1980’s mews house with a new, sophisticated, modern exterior, that quietly complements the surrounding properties. The new third storey has exceeded the client’s needs for additional living space, and the clever use of rooflights has ensured the interior is light, bright and inviting.

Glazing Vision rooflights were used in the re-construction of this mews house situated in the prime real estate and conservation area of Mayfair, London. The building is an exceptional example of stunning architecture and elegant, contemporary interiors. Whilst adding a majestic character to the mews itself with its dark brick façade and impactful balcony, the outer appearance belies the vast size of the residence internally. After the demolition of the former mews house and after 2 years of construction, which had even necessitated underpinning the neighbouring houses, this property now accommodates a basement with indoor pool, lower ground floor with cinema room, open plan living and dining space, 2 floors of bedrooms and bathrooms, as well as additional terraced balconies.Keeping the interiors bright and airy throughout was key to the design concept – floor to ceiling windows and Flushglaze Walk On Rooflights from Glazing Vision were installed to maximise the daylight where it would have been otherwise compromised on the ground and second floors. In addition, a Glazing Vision 3 Wall Box Rooflight provides unimpeded access from an internal staircase to the impressive roof terrace, which is recessed down 1 1/2metres between 2 pitched roofs and which offers a vast outdoor space for entertaining, dining and relaxing.Two Flushglaze Walk On rooflights were specified by the architect to negate the risk of potential dark spots appearing in the dining zone and living area on the ground floor. Engineered by Glazing Vision to bespoke sizes and to meet the future projected foot traffic upon them, they were seamlessly integrated into the balconied terrace on the second floor, thus shedding light through to the bench seating in the kitchen and lounge.Their minimal internal framework was in keeping with the contemporary aesthetic of the interior, and both rooflights augment the quality and quantity of light entering this open plan area, even extending out towards the central stairwell and landing.Two further custom-sized Flushglaze Walk On Rooflights installed on the roof terrace add an intricate design detail but also create a wow factor. Perfect for flat roof terraces, these rooflights lie flush with the wooden decking. Again tested to allow for regular foot traffic and to bear the weight of terrace furniture, the rooflights offer complete safety and watertight integrity. On the second floor below, the two windowless bathrooms are flooded with the light coming through these rooflights – indeed such is the brightness of these rooms that privacy blinds have been installed for occasional use.Seeking to optimise the very large roof space that had been created (4m x 8m) the architect specified Glazing Vision’s 3 Wall Box Rooflight, which would offer easy access all year round to the roof terrace and also provide a contemporary glass feature. For the accommodation of the 3 wall mounted box rooflight a timber box frame had to be built which abutted the exposed brick wall behind.The property’s imposing central staircase provides access to the box rooflight, which in turn maximises the light falling down the stairwell to the bottom of the house. At a touch of a button from an access keypad, the sliding roof retracts to give a 50% clear opening with no “bowing of the head” necessary. The operation is quiet and safe, and the provision of a rain sensor ensures closure from inclement weather.

In a small town just outside Stirling in Scotland is this beautiful, traditional property built from Scottish sandstone. The new owners have extended and completely refurbished the house, originally built in 1870. Although modernised and featuring some contemporary features the original charm has been kept.In order to maximize natural light, a total of 10 Clement Conservation Rooflights were installed. These not only look beautiful in the traditional Welsh slate roof but also improve thermal efficiency and are low maintenance.The homeowner said: “We are delighted with our Clement Conservation Rooflights. We have now fitted ten into our period house renovation and they look great.“Quality wise they are solid and well built, no problems with manual winders, and the double glazing, sound proofing and heat retention is brilliant. We searched around and Clement seemed a good price for the quality. Dealing with them as a company has been a pleasure, always helpful with sound advice and never a delay in delivery dates.“We have been lucky enough to work with very talented and courteous craftsmen and suppliers - like Clement, who went the extra mile to make sure that we fully understood the options available and helped us create the perfect home.”

Linework Architects imaginative use of architectural glass rooflights was key to transforming this period north London property. Lineworks director, Robert Haworth collaborated with Glazing Vision with the objective of delivering natural daylight and a touch of glamour to some tricky spaces whilst maintaining privacy where needed.The design brief for the project called for an ultra-minimalist final finish, so it was important that all of the glazing featured minimal framework and a clean integration with the building fabric itself.Glazing Visions philosophy of minimum framework, maximum daylight was the preferred solution and met all of the design requirements, providing enough flexibility to tackle the various challenges that the scheme presented. The property comprises of three stories with a mixture of extensions added to increase usable living space, the problem with this is that some of these areas can be starved of natural daylight, making them gloomy and uninviting, in order to combat this, several types of rooflight needed to be specified to tackle each of the areas.Beginning on the ground floor, a wrap around extension has been created featuring a modern and contemporary kitchen dining area leading on to the garden. A large set of sliding glass doors provides natural daylight and access to the outdoor space, but their effectiveness at delivering enough daylight is limited as you go deeper into the building where it would begin to feel darker and more claustrophobic.To address this, a Glazing Vision modular rooflight system measuring over six metres in length runs along the entire length of the extension, this unit is fixed structurally to the original wall of the building creating the feeling of a ‘glass roof’ when transitioning from the original building to the new. Manufacturing the unit in three sections allowed it to be successfully maneuvered on site without the use for an expensive crane and the structural silicone joints between the sections maintained the frameless appearance needed to compliment the minimalist interior.“All three rooflights were quite tricky to install because the property was a terraced house and there was no ability to use a crane. Somehow the team got them in!” Robert Haworth, Director, Linework Architects.The creation of a second storey extension was essential to provide a large family bathroom space, but this meant that the stairwell leading to it was another area potentially starved of natural daylight. Installing a rooflight overhead was a logical solution, but this was complicated by the position of the stairwell being located beneath two opposing pitched roofs. An off the shelf solution would not be acceptable as any rooflight installed above would need to be designed to accommodate this tricky detail.As rooflight specialists, Glazing Vision were able to design and manufacture a custom shaped fixed Flushglaze unit specifically for this part of the building.Therefore maximising the amount of overhead glazing and thus lighting the stairwell sufficiently so that it can be used safely without the need for artificial lighting. Perhaps one of the most quirky and inventive parts of this renovation is the use of glazing in the bathroom, the client had specified a large walk-in shower area which was easily achievable given the space available but would have resulted in the shower being located in a dark corner of the room necessitating the use of artificial lighting. Natural daylight is critical when attempting to achieve a minimalist scheme, so Linework Architects wanted to ensure that this element was carried through to all corners of the building.“We were trying to make a really exceptional bathroom space, so we decided to use the Eaves Rooflight, and play with the glass transparencies.” Robert Haworth, Director, Linework Architects.The resulting installation delivers a floor to ceiling vertical glass window section which transitions into the roof seamlessly with no additional framework, this creative solution provides a unique design element to the bathroom and the much-needed daylight to open up the space. Being a bathroom, privacy also had to be addressed, particularly in the shower area! Glazing Vision recommended the use of opaque satin etched glass which provides enough translucency to allow light to permeate, but also presents a frosted glass finish sparing the blushes of anyone using the shower.Taking around five months to complete, this was not a straightforward scheme to deliver, however the end result can be considered transformative. Linework Architects uncompromising and inventive use of glass rooflights has proved incredibly successful in this project and contributed greatly to the feeling of light, air, and space in this minimalist haven.

LAMILUX designed, manufactured and installed this glazed 'Geo Grid' infill roof / rooflight to the courtyard of the Sir David Bell Building at Roehampton University. With the main atria designed with a 3° pitch leading to an integrated 30° angle, this unusual shaped glass roof consists of an array of 59 triangular and square shaped glass panels.

The Egyptian Gallery was the first of many projects at the Museum to benefit from a replacement duo-pitch rooflight using Lonsdale’s ThermGard Roof Light System.After having procured roof lanterns of varying quality and with disappointing results from different manufacturers, the Client was determined to establish a design that met their very high criteria for thermal performance and protection of the priceless exhibits from damaging UV light. Whilst wanting the benefits of modern aluminium systems, there was a requirement for a ‘heritage’ appearance so that any replacement roof lanterns mirrored the original timber construction. High performance solar control glass was also specified to reduce harmful UV light to the exhibits below. Solar protection was further enhanced by the fitting of external shading blinds to the overhead glazing which produce the slightly ‘eerie’ affect that can be seen in this image. Such was the success of this initial project, the Client has held Lonsdale as the benchmark by which other roof light manufacturers are measured and we repay this loyalty by ensuring a first class job every time.

Sliding-Over Fixed Rooflight Maximises Light In Mansard Roof Extension Case Study

Stunning 'Wow Factor' Added To Contemporary Extension Using Eaves Rooflight Case Study

With limited vertical wall space for windows, Denizen Works utilised Glazing Visions’ fixed Flushglaze rooflights to flood the living spaces with light in their recently built housing scheme, Haddo Yard.The project, on the site of a former bungalow, is located in Whitstable, Kent and takes its name from Oliver Haddo, a character in former resident Somerset Maugham’s novel, ‘The Magician’. Haddo Yard forms part of a series of projects initiated by developer Arrant Land, that seek to explore how a town with a distinct visual identity can be enhanced by adventurous but contextual contemporary design.Having been approached directly by developers Arrant Land, Denizen Works undertook an initial design review exercise resulting in an extensive overhaul of the scheme. Despite the detailed design, problems emerged, with the ground floor living spaces extending into a single story volume to the rear of the site creating deep plans and on the second floor, apartments occupied roof space so vertical walls for windows was limited.Denizen Works contacted Glazing Vision, who they had worked with previously, with the aim to utilise rooflights over these spaces which brought light in to the deepest parts of the plan and to create living spaces on the second floor which could be flooded with light, even with a lack of vertical wall space.“Glazing Vision always provide good technical support which makes specifying and detailing their products very easy”, explains Andrew Ingham, the architect working on the project.One of the most important factors for Denizen Works when they sourced the rooflights were the frameless appearance of the Glazing Vision Flushglaze rooflights. Three fixed rooflights were used, measuring 2000x1000mm, as means of providing natural daylight and helping to maintain the clean, contemporary and minimal detailing that had been employed throughout the project.The resultant scheme comprises of 6no. two bed flats and 1no. 1 bed flat spread over three floors, each enjoying dual aspect and south-facing living spaces overlooking the gardens. The ambition for Haddo Yard was to create a distinctive and contemporary expression of local identity. The finished building asserts a bold and confident presence within its context.Haddo Yard is the first completed building by Denizen Works and Arrant Land, helping to present a unique addition to Whitstable’s built environment. Andrew Ingham concludes “We’re very proud of Haddo Yard and we have heard first hand just how much the current residents enjoy the light, contemporary spaces we’ve designed.”

Barr Gazetas worked closely with BW: Workplace Experts and Glazing Vision on the remodelling of this contemporary yet classical office building which involved creating an accessible private terrace for staff and clients to enjoy the views of central London, as well as providing the 6th floor with natural daylight. Utilising a terrace in densely populated areas such as London is a great way to provide a building with more accessible space. Originally the 6th floor offered 2,821 sq ft of space, but with the addition of the terrace area, this increased to 3,790 sq ft.Not only does an accessible terrace supply you with extra room, but, in London, the presence of a roof terrace typically adds 12% to the value of a property, rising to as much as 25% in coveted Chelsea. Other benefits of access rooflights include improved natural ventilation, control of interior temperatures, and the result is also beneficial to the aesthetics of a building such as 6 Duke Street. Barr Gazetas chose Glazing Vision not only due to our vast experience in designing and manufacturing access rooflights, but also for our ‘start to finish’ service. All of our rooflights are designed and manufactured at our HQ in Diss, and we even offer an installation service via our sister company, Glazing Renovations, which provides our clients with peace of mind.Box rooflights are a great way to gain easy access to any roof terrace. Operated at the touch of a button, the user simply climbs the stairs whilst the rooflight is retracting into its open position and walks straight out onto the terrace. Our three wall box configuration is one of the most popular and can offer an almost seamless integration into the fabric of your building. On this particular project, the sliding section when open provides a clear opening of 1927mm on the left side when viewed from the outside and is glazed on the front and top with a built-in fall of 3 degrees, and mounted to walls at the rear and two sides. The rooflight also includes the optional extras of a proximity detector and a battery back up. The rooflight was crane lifted to the terrace so that installation could be carried out by Glazing Renovations.Our Multi-Part Walk On Rooflight has supplied the 6th floor with a large amount of natural daylight which is proven to boost vitamin D, help improve sleep, and can help boost focus. The rooflight also includes Enduro Shield glass protection which provides superior resistance against contamination caused by moisture, hard water, all types of dirt, lime scale, salt spray and pollution, and also helps protect against degradation, staining, corrosion and etching. Our standard glass specification on our Flushglaze Walk On Rooflight is designed to withstand regular foot traffic in domestic applications with uniform loadings of 1.5kN/m² and concentrated loadings of 2.0kN in accordance with EN 1991-1-1-1:2002.The two rooflights perfectly complement each other and work together to provide a vast amount of natural daylight whilst creating a visually impressive, accessible terrace area.“The Walk On Rooflight was key to providing as much light to the floor below as possible, and the box rooflight was a great feature to the terrace, providing easier access than a ‘hatch’ access product.” Pradumn Pamidighantam, Senior Architect, Barr Gazetas.

Glazing Vision’s three-wall box rooflight has provided a rooftop with more de rigueur, and one which takes advantage of the spectacular views overlooking the Perth shorelines.Keen to unlock and utilise the space on top of this newly built residential home, and further add value to this property, an innovative “glass box” was introduced to provide easy access to the roof terrace.Luxurious, modern and upbeat, this new build property has been carefully created with family life in mind. The floor plan involves family separation and considered zoning of the property.The ground floor provides a secluded escape from the excitement of the first floor, with a detailed layout which enables the clients to relax. A big theatre room and access to the garden offers a chilled out environment, hidden away from neighbours.The first floor is created for living in, with a completely open planned lounge, diner and kitchen. Set higher up, it allows for views across the beach and over the garden courtyard. Thus, it was important to ensure that high quality glazing was specified throughout to make the most of the wonderful views.Tasked with sourcing and installing the windows and doors on this modern new build property, Next Generation Glass director Steve Payne mentions how the client had come to them enquiring about skylights. After a lot of research into the different profiles available in Australia and after various different drawings and ideas, the outcome wasn’t looking good.It was a visit to the UK which led Steve to Glazing Vision, thankful of a recommendation from a contact of his. “Since my first contact, we decided it was a great product and became a distributor of Glazing Vision products in Australia”.After discussing the details of the job, a three wall box rooflight was recommended, helping to provide access to the clients roof terrace and providing wonderful views of the majestic presence of the Indian Ocean in the background.“It really is a great product and all that see it are in awe of it” explains Steve Payne, director of Next Generation Glass.The Glazing Vision three-wall box rooflight is fixed to your existing building structure, thereby facilitating the full use of the roof top terrace but operates in the same way as our freestanding box rooflight. The sleek aluminium framework and perfectly edged glass-to-glass joints create a stunning contemporary finished design which reflects the style of this property.This home’s rooftop terrace is the culmination of meticulous tweaking of the planning codes, and the reward is breath-taking views of Perth, with a beautiful backdrop of the ocean behind. It was in fact these planning codes which guided them towards the three-wall box rooflight, as the extra head height was required when coming up the stairs. Also allowing the homeowner to climb the stairwell whilst the rooflight is retracting into its open position, without having to ‘bow their head’.Fitted with minimal and contemporary outdoor furniture to increase the sense of openness. The new roof top allows the homeowner an additional ‘room with a view’, perfect for entertaining or for relaxing and enjoying the stunning views on offer.Having completed their first project with Glazing Vision, Steve Payne mentions how easy the whole process was, and that most of the hard work was undertaken by Glazing Vision. It was a simple installation process for a company like Next Generation Glass who are used to cranes in their scope of works.

Electrically Hinged Rooflight Provides Effective Light Source To Grade 2 Listed Barn Case Study

LAMILUX designed, supplied and installed both the supporting steelwork and atrium glazing to illuminate the central zone of the venue with natural daylight. Structural calculations were generated to ensure that the steelwork, which was assembled from five sections, could withhold the weight of the high spec glazing used. 76 fixed panes, walkable for maintenance and weighing 65kg per m², create the 20m x 9m wide unusual curved glass roof with wall abutment detail. 3 anchor points, which forms part of the rooflight system, were installed so that maintenance personnel are able to fix their safety harnesses onto the anchor points.

Natural sunlight and space were two of the key objectives for this extension located in South London. The client, an artist, writer, and former fine arts lecturer, had recently moved to London from Oxfordshire to be closer to her family, and was looking to produce a peaceful, tranquil space to help improve creativity when at work.“I had no fixed ideas about what I wanted, but I wanted more space because it was very small, very dark and I just needed to breathe” Client via Evening Standard.Looking to update this Victorian house into a future proof property, Atelier Baulier Architects worked with the client to achieve the radical vision of a virtually half opened roof through the use of a rooflight. Our Multi-Part Flushglaze rooflight was specified at just short of 8 metres which immerses the entire extension in daylight making the 21 sq. m. space feel much larger, hoping to improve the client’s productivity and focus. The art studio is located under the doubleheight volume, enjoying even light levels throughout the day. The writing room takes the vantage point of the mezzanine above the bathroom and is accessed from the first floor level through an opening made in the gable.Keen to retain discreet detailing to ensure the rooflight framing wasn’t distracting from the design, the Multi Part Rooflight was specified with silicone joints, as opposed to aluminium balustrades, making the product much sleeker. To help daylight flood the room even further, the unit was specified with three Wall Abutments on the high left and right side. The Wall Abutments are not visible from the internal view, this helped to enhance the desired discreet detailing.As stated, the rooflight was supplied in three sections with the frameless silicone joints segmenting each section; the three sections were sized to achieve an equal split when viewed from underneath. This meant that the end sections had to be larger to account for the upstand width.“We aimed to maximise the potential of this unusual site. Rather than subdividing the space the programme is housed within one continuous volume, allowing the daylight to flow through.” Aurore Baulier, Director, Atelier Baulier ArchitectsWith the house being located in a conservation area, the extension naturally blends in with its outstanding surroundings. Brickwork is a major part of this Victorian cottage and its extension. The new volume is a wood-fibre insulated timber construction overclad with bricks slips, resulting in a much lower carbon footprint than a traditional masonry wall. On the interior, brick slips dress the walls continuing the pattern created by the whitewashed brickwork of the existing gable.Atelier Baulier Architects worked brilliantly to maintain the nostalgic look of the building whilst also transforming it into a contemporary home, with the use of a glass rooflight proving to be successful in adding a vast amount of light and space to the originally dark and gloomy Victorian house.

The recently built front extension creates a new threshold for the church, encompassing a large multipart Flushglaze fixed rooflight from Glazing Vision. The rooflight works to fill the entrance lobby with natural daylight and helps to create a lofty, open space with character.Utilising frameless rooflights to accentuate this highly contemporary home, CDC Studio have adopted the perfect balance of imagination and persistence. Designed as a ‘forever home’ for their retired clients, this house is accessible, highly contemporary, low energy, sustainable and secure.Having approached CDC Studio, to create a home which was not too big for two, but big enough to accommodate village parties and wider family coming to stay.CDC Studio replicated the thatched barn and knitted into the local community, encapsulation the character of the village through local crafts and materials of flint, red brick, timber shutters and estate fencing complimenting this with the use of zinc to echo the agricultural aesthetic of the original land use.Adopting a thoroughly modern approach, the kitchen, dining and living spaces are open plan to allow for social gatherings and to provide a smooth flow throughout the home. With three Glazing Vision secure by design flat rooflights along the roofline, natural daylight is allowed to fill the property and create an open space for the homeowners to enjoy.The kitchen sits under a column-free, steel rod hung mezzanine with acoustic damping which was rigorously engineered to avoid the reverberating noise. This creates a sense of enclosure to the kitchen whilst allowing CDC to achieve the fully flexible family / party space requested beyond.Two Glazing Vision electric Visionvents have been included to deliver a continual air flow running through the property and providing a constant temperature and source of natural daylight into the entertainment area of the home.To compliment the contemporary style of this house, a Glazing Vision Sliding over Roof rooflight has been installed, whereby the entire section of glazing retracts out onto the roof space, leaving open, unimpeded views of the sky above. When closed, the amount of glass is maximised to maintain an almost frameless appearance.“CDC Studio have been specifying Glazing Vision for a number of years and our clients have always been very pleased with the results. A combination of standard products and the option to deliver a bespoke solution means that Glazing Vision cater for all types of projects and affordability whilst products are well made and come with the addition of guarantees.” Delphine Dryer, Associate Director CDC Studio.The character of the thatched barn is emphasized by embracing its full height to the ridge, offering modest but usable guest rooms wrapped in painted timber boarding. These were identified for immediate family use, the height helping to overcome their narrow nature on plan, integrated wardrobes, back panels and pegs for hanging make them hard working spaces. A separate master suite spreads into the new volumes providing dressing, bathroom and a private patio area which offers the clients a place for quiet retreat when guests are staying.The house boasts its own private ‘Gin and Tonic’ balcony. The mezzanine space creates a private second sitting area with a concealed timber stair nestled between concrete sheer walls to provide access. It is quiet yet connected to the main space, and commands views to the west with a fully opening sliding over roof rooflight to let the outdoors in. A separate guest suite and shower room afford privacy to occupants and visitors alike.The extended roofline and orientation provide solar shading to the solar controlled west facing glazing with the careful positioning of rooflights to prevent overheating in the height of summer, plus water runoff is directed to a salvaged historical water trough which the clients will use to water the garden. The linear design is extended into the immediate landscape with water rills extending out like fingers into the wider area which over time the clients will begin to accentuate with their planting.This project showed the right combination of imagination and persistence, creating a home which not only fits in with the local village heritage but also manages to stand out and create a ‘wow factor’ for those which bask in its glory.“We have recently been impressed with their ability to comply with the secure by design requirements which not all companies seem aware of. We have used the fixed and venting rooflights on our Stacked house and Y house and a massive bespoke sliding rooflight on our Parkhouse which the clients adore.” Delphine Dryer, Associate Director CDC Studio.

Stapehill Abbey is a unique estate of 45 two to five bedroom homes. Set within beautiful gardens and grounds, the recently converted Grade II listed refurbishment looks magnificent.The original Abbey House was built in the early 19th century, with the monastic buildings dating back to the 1840s. The twin chapels were designed by Charles Hansom in 1847 and the buildings were completed in 1851. Founded by a small group of nuns led by Madame Augustine de Chabannes, the Abbey was home to The Cross Abbey order of Cistercian Trappist nuns between 1802 and 1990.Dorset based developers Ankers and Rawlings worked painstakingly to retain the original artefacts and period features of this historical site. They chose over 60 Clement Conservation Rooflights for the project including both slate and tile profiles in sizes 1, 2, 3, 4 and 5.  Garry Hunter from Ankers and Rawlings said  “The homes at Stapehill Abbey have a mixture of slate and tile roofs, we chose Clement Conservation Rooflights as we needed a product that would look perfect in both. We are really delighted with end result and hope to use Clement rooflights again in the future”.

Glazing Vision worked closely with Architect, A R C Architecture Ltd, and Contractors, Matrod Frampton Ltd, on this incredible project located in Lymington, Hampshire, where the client was looking for their new pool room extension to include a large, flat rooflight, creating a peaceful and naturally lit room, perfect for a relaxing swim. They were also looking for a rooflight within the loft area of the home to allow natural daylight and ventilation to the space.Glazing Vision’s Flushglaze Fixed Multipart Rooflight in Slate Grey Matt was specified for the roof of the pool house, which was an impressive 3800mm x 10360mm in size, which almost mirrors the size of the swimming pool below.Bespoke glass was selected for this particular project. The double-glazed outer pane was made up of heat soak tested, toughened glass which offers a greater resistance to thermal stresses and provides better protection against glass breaking, reducing risk of injury, essential with a pool directly below.Argon gas filled the space between the panes of glass which helps insulate the room and minimises the transfer of heat through the glass along with a black warm edge spacer which is an insulating plastic composite material that becomes a barrier to heat loss.The inner pane consisted of heat soak tested, toughened, PVB laminated glass which prevents glass shattering under impact by holding the shards together on the membrane so they cannot become lethal, and includes a soft coat low E rating of 1.1, helping with the energy efficiency of the room by reducing energy costs.The product was tested to class 1 in accordance with CWCT TN66/67 which is essential for rooflights which might be walked on for occasional cleaning/ maintenance activities, and which will therefore need to support both the weight of people on the glass and their equipment, which may be required on this occasion.The rooflight was supplied in 6 sections with internal back-to-back angles at the joints between each section. The 6 sections were sized to achieve an equal split when viewed from underneath.Our Skydoor Electric Hinged Access Rooflight was specified on the roof of the loft space which is ideal for ventilation and regular access, and offers natural daylight to the space below. Intelligent actuators ensure synchronized operation between the two supporting mechanisms, so the Skydoor opens to a maximum 87° in one fluid, trouble-free motion, providing you with easy access to the space above.The glass was a double-glazed unit comprising of a heat soak tested, toughened, soft coat low E (1.1) outer pane, with Argon Gas within the space between the panes and black warm edge spacer, with the inner pane consisting of heat soak tested, toughened, PVB Laminated glass, and was also tested to class 1.Both rooflights were expertly installed by our sister brand, Glazing Renovations.“Glazing Vision were helpful in explaining the two different upstands required for the different glazing systems. The installation team were helpful and carried out their work in a professional manor.” – Steve Davies, Site Manager, Matrod Frampton.

This surreal manor house has been converted with the help of five bespoke Ridgeglaze rooflights from Glazing Vision, to provide a constant flow of natural daylight throughout this new renovation.This secluded manor house in Mawgan Porth near Newquay involved a combination of new-build and refurbishment to help create a special property with interlinked courtyards. Gardens and entertaining spaces that reconnected this house with its rural location.A property which had lost much of its character due to previous poor-quality extensions and renovations was in desperate need of an overhaul and some true care and attention to help provide the clients with a home they could cherish.CSA Architects were entrusted with this mammoth task and working closely with builders P Chapman Construction they have been able to capture the true identity of the property and its marvellous countryside surroundings.From the point of arrival, the driveway leads guests to a grand entrance hall, that seamlessly links the original house and the new buildings, whilst also connecting directly to the surrounding landscaped gardens.Renovating the original house to provide guest accommodation that is both cosy and functional, the extensions have created large open plan living and dining spaces, a sitting room, games room, and functional boot room.The use of 5 multi-part Ridgeglaze rooflights from Glazing Vision add an abundance of natural daylight throughout this new renovation.Providing the perfect addition to the apex roof line, allowing glazing on both returns, and in keeping with the juxtaposition of rustic and contemporary which is almost flaunted throughout the home.Given the history of the building, double glazed rooflights were used with a low e coating for maximum thermal performance. The low e coating on the glass allows most of the visible light to pass through as well as the short-wave heat energy but blocks long wave energy from passing through. This ensures the heat from inside the building is reflected, back into the room, and so heat losses are significantly reduced.Throughout the property, unique characters have been retained but with carefully selected improvements to emphasise the potential within the property. The rustic stone floor and extensive areas of Crittall-style glazing sit against the original stone wall of the house and form part of a rich palette of high-quality materials. The use of reclaimed wood cladding, brick walls and oak beams are brought together around an exposed steel structure that define the main living spaces.

Perry Hall Academy, a large primary school built in 1949, with original waterproofing still in-situ. IKO assisted the Academy funding bid by providing a detailed survey report, including intrusive core sample analysis. The roofs were suffering from water ingress, cracks in the mastic asphalt, pooled water and poor heat retention, so decision was made to replace the roofs throughout. New rooflights were also specified to allow more natural light in while the design chosen reduced the external noise transmission. IKO worked with specifier Concept Education Services to deliver the project (some work during term-time) within 6 months.

Project:The construction of luxury offices and apartments required a bespoke access solution to the roof.ProductSurespan designed and manufactured a boxed glazed sliding rooflight with a glazed vertical upstand.The sliding lid was operated electrically via concealed 24v DC actuators and a push-button switch. The 35.5mm sealed double glazed unit comprises of Pilkington 6mm toughened K polished all-round outer pane, a 20mm Warm Edge silver spacer bar that is argon filled, and a Pilkington 9.5mm toughened & laminated inner pane. The sealed glazed unit has a U-Value of 1.5 W/m²K.Features:Operated electrically via concealed 24v DC actuators35.5mm sealed double glazedPilkington 6mm toughened K polished20mm Warm Edge silver spacer barPilkington 9.5mm toughened & laminated inner pane. U-Value of 1.5 W/m²K.

Vicky and Nick, the owners of Holloway and Holloway, a London based architecture studio, share their story on living and working under the same roof, in a stunning recently extended house where they added an Unlimited Rooflight. Questions to Vicky and Nick:What was the decision-making trigger in choosing daylight from above?To be honest there was no choice here. In a London mid-terraced property, even a semi-detached one, when you do a side infill to increase the rear of the property by filling in the gap between the properties, it creates a dark space in the centre of the property where there is no natural light.So, you generally counter this by adding roof lights in the ceiling over the new extension, and make sure that they are placed fairly close to the back of the room so that you can flood that space with natural light.Vertical windows tend to allow a good level of natural light to penetrate around 6 meters into a building. Not only do roof lights allow a lot more light in a space than a vertical window, but as you can place these in more central areas in the room, they are nearly the only way to get daylight into the centre of your house.We have our office in the central room of the property, so for us, we had to have good natural light levels in this area as we spend the most amount of time here in the whole house.You added a rather large rooflight to your extension - The Unlimited Rooflight. What impact does it have on the space?It is amazing how bright the space is. We get so much light from above that the space always has a wonderful vibrance to it during the daytime.But I think that possibly what’s even more striking than the amount of light itself is the size of the glass, its 5m² total, split into 2 pieces. It makes it feel as though there is more glass than there is solid roof up there, it really is the wow feature of the whole space.Whilst we had expected that when we designed it as it was always meant to be the feature in the room, what we hadn’t realized was how much it would make the space feel bigger. With extensions on a mid-terrace property, you are often limited as to how high you can build so your ceiling height can be capped at a certain level, but having this huge opening in the middle of the room makes the whole space feel like you’ve got this really grand ceiling height, it has such an effect on how the space feels. Tell us what was the timeline from inspiration to finished interiors? I'm sure it's a question you get very often.Indeed. Well we actually only found out about Vario by VELUX as we were on site, they were just about to start the roof construction as we found out about them, so we didn’t have a huge amount of time and had to get things organized very quickly! From finding the products to getting them on site it was only a matter of weeks, once we had chosen a size for the roof lights all we had to do was confirm the opening dimensions to our contractors, and double check with the structural engineer that the roof structure was ok to support the new roof light. Once that was all sorted all we had to do was wait, it was a very easy process. The project took around 4 months on site in total, but the roof lights go in fairly near the end of the project, so once they’re in it’s all very exciting, as you are close to completion.  

Jessica's home renovation and extension. Please see below a brief overview of Jessica's renovation journey in a blogpost:I’m not going to lie, renovating in a pandemic with no kitchen, was extremely stressful at times, particularly during the long stretches we were home-schooling, and it’s not something I’d want to repeat, but it definitely could have been worse, and we survived it.We bought this house six years ago and I have wanted to do the kitchen side return extension ever since Day One, but we had to wait and save, and then finally in September last year (2020) the day finally came, and we started the renovation. For reference, this is what it looked like when we bought the house. We did do a budget makeover in the interim by painting the cabinets and replacing the handles, but by the time we came to do the major building work we had doors hanging off, shelves collapsing, and the major lack of storage meant things were stuffed in and precariously balanced on top of each other and ready to topple as soon as anyone dared to delve in. I shared lots of my inspiration and ideas for the new kitchen before we started. I knew from very early on that I didn’t want to spend a huge amount of our budget on creating a fancy architectural kitchen extension. For me, the space inside was what was most important, and I just wanted to make sure we were maximising that to its full potential. We hired architect to draw up just the plans for us. I had initially wanted a pitched glass roof to run the length of the side return extension, but council planning regs and the unusual way our house is laid out, put paid to that idea. Our local council had recently introduced a height restriction of 2.5m at the boundary when extending more than 3m at the rear. Which we weren’t. Or so we thought! What we hadn’t realised is that the existing kitchen had already been extended and that counted towards the allowance, so the restriction did apply. This caused a lot of stress at the time, as we were so worried that the ceilings were going to feel low and dark. The good news is that as soon as the Vario by VELUX rooflights went in, all our worries melted away, and it’s not something I even notice or think about now.Another thing we did was speak to our neighbours about a third-party wall agreement. This was pretty key for us, as the buttress was on our side of the wall and if we had to build around it we would have lost at least half a metre of the side return. What we needed to do was take it down and build up right up to the boundary (saving as many of the London stock bricks as we could in the process). Luckily our lovely neighbours agreed, as this really did make a huge difference to the internal space.The LayoutI have had a lot of questions about many different aspects of the kitchen, but I think the thing I have been asked about most is the dimensions and the layout. We extended out 1.5m at the rear and around 2.5/3m to the side, bringing us to a total of 5m wide x 8m long. I think our layout is fairly unusual for a kitchen, and it seems to have inspired lots of people to try and do the same in their own kitchen renovations. The good thing about waiting almost six years to renovate your kitchen is that you get plenty of time to mull over what your dream kitchen might look like. The Design  knew I wanted to go with a seamless sleek, understated design and let the other materials do the talking, so I settled on the Urban kitchen, with slab doors. I worked with a kitchen designer to fine tune the space, and that’s where it really comes into its own, because they think of all the details you wouldn’t necessarily think of, and they know exactly how much space you need to allow you to move around your kitchen comfortably. The area around the island and peninsula was a tricky one to get right, because we didn’t want to interrupt the flow too much, but having lived in it for the last few months, I can confirm the kitchen designer got it spot on. We also included a fluted glass cocktail cabinet in our kitchen design, which houses all our glasses and drinks bottles and sits on the dining/entertaining side of the kitchen.The Vario by VELUX rooflightsOur previous kitchen had very little natural light and as a result none of us ever wanted to spend any time in there. So getting as much natural light as possible was a major priority in this renovation. We planned for two large rectangular rooflights along the side return (as we knew we needed a steel in between) and a square one towards the rear. Once we got planning permission, I asked our architect to tell me the absolute maximum amount of glazing we were allowed, and then headed straight for the Vario by VELUX website to design bespoke rooflights to the exact size we needed, using every last bit of glazing we were allowed! The bespoke nature of Vario by VELUX means you can tailor your sizes exactly to your needs. Using the 3D configurator online, you can also choose the frame colour, the type of glazing, and whether you want them to open or not. We have two 2.3m x 1m Rectangular rooflights (one opens) and a 1m x 1m square rooflight. Our builders had never worked with them before and were really impressed by the ease of fitting. The moment they went in, was the moment we really start to get excited about the new space. Even with screed floors and bare brick walls in November, the light was incredible in there. Now it’s finished, one of my favourite things is to work in the kitchen and watch the light as it changes and moves throughout the day. Even watching the rain is epic.

Skydoor Roof Access Rooflight Has Helped Open The Roof Space Of Beautiful Holiday Home Located In Michigan Case Study

Structural atria glazing for a large open central point of a buildingThe ChallengeThe Grafton Quarter in Croydon was an ambitious multi-million project to develop an innovative creative hub of artist studios and residential units. The main contractor Magnus Build worked with an array of innovative suppliers including ourselves and wanted to ensure that the client vision was fulfilled.The solutionTransforming a former industrial site into an outstanding mixed-use site was a project with a little bit of everything where specialist contractors were asked to provide innovative solutions. For our part we were able to fulfil with a structural atria glazing for a large open central communal point of a key building; our use of glass within the atria allowed natural light transmission, enhanced the felling of space which created a unique design feature to the building.Whether you’re at planning or construction stage why not see how we could help you add natural light and space to your commercial space; you can call us on 01223 792244 or pop us an email via info@nextgenrooflights.co.uk outlining what help you need.

The design briefTo sensitively transform two former workshops buildings into a modern, light and airy family home, in this hidden location.ChallengeTo achieve beautiful design, to sustain health and well-being through superior craftsmanship, quality materials and intelligent use of glass.Solution3m x 2m internal walk on glass floor with glass beams seamlessly appearing out from the walls, elegantly modern design introducing light and the illusion of space. 19mm thick monolithic glass balustrade sections connect each room achieving a spacious, sharp and minimal look. The multi-panel skylight engineered to fit existing timber trusses creates a sense of large expanse and allows the flow of daylight to pass down to the lower levels, lightening up the beautiful design within.Whether you’re at planning or construction stage why not see how we could help you add natural light and space to your home project; you can call us on 01223 792244 or pop us an email via info@nextgenrooflights.co.uk outlining what help you need.

Multiple, very bespoke, multi pane Flatglass on a commercial education project.

Award winning project in Cambridge. Only natural daylight used during the day. A mixture of Class 1 and Class 2 non-fragile rooflights.Very large single pane units.

The LAMILUX Glass Roof PR60 was designed and installed as a continuous atrium using 60 panes of glass covering an area of 14m X 15m. The framing detail ensured a seamless transition to the wall abut at the head, whilst sitting on perimeter supports at the verge and cill. High performing glazing with double silver coating prevents overheating in addition to the glazing designed to be walked on for cleaning and maintenance purposes. LAMILUX were able to provide a better solution than the original concept by using larger panes arranged in four flush tiers installed with a 3° surface inclination.

The architect has created a connection with the outdoors in, utilising large fixed rooflights from Glazing Vision to bring daylight into the house and frame the surroundings.‘The most beautiful spot in the Netherlands’; that is the description of this country house in the marina ‘t Raboes according to the owners. Located on the Eemmeer, a place in the middle of nature, and away from the hustle and bustle of city life. The architect has created a connection with the outdoors in, utilising large fixed skylights from Glazing Vision to bring daylight into the house and frame the surroundings.Bringing in daylight with large minimalist skylights was a key requirement for the architect. The horizontal application of large glass surfaces demands a lot from the design and after many discussions, the architect was confident that Glazing Vision was the rooflight manufacturer that could implement what they had in mind.No framework in sight. Insulated glass with excellent insulation values. Glass that blends seamlessly into the architect’s design. A way to bring the outdoor feeling inside.Three multipart skylights have made this architectural vision become a reality.The back-to-back angles fit in very well with the rest of the modern contemporary interiors. To make it possible to darken the rooms, Glazing Vision has applied custom-made sun protection from Topshade.At the spot where the river Eem flows into the Eemmeer, architect De Kort van Schaik designed the country residence ‘t Raboes. The clients wanted to create a place where they could fully experience nature, but also withdraw from the hustle and bustle of the city.The house consists of three parts, connected by three covered terraces. Concrete walls and floors which blend seamlessly into the environment and large windows that frame the polder landscape.All energy on ‘t Raboes is generated locally. The solar cells on the roof of the marina building supply electricity. A heat pump that uses the surface water of the Eemmeer provides heating for the house and swimming pool.In the living areas, wood stoves have been used, all which use wood from their own grounds, providing readily available extra heating capacity.A beautiful contrast is created by the yellow epoxy bathroom furniture, designed by Sabine Marcelis. A piece of furniture consisting of a bath, wash bath and shower stands as a free-standing sculpture in the concrete bathroom. The skylight forms a completely frameless glass roof, which gives you the feeling of being outside even more.Sabine Marcelis states that she has designed her dream bathroom. The subtle rotation of the furniture gives you a fantastic view of the landscape from the bath.Taken aback by this stunning property, the architectural press has been impressed with all aspects of the design. De Volkskrant gives the Huis op ‘t Raboes five stars. “The Rotterdam architectural firm De Kort Van Schaik designed a house in which you live with the elements and at the same time are protected against them, thanks to a thick concrete coat.”

The Old Court House was on the verge of collapse when purchased by its current owner. The Local Planning Authority had placed a Section 106 agreement on the property detailing its rescue from dereliction and were preparing to increase its listing status to Grade I as it was rumoured to be a hunting lodge gifted by Queen Elizabeth to Robert Dudley, 1st Earl of Leicester. Dating carried out during the course of the works confirmed that the building had been constructed in phases between 1526 and 1613.A team, including the client, Harrison Brookes Architects and Speller Metcalfe Contractors worked closely to bring this house back to life using a range of conservation skills and employing specially made components (bricks and tiles) combined with modern technologies. The Clement 3 range of Conservation Rooflights in a tile profile were chosen to be in keeping with the property’s appearance.Rhys Brookes from Harrison Brookes Architects said “This Grade II listed building was in a dilapidated state and required meticulous and painstaking reconstruction. The inclusion of Clement’s Conservation Rooflights helped us to stay true to the original character of the property whilst also meeting the demands of Building Regulations.”The project has won numerous awards including; RIBA Conservation 2018, the RIBA Regional Award West Midlands 2018 and the RIBA Project Architect of the Year Award 2018.

Our ThermGard Roof Light System provided the necessary profiles to achieve the considerable spans involved, some beyond 4.5m. Solar control glass was utilised to reduce heat gain and this combined with a low-emissivity coating provides year round comfort within the building environment.

This previously draughty corridor was in sore need to refurbishment at this hotel and spa just outside Manchester. Our ThermGard-R rafter glazing bars were ideal for sitting on top of the existing steel rafters and provided a robust glazing method to retain the large double glazed units. Softcoat low-e laminated and toughened glass insulating glass units provide excellent heat retention and being North facing, there was no need for the addition of solar control.

Bespoke shaped Flatglass on a private residence.

Residential hinged Flatglass for ventilation and light transmission.

The Brief Our client, architect Scott Brownrigg, wanted glazed roof lights for properties within The Glasshouse, an exclusive new housing development in Putney, London to provide natural daylight and allow residents safe and easy access onto their roof terraces. The solution Surespan worked closely with Scott Brownrigg to design the roof lights to ensure they were in keeping with the style of the contemporary building. They were set to automatically open with the touch of a button so residents could easily and safely step out onto their roof terrace.

Extensive roof glazing refurbishment project including complex saw-tooth roof sectionProducts: em.glaze Monopitch, Northlights and a bespoke walk-on installation